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INDEX.
us upon the exploits of Penthesilea and her
Amazons, 16 b ; quoted, 25 note 8 ; 33 note 8 ;
34 note 9.
Rivets of the dorsal yvaXov of a Greek cuirass, 15 note 1.
Scholiast, of Aristophanes, quoted, 16 note 3 ; of Sophokles,
quoted, 28 m.
Sculpture in Bronze met with great encouragement in the
time of Alexander, and why, 37 a.
Serpents, six, imitated on the pectoral yvaXov of the
cuirass of Agamemnon, 14 b; 45 b.
Shield, the, (acnrig, aanog, &c), 8m; the great importance
of, 9 a ; distinctive symbols of, ib.
~SiiSr)pog, see Iron, avrbc; yap efyiXKtTai avSpa crtSripoQ in
Homer, how to be explained, 44 b and 45 a.
Siebelis, quoted, 43 b.
Sillig, Julius, his Catalogus artificum, &c. quoted, 40
note 4.
Siris, river in Lucania, 2 a b; the first battle of Pyrrhos,
King of Epiros, against the Romans was fought
near that river, 39 b.
Society, of Dilettanti, their publication of Select Speci-
mens, &c. quoted, 4 note 6; Royal, of Literature,
their Transactions quoted, 3 note 5.
SoXoc avTo\6(ovog, of iron, proposed by Achilles as the
prize at the discos, 45 a.
Sopho/cles quoted, 1; 25 note 1; 26 note 2; had written
an Aiac Aokjooc, 47 m.
2<j>vpr)\aTa (tpya), what, 2; 44.
2<£upr/Aaroe, used to express moral relations, and why, 44 b.
Stadion, games of the, how indicated on Greek coins and
terra-cotta vases, 3 note 5.
Statue of the young Marcus Aurelius, how decorated, 15 a;
colossal, of Adrian, in the Villa Albani at Rome,
15 m.
Sr£$av»), a kind of helmet, 42 b.
Styles of Art, three distinct, observable in ancient Greek
monuments, 35 and 36.
Hvyxvaig, or confusion of the national feelings and tradi-
tions, when begun among the Greeks, 34 note 5.
Sword, the, (%l<j>os, &c), how suspended, 8 m.
Tabula Iliaca, 49 note 4.
QwpaS,, see Cuirass. .
Thorwaldsen, A. 6 b and lab.
Tryphiodoros quoted, 16 b; 19 a.
Tssetzes quoted, 16 b; 19 b.
Types, determined, of the Greek heroes, 22 a; the forms
and outlines of these types were almost universal
in Greece, ib. ni; these types had been furnished
by the most ancient national poetry, and had been
individualized by the early aid of the arts of
design, ib. b; the Greeks never confounded nor
misunderstood the types of their heroic ancestors,
or the mythological bearings of their national art,
and why, 23 a ; amongst the classical Greek writers
few afford any elucidations upon the various heroic
types preserved by the arts, and why, 23 m ;
of the two Ajaces confirmed by other monuments,
29 a and b.
Ulysses, wore a purple woollen mantle (\XaLva) fastened
with a irepovri of Gold, 12 b.
Valerius Maximus quoted, 38 note 7.
Villa Albani, colossal statue of Adrian at, 15 m.
Visconti, E. Q. quoted, 23 b; 24 note 4; 26 note 5; 28
note 5; 29 b; 30 passim; his opinion on some
ancient groups refuted, 30 and foil.; his just
remarks on the fine fragments in the Vatican
representing the body of Patroklos, &c. 32 note 4;
quoted, 33; 34.
Wheel, a, in ancient monuments, signifies what, 3 b.
Winckelmann quoted, 2 note 4; 3; 6 note 1; 23 b; 28
note 5; mistook the figure on the casque of the
standing hero in the group of Pasquino, 33 b;
35 b; 36 note 1; 42 m,• 47 m; his explanation
of the Piombino-gem, 50 b.
Winds, the, daughters of Boreas, inform Ares of the fate
of Penthesilea his daughter, 18 m.
Wolff, F. A. his acute researches on the Homeric epos,
45 a.
Xenophon quoted, 12 a; 25 note 1; 26 note 3.
'Yttotttvx^} what, 11 note 8.
Zo'ilos, an artist from Cypros ; two steel cuirasses of extra-
ordinary hardness presented by him to Demetrios
Polyorcetes, 45 a.
ZojvvvaOai and ZdJaaaOai, what, 42 m.
ZwaTrtpia (Athene) ib.
Zwv»j, 17, different from the fitrpa, and how, 42 m.
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ERRATA.
Page 6, line 11; and note 9, for Kavovtg read kcivoveq.
------- 8,-------14, for aoirtQ read aairiQ.
------- 13,-------\0,for everai read everal.
-------43,------- 6, for Karairvi, read Kara'irvk.
