DOI Heft:
Nr. 1-4
DOI Artikel:Majda, Tadeusz: Turkish garments in the collections of the National Museum in Warsaw
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.18943#0061
la, b. WomarTs dress, end of the 1 8th century, Turkey. Front and back
opening in the bodice, seams of the bodice and skirt, skirt base and slits in the sleeves
are bordered with a silver braid interwoven with gold, drawn thread, an indented braid
of silver thread and also chain braid. Moreover, chain braid runs along the entire
length of sleeves at the back, thereby creating a kind of criss-cross pattern. A braid is
sown onto the skirt hem, decorated with gold thread and bordered with lacing.
4. Max Tilke, Oriental Costumes, their Designs and Colours, London, 1922; also Costume Patterns and
Designs. A Survey of costume patterns and designs of all periods and nations from antiquity to modern
times, New York, 1956; Jennifer Scarce, Turkish Fashion in Transition. Costume, The Journal of the
Costume Society of London, No. 14, 1980; also Middle Eastern Costume from the Tribes and Cities of Iran
and Turkey, The Royal Scottish Museum, Edinburgh, 1981; Veronika Gervers, The Influence of Ottoman
Turkish Textlles and Costume in Eastern Europę, with particular reference to Hungary, Royal Ontario
Museum, Toronto, 1982.
5. Numerous examples of miniatures and illustrations depicting womans costumes of the various nationalities
living in the former Constantinople are contained in the work of Pars Tuglaci entitled Women of Istanbulin
Ottoman Times, Istanbul, 1984.
55
opening in the bodice, seams of the bodice and skirt, skirt base and slits in the sleeves
are bordered with a silver braid interwoven with gold, drawn thread, an indented braid
of silver thread and also chain braid. Moreover, chain braid runs along the entire
length of sleeves at the back, thereby creating a kind of criss-cross pattern. A braid is
sown onto the skirt hem, decorated with gold thread and bordered with lacing.
4. Max Tilke, Oriental Costumes, their Designs and Colours, London, 1922; also Costume Patterns and
Designs. A Survey of costume patterns and designs of all periods and nations from antiquity to modern
times, New York, 1956; Jennifer Scarce, Turkish Fashion in Transition. Costume, The Journal of the
Costume Society of London, No. 14, 1980; also Middle Eastern Costume from the Tribes and Cities of Iran
and Turkey, The Royal Scottish Museum, Edinburgh, 1981; Veronika Gervers, The Influence of Ottoman
Turkish Textlles and Costume in Eastern Europę, with particular reference to Hungary, Royal Ontario
Museum, Toronto, 1982.
5. Numerous examples of miniatures and illustrations depicting womans costumes of the various nationalities
living in the former Constantinople are contained in the work of Pars Tuglaci entitled Women of Istanbulin
Ottoman Times, Istanbul, 1984.
55