MODERNISM AND TOTALITARIANISM II
141
24. Stanislav Kolib al, “Disappearing Shape”, 1968, National Gallery, Prague
tion seems to have been a key event in the history of the postwar Czech
art, becoming a virtual legend, just as “IPARTEV” in Hungary and
“Wrocław ’70” in Poland. Ali the three exhibitions marked local transi-
141
24. Stanislav Kolib al, “Disappearing Shape”, 1968, National Gallery, Prague
tion seems to have been a key event in the history of the postwar Czech
art, becoming a virtual legend, just as “IPARTEV” in Hungary and
“Wrocław ’70” in Poland. Ali the three exhibitions marked local transi-