Symbolism
135
-rrrrrm-
e
Fig.
/
126.
c
Fig. 127.
Q!
Hi
o
III
C3i£3i
b
i <2-3/i <2-3"
\GJ31C^I j
r ,
C2E3ie^3/
r i l C3i
d
k <z3UG^n
c^s’mie^i/1
C13 ICL3IC3
e=////e=/i//
f
m P-<?1P «=r ) e-
l|(<2T n
I|IIC==////
I G31G3 /'■
h
o /GJ?/(E3/G-S
e^lf(° p
Fig. 128.
Designs from pottery vessels, Culhuacan.
The same method is applied in i with the difference that the lower
horizontal is turned up and ends rather abruptly, and that the upper
and middle horizontals are made in the form of a single horseshoe
curve. In j and k quite a different method is applied, the spiral
remains as before but the horizontal lines are made separately in
135
-rrrrrm-
e
Fig.
/
126.
c
Fig. 127.
Q!
Hi
o
III
C3i£3i
b
i <2-3/i <2-3"
\GJ31C^I j
r ,
C2E3ie^3/
r i l C3i
d
k <z3UG^n
c^s’mie^i/1
C13 ICL3IC3
e=////e=/i//
f
m P-<?1P «=r ) e-
l|(<2T n
I|IIC==////
I G31G3 /'■
h
o /GJ?/(E3/G-S
e^lf(° p
Fig. 128.
Designs from pottery vessels, Culhuacan.
The same method is applied in i with the difference that the lower
horizontal is turned up and ends rather abruptly, and that the upper
and middle horizontals are made in the form of a single horseshoe
curve. In j and k quite a different method is applied, the spiral
remains as before but the horizontal lines are made separately in