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DOI Artikel:Soćko, Adam: Pałac Parysów czy pałac Leśniowolskich?: uwagi do badań nad siedzibami szlacheckimi w trybunalskim Lublinie
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.29069#0064
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ADAM SOĆKO
spite the nineteenth-century reconstructions, has been usually considered the result
of a major extension of the edifice initiated by the senatorial Parys family and con-
ducted, at least in part, by Tielman van Gameren in the second half of the 17^ cen-
tury. It was then when perhaps thanks to a contribution of the famous architect the
pałace was to become similar to some designs known from the treatises of Sebastiano
Serlio (the Rosmarino Pałace, an urban pałace located on an irregular lot, the pałace
in Ancy-le-Franc). However, it turns out that most likely the original form of the pa-
łace was a square with an inner courtyard with two gates in two opposite wings
along the linę of an ołd road. On the basis of the surviving documents the beginning
of the pałace may be connected with Ewa of Podłęże Leśniowolska (d. ca. 1617). Then
its proprietor was most probably her son Prokop Leśniowolski, voivode of Podlasie,
and not, as it was supposed, his brother Marcin. Only in the łatę 1760, due to com-
plex family rełations, it became a property of Feliks Parys, the castellan of Lublin.
There is absolutely no ground to distinguish a specitic stage of the reconstruction of
the pałace in the łatę 17^ century as particularły important for its look, not to men-
tion Tielman van Gameren's alleged contribution. Moreover, one must be very care-
ful, looking for analogies between a relatively simpłe design of the Lublin pałace and
the great aristocratic residences of the paiazzo in /ortezza type, such as Palazzo
Rosmarino or the pałace in Ancy-le-Franc. Thanks to scanty information in the arc-
hives and the knowledge of family ties, one can hypothetically reconstruct the histo-
ry of the estate's ownership, tirst by the Leśniowolski family that built it and then
used it in the late 17^ century, then the Parys family, and then, in the 18^ century,
the Rostworowskis, the Cieciszewskis, and the Dłużewskis.
ADAM SOĆKO
spite the nineteenth-century reconstructions, has been usually considered the result
of a major extension of the edifice initiated by the senatorial Parys family and con-
ducted, at least in part, by Tielman van Gameren in the second half of the 17^ cen-
tury. It was then when perhaps thanks to a contribution of the famous architect the
pałace was to become similar to some designs known from the treatises of Sebastiano
Serlio (the Rosmarino Pałace, an urban pałace located on an irregular lot, the pałace
in Ancy-le-Franc). However, it turns out that most likely the original form of the pa-
łace was a square with an inner courtyard with two gates in two opposite wings
along the linę of an ołd road. On the basis of the surviving documents the beginning
of the pałace may be connected with Ewa of Podłęże Leśniowolska (d. ca. 1617). Then
its proprietor was most probably her son Prokop Leśniowolski, voivode of Podlasie,
and not, as it was supposed, his brother Marcin. Only in the łatę 1760, due to com-
plex family rełations, it became a property of Feliks Parys, the castellan of Lublin.
There is absolutely no ground to distinguish a specitic stage of the reconstruction of
the pałace in the łatę 17^ century as particularły important for its look, not to men-
tion Tielman van Gameren's alleged contribution. Moreover, one must be very care-
ful, looking for analogies between a relatively simpłe design of the Lublin pałace and
the great aristocratic residences of the paiazzo in /ortezza type, such as Palazzo
Rosmarino or the pałace in Ancy-le-Franc. Thanks to scanty information in the arc-
hives and the knowledge of family ties, one can hypothetically reconstruct the histo-
ry of the estate's ownership, tirst by the Leśniowolski family that built it and then
used it in the late 17^ century, then the Parys family, and then, in the 18^ century,
the Rostworowskis, the Cieciszewskis, and the Dłużewskis.