DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.15680#0173
THE POTTERY.
153
were most in fashion : we do not meet with them in the later Phylakopi
fabrics. Fig. 13(J is painted in the same technique as a twin-vaso in Sevres
which has been already referred to.
V. 16 is a fragment of a goblet of a very common type, the lower part of
which is to be conceived as of the same general form as Fig. 137. The shape
Fig. 136.2—(1:3).
of the neck varies considerably. Sometimes 'we find suspension-Kandles,
sometimes vertical handles like those of Fig. 137 ; others have horizontally
attached handles standing npright close against the neck, and a still further
variety is illustrated by XXIV. 14. The better fragments have a lustrous red
surface on which the marks of a paint-brush can frequently be detected.
1 Gritty grey clay ; lustrous red coat;
comiecting hole between eaeh pair of eups.
2 Same wäre as the preceding; slightly
lustrous dark coat; design in white ; con-
necting lioles as on Fig. 135.
153
were most in fashion : we do not meet with them in the later Phylakopi
fabrics. Fig. 13(J is painted in the same technique as a twin-vaso in Sevres
which has been already referred to.
V. 16 is a fragment of a goblet of a very common type, the lower part of
which is to be conceived as of the same general form as Fig. 137. The shape
Fig. 136.2—(1:3).
of the neck varies considerably. Sometimes 'we find suspension-Kandles,
sometimes vertical handles like those of Fig. 137 ; others have horizontally
attached handles standing npright close against the neck, and a still further
variety is illustrated by XXIV. 14. The better fragments have a lustrous red
surface on which the marks of a paint-brush can frequently be detected.
1 Gritty grey clay ; lustrous red coat;
comiecting hole between eaeh pair of eups.
2 Same wäre as the preceding; slightly
lustrous dark coat; design in white ; con-
necting lioles as on Fig. 135.