DOI Page / Citation link:
https://doi.org/10.11588/diglit.4761#0094
KYLIKES. 87
forehead. All the reclining figures are nude to the waist and wreathed ; the
first and third have knotted round their heads broad taeniae, terminating in triple
strings. In the field between ii and iii hangs a basket. In the field,
HOrAIS KAVOJ, 0 7rat9 /caXo'i.
(b) The same. Three bearded figures reclining as before : the r. hand
figure leans back with his 1. elbow on a striped cushion, throwing back his head,
his r. hand pressed to the crown : his mouth is open, as if he were singing or
proposing a toast; in his 1. hand is a kylix. The next figure, drawn with his
body and face to the front, plays upon the flutes ; the third figure, who turns
round towards the others, plays upon a chelys, striking the chords with a
plectrum in his r. attached to it by a cord : his lips are parted as if he were
singing. Beside this figure on the 1. hangs a sybene : and in the field, as if
issuing from his mouth, is HO TAJ (.57V) KAVOJ, 6 7ra(t)? koXos. The first and third
figures are wreathed. All have drapery around the waist and legs.
Below the exterior designs runs a narrow frieze between two red lines, with
a row of objects in black silhouette in the following order from 1. to r. Below the
attendant in a a pair of boots to r., a cotyle, a cup with spout (?), an oinochoe
lying on its side, a kylix, pair of boots, kylix, oinochoe as before, kylix, cotyle
and a podanipter (?).
E 65. KYLIX. Ht.4jin. Diam. ioff in. Capua. Castellani, 1873. Mm, dell' Inst, ix, pi. 46 ;
Ann. dell' Inst. 1872, p. 294; cf. Bull dell' hist. 1872, p. 39 f. ; Wiener Vorlegebl. viii, 6;
Murray, Designs from Greek Vases, no. 43 ; Harrison and MacColl, Greek Vase Paintings,
pi. xxvii (ext.), pi. xxviii. (int.); Rayet and Collignon, p. 197, fig. 77 (b); Baumeister, Suppl.
pi., fig. 7(a); Klein, Meistersig? p. 183, no. 8; Urlichs, Der Vasenmaler Brygos, p. 5 f.;
Petersen in Arch. Epig. Mitth. ix, pp. 85-7 ; Vogel, Sceneti Eurip. Tragdd. p. 24 ; Robert,
Bild utid Lied, p. 28, note 29 ; Roscher, s. vv. Herakles, Iris, &c. Intact. The form of cup
is of a heavy type with incurved offset lip and broad stem encircled by a ring (ante, p. 11,
fig. 1). Drawing a fine example of the style of Brygos. Purple is used for inscriptions, ties,
girdles, and wreaths : gilding (on a raised surface of a red paste) for the phiale, earrings,
bracelets, eyes of volutes of altar, knobs of caduceus (in b only), stephane of Hera and club
of Heracles : inner markings in fine brown throughout, and lines of the same used for the
interior of the chitons of Iris and Helen and for the part between the colpos and apoptygma.
Eye of transitional type : i.e., eyelids wide with angles slightly open and disk in centre : and
eyelids close with disc against angle wide open. There is no ornament under the handle,
but on the thymele in a are sketch-marks resembling anthemion, as if some such ornament
had been contemplated.
Interior: Within a border of msanders, in sets of three separated by
squares of dotted net pattern, a bearded warrior +PVglPP05, Xpvo-nnros, is seated
on a cushioned diphros to r., holding out in r. a golden fluted phiale to be filled.
He has long hair, and has tilted back his helmet off his forehead, and thrown
a dotted himation over his cuirass and 1. shoulder; beneath the cuirass appear
the sleeves of a soft chiton, and around his ankles are the ties (episphyria) of
greaves, which are not indicated : his 1. leans upon a spear, but he has handed
his shield to a woman 1EVXS0, Zeu£a>, who supports it on edge with her 1.,
filling the phiale with a simpulum in her r. : she wears a long chiton undergirt,
forehead. All the reclining figures are nude to the waist and wreathed ; the
first and third have knotted round their heads broad taeniae, terminating in triple
strings. In the field between ii and iii hangs a basket. In the field,
HOrAIS KAVOJ, 0 7rat9 /caXo'i.
(b) The same. Three bearded figures reclining as before : the r. hand
figure leans back with his 1. elbow on a striped cushion, throwing back his head,
his r. hand pressed to the crown : his mouth is open, as if he were singing or
proposing a toast; in his 1. hand is a kylix. The next figure, drawn with his
body and face to the front, plays upon the flutes ; the third figure, who turns
round towards the others, plays upon a chelys, striking the chords with a
plectrum in his r. attached to it by a cord : his lips are parted as if he were
singing. Beside this figure on the 1. hangs a sybene : and in the field, as if
issuing from his mouth, is HO TAJ (.57V) KAVOJ, 6 7ra(t)? koXos. The first and third
figures are wreathed. All have drapery around the waist and legs.
Below the exterior designs runs a narrow frieze between two red lines, with
a row of objects in black silhouette in the following order from 1. to r. Below the
attendant in a a pair of boots to r., a cotyle, a cup with spout (?), an oinochoe
lying on its side, a kylix, pair of boots, kylix, oinochoe as before, kylix, cotyle
and a podanipter (?).
E 65. KYLIX. Ht.4jin. Diam. ioff in. Capua. Castellani, 1873. Mm, dell' Inst, ix, pi. 46 ;
Ann. dell' Inst. 1872, p. 294; cf. Bull dell' hist. 1872, p. 39 f. ; Wiener Vorlegebl. viii, 6;
Murray, Designs from Greek Vases, no. 43 ; Harrison and MacColl, Greek Vase Paintings,
pi. xxvii (ext.), pi. xxviii. (int.); Rayet and Collignon, p. 197, fig. 77 (b); Baumeister, Suppl.
pi., fig. 7(a); Klein, Meistersig? p. 183, no. 8; Urlichs, Der Vasenmaler Brygos, p. 5 f.;
Petersen in Arch. Epig. Mitth. ix, pp. 85-7 ; Vogel, Sceneti Eurip. Tragdd. p. 24 ; Robert,
Bild utid Lied, p. 28, note 29 ; Roscher, s. vv. Herakles, Iris, &c. Intact. The form of cup
is of a heavy type with incurved offset lip and broad stem encircled by a ring (ante, p. 11,
fig. 1). Drawing a fine example of the style of Brygos. Purple is used for inscriptions, ties,
girdles, and wreaths : gilding (on a raised surface of a red paste) for the phiale, earrings,
bracelets, eyes of volutes of altar, knobs of caduceus (in b only), stephane of Hera and club
of Heracles : inner markings in fine brown throughout, and lines of the same used for the
interior of the chitons of Iris and Helen and for the part between the colpos and apoptygma.
Eye of transitional type : i.e., eyelids wide with angles slightly open and disk in centre : and
eyelids close with disc against angle wide open. There is no ornament under the handle,
but on the thymele in a are sketch-marks resembling anthemion, as if some such ornament
had been contemplated.
Interior: Within a border of msanders, in sets of three separated by
squares of dotted net pattern, a bearded warrior +PVglPP05, Xpvo-nnros, is seated
on a cushioned diphros to r., holding out in r. a golden fluted phiale to be filled.
He has long hair, and has tilted back his helmet off his forehead, and thrown
a dotted himation over his cuirass and 1. shoulder; beneath the cuirass appear
the sleeves of a soft chiton, and around his ankles are the ties (episphyria) of
greaves, which are not indicated : his 1. leans upon a spear, but he has handed
his shield to a woman 1EVXS0, Zeu£a>, who supports it on edge with her 1.,
filling the phiale with a simpulum in her r. : she wears a long chiton undergirt,