DOI Artikel:
Ashby, Thomas: Sixteenth-century drawings of roman buildings attributed to Andreas Coner
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.70293#0064
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The British School at Rome.
c. ' in carcarara.'
The name ' carcarara' or ' calcarara' (i.e. a place for burning marble
into lime) belongs to the curved W. end of the Circus Flaminius at the
Piazza Paganica (Lanciani, op. cit. i. 24, ii. 65, Ruins and