DOI Heft:
Nr. 2
DOI Artikel:Dobrzeniecki, Tadeusz: Tentatio Christi
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.18940#0047
13. Crucifixion, wali painting, detail, Schleswig Cathcdral (after V.V. Habiclit, Die Wandma-
łereien. . ., op. cit.)
havebeen created before the Prince was assassinated in 1419 ;39 2. Salmon presents his work to
Charles VI; Jean Sans Peur, who accompanies them, is shown in a hood40 (Fig. 11), decorated
with a gem of six pearls. Representations of Maria-Theotokos inelude a cross on the kerchief
above her forehead.41 On the Satan's hood in the Gdańsk Triptych, a Christological sign, Christo-
gram ,,IX" according to iYjęouę XpidT0ę , lat. Iesus Chrislus, is seen, represented as an imi-
tation rather than a faithful copy of the symbol.
39 K. Bauch,,,Bildnisse des Jan van Eyck"in Studien sur Kunstgeschichte, Ber'in, 1967. p. 106, Fig. 42.
40. M. Meiss, French Painting in the Time of Jean de Berry: The Boucicaut Maiter, Fdinburgh, 1968, Fig. 70 ; Paris, Bibl. Nat,
Ut fr. 23279, fol. IV (1409) ;M.Davenport,T/ieBoofco/Cosiume, I, New York, 1962,p. 297, Fig.805; p. 298, Fig. 806: Jean
Sans Peur, the Prince of Burgundy (depicted seated in profile) recciying a work from the autlior, Jean Hayton, Merreille-
du monie, Paris, Bibl. Nat. Ms fr. 2810 (1409—15).
41. K. Weiumann, Die Ikonę. 6. bis 14. Jahrhundert, Miinehen, 1978, Fi^.21: Maria-Theotokos of Vladimir, c. 1191.
36
łereien. . ., op. cit.)
havebeen created before the Prince was assassinated in 1419 ;39 2. Salmon presents his work to
Charles VI; Jean Sans Peur, who accompanies them, is shown in a hood40 (Fig. 11), decorated
with a gem of six pearls. Representations of Maria-Theotokos inelude a cross on the kerchief
above her forehead.41 On the Satan's hood in the Gdańsk Triptych, a Christological sign, Christo-
gram ,,IX" according to iYjęouę XpidT0ę , lat. Iesus Chrislus, is seen, represented as an imi-
tation rather than a faithful copy of the symbol.
39 K. Bauch,,,Bildnisse des Jan van Eyck"in Studien sur Kunstgeschichte, Ber'in, 1967. p. 106, Fig. 42.
40. M. Meiss, French Painting in the Time of Jean de Berry: The Boucicaut Maiter, Fdinburgh, 1968, Fig. 70 ; Paris, Bibl. Nat,
Ut fr. 23279, fol. IV (1409) ;M.Davenport,T/ieBoofco/Cosiume, I, New York, 1962,p. 297, Fig.805; p. 298, Fig. 806: Jean
Sans Peur, the Prince of Burgundy (depicted seated in profile) recciying a work from the autlior, Jean Hayton, Merreille-
du monie, Paris, Bibl. Nat. Ms fr. 2810 (1409—15).
41. K. Weiumann, Die Ikonę. 6. bis 14. Jahrhundert, Miinehen, 1978, Fi^.21: Maria-Theotokos of Vladimir, c. 1191.
36