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Binyon, Laurence; Blake, William [Oth.]
The engraved designs of William Blake — London [u.a.], 1926

DOI Page / Citation link:
https://doi.org/10.11588/diglit.31843#0088
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ENGRAVED DESIGNS OF WILLIAM BLAKE

First State : Before imprint and date.

Second State : Before additional work in upper left corner and
additional flames in marginal design. With Blake's imprint
and date.

Third State : As published,

109. Ulustration IV. “ And I alone am escaped to tell thee."

Job and his wife sitting under their fig tree hear the news of the
calamity fallen on their children from a messenger. Asecond messenger
is seen running in the distance ; and beyond him is a Gothic church.
Above the church is a hill, down the slope of which runs a third
messenger. In the upper margin is a small winged figure of Satan.

7f X 5! in.

First State : Before imprint and date.

Second State : With Blake's imprint and date. More work on
the clouds.

110. Illustration V. “ Then went Satan forth from the presence

OF THE LORD.”

Job shares his last meal with a beggar, even while Satan prepares
to pour out the vial of destruction on his head. In the background
the Gothic church has been replaced by a Druid altar, Blake's symbol
for Natural Religion, (It is implied that Job's action is done from a
wrong motive.)

7§X 5! in.

See reproduction, Plate 19.

First State : Before imprint and date. In the upper margin,
below Behold he is in thy hand are flames.

Second State : With Blake's imprint and date. There are marks
of erasure below Behold, etc., where the flames have been
removed.

Third State : As published.

In the pencil study in the Riches collection the head of the Deity
is turned right instead of left.

111. Illustration VI. “ And smote Job with sore Boils from the

SOLE OF HIS FOOT TO THE CROWN OF HIS HEAD."

Wicksteed quotes, “ Every boil upon my body is a separate and
deadly sin," Jerusalem, p. 21,1. 4, in illustration of Blake's conception
of Job's affliction as spiritual rather than physical.

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