Instytut Historii Sztuki <Posen> [Editor]
Artium Quaestiones — 14.2003

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WHITNEY DAYIS

Saslow James, 1986, Ganymede in the Renaissance: Homosexuality in Art and Society, Ya-
le University Press, New Haven
-, 1991, The Poetry of Michelangelo: An Annotated Translation, Yale University Press,
New Haven
-, 1992, ’Disagreeably hidden’: Construction and constriction of the lesbian body in Rosa
Bonheurs „Horse Fair’, (w:) Norma Broude, Mary Garrard, eds., The Expanding
Discourse: Feminism and Art History, HarperCollins, New York, s. 187-205
Saslow James, Gay and Lesbian Caucus, eds., 1994, Bibliography of Gay and Lesbian Art,
Gay and Lesbian Caucus, College Art Association, Nowy Jork (przedruk 1995)
Schmidgall Gary, 1994, The Stranger Wilde: Interpreting Oscar, Dutton/Penguin, New York
Sedgwick Eve Kosofsky, 1990, Epistemology of the Closet, University of California Press,
Berkeley-Los Angeles
Silver Kenneth E., 1992, Modes of disclosure: The construction of gay identity and the rise
of Pop art, (w:) Russel Ferguson, ed., Hand-Painted Pop: American Art in Transition,
1955-62, Museum of Contemporary Art/Rizzoli, s. 179-204
Silverman Kaja, 1992, Małe Subjectioity at the Margins, Routledge, London
Simons Patricia, 1988, Gender and Sexuality in Renaissance and Baroąue Italy: A Working
Bibliography, Power Institute Occasional Paper 7, Power Institute of Fines Art, Uni-
versity of Sydney, Sydney
-, 1994, Lesbian (in)visibility in Ralian Renaissance culture: Diana and other cases of don-
na eon donna, (w:) Whitney Davis ed., Gay and Lesbian Studies in Art History, Ha-
worth Press, Binghamton, N. Y., s. 81-122, {- „Journal of Homosexuality” 27, 1/2)
Sokołowski Thomas, 1983, The Sailor 1930-45: Image of an American Demigod, Chrysler
Museum, Norfolk, Va.
Sullivan Andrew, 1995, Virtually Normal, Knopf, New York
Sulloway Frank J., 1979, Freud, Biologist ofthe Mind: Beyond the Psychoanalytic Legend,
Basic, New York
Symonds John Addington, 1873, Studies ofthe Greek Poets, I ser., Smith, Elder, London
-, 1877, The Renaissance in Italy, t. 3: The FineArts, wyd. I, Smith, Elder, London
—, 1883, A Problem in Greek Ethics, druk prywatny, London
Thomson Richard, 1987, The Prioate Degas, Arts Council of Great Britain, London
-, 1988, Degas: The Nudes, Thames and Hudson, London
Tyler Parker, 1967, The Diuine Comedy of Paweł Tchelitchew, Fleet, New York
-, 1973, Screening the Sexes: Homosexuality in the Mooies, Holt, Nowy Jork (przedruk
z posłowiem Charlesa Boltenhouse’a, DaCapo, New York 1993)
Vaid Urvashi, 1995, Virtual Eąuality: The Mainstreaming of Gay and Lesbian Liberation,
Doubleday (Anchor Books), New York
Watney Simon, 1990, The Art ofDuncan Grant, John Murray, London
Weinberg Jonathan E., 1993, Speaking for Vice: Homosexuality in the Art of Charles Demuth,
Marsden Hartley, and the First American Auant-Garde, Yale University Press, New Haven
Werckmeister Otto Karl, 1991, Citadel Culture, University of Chicago Press, Chicago
Westphal Carl, 1870, Die contrare Sexualempfindung, „Archiv fur Psychiatrie” 2, s. 73-108
Winckelmann J. J., 1987, Reflections on the Imitation of Greek Works in Painting and Scul-
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-, 1972, Essay on the beautiful in art [Abhandlung von Fahigkeit der Empfindung des
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-, 1880, History of Ancient Art, trans. G. H. Lodge, t. 1-4, Little, Brown, Boston (wyd. oryg. 1764)
Wind Edgar, 1938-9, ,JTercules” and „Orpheus”: Two Mock-heroic drawings by Diirer,
„Journal of the Warburg and Courtauld Institutes” 2, s. 206-218
Wittkower Rudolf, Wittkower Margot, 1963, Bom under Saturn: The Character and Conduct
of Artists, Norton, New York

Przełożył Mariusz Bryl
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