LONDON : PRINTED BY WILLIAM NICOL,
51, PALL-MALL.
us upon the exploits of Penthesilea and her
Amazons, 16 b ; quoted, 25 note 8 ; 33 note 8 ;
34 note 9.
Rivets of the dorsal yvaXov of a Greek cuirass, 15 note 1.
Scholiast, of Aristophanes, quoted, 16 note 3 ; of Sophokles,
quoted, 28 m.
Sculpture in Bronze met with great encouragement in the
time of Alexander, and why, 37 a.
Serpents, six, imitated on the pectoral yvaXov of the
cuirass of Agamemnon, 14 b; 45 b.
Shield, the, (acnrig, aanog, &c), 8m; the great importance
of, 9 a ; distinctive symbols of, ib.
~SiiSr)pog, see Iron, avrbc; yap efyiXKtTai avSpa crtSripoQ in
Homer, how to be explained, 44 b and 45 a.
Siebelis, quoted, 43 b.
Sillig, Julius, his Catalogus artificum, &c. quoted, 40
note 4.
Siris, river in Lucania, 2 a b; the first battle of Pyrrhos,
King of Epiros, against the Romans was fought
near that river, 39 b.
Society, of Dilettanti, their publication of Select Speci-
mens, &c. quoted, 4 note 6; Royal, of Literature,
their Transactions quoted, 3 note 5.
SoXoc avTo\6(ovog, of iron, proposed by Achilles as the
prize at the discos, 45 a.
Sopho/cles quoted, 1; 25 note 1; 26 note 2; had written
an Aiac Aokjooc, 47 m.
2<j>vpr)\aTa (tpya), what, 2; 44.
2<£upr/Aaroe, used to express moral relations, and why, 44 b.
Stadion, games of the, how indicated on Greek coins and
terra-cotta vases, 3 note 5.
Statue of the young Marcus Aurelius, how decorated, 15 a;
colossal, of Adrian, in the Villa Albani at Rome,
15 m.
Sr£$av»), a kind of helmet, 42 b.
Styles of Art, three distinct, observable in ancient Greek
monuments, 35 and 36.
Hvyxvaig, or confusion of the national feelings and tradi-
tions, when begun among the Greeks, 34 note 5.
Sword, the, (%l<j>os, &c), how suspended, 8 m.
Tabula Iliaca, 49 note 4.
QwpaS,, see Cuirass. .
Thorwaldsen, A. 6 b and lab.
Tryphiodoros quoted, 16 b; 19 a.
Tssetzes quoted, 16 b; 19 b.
Types, determined, of the Greek heroes, 22 a; the forms
and outlines of these types were almost universal
in Greece, ib. ni; these types had been furnished
by the most ancient national poetry, and had been
individualized by the early aid of the arts of
design, ib. b; the Greeks never confounded nor
misunderstood the types of their heroic ancestors,
or the mythological bearings of their national art,
and why, 23 a ; amongst the classical Greek writers
few afford any elucidations upon the various heroic
types preserved by the arts, and why, 23 m ;
of the two Ajaces confirmed by other monuments,
29 a and b.
Ulysses, wore a purple woollen mantle (\XaLva) fastened
with a irepovri of Gold, 12 b.
Valerius Maximus quoted, 38 note 7.
Villa Albani, colossal statue of Adrian at, 15 m.
Visconti, E. Q. quoted, 23 b; 24 note 4; 26 note 5; 28
note 5; 29 b; 30 passim; his opinion on some
ancient groups refuted, 30 and foil.; his just
remarks on the fine fragments in the Vatican
representing the body of Patroklos, &c. 32 note 4;
quoted, 33; 34.
Wheel, a, in ancient monuments, signifies what, 3 b.
Winckelmann quoted, 2 note 4; 3; 6 note 1; 23 b; 28
note 5; mistook the figure on the casque of the
standing hero in the group of Pasquino, 33 b;
35 b; 36 note 1; 42 m,• 47 m; his explanation
of the Piombino-gem, 50 b.
Winds, the, daughters of Boreas, inform Ares of the fate
of Penthesilea his daughter, 18 m.
Wolff, F. A. his acute researches on the Homeric epos,
45 a.
Xenophon quoted, 12 a; 25 note 1; 26 note 3.
'Yttotttvx^} what, 11 note 8.
Zo'ilos, an artist from Cypros ; two steel cuirasses of extra-
ordinary hardness presented by him to Demetrios
Polyorcetes, 45 a.
ZojvvvaOai and ZdJaaaOai, what, 42 m.
ZwaTrtpia (Athene) ib.
Zwv»j, 17, different from the fitrpa, and how, 42 m.
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ERRATA.
Page 6, line 11; and note 9, for Kavovtg read kcivoveq.
------- 8,-------14, for aoirtQ read aairiQ.
------- 13,-------\0,for everai read everal.
-------43,------- 6, for Karairvi, read Kara'irvk.
LONDON : PRINTED BY WILLIAM NICOL,
51, PALL-MALL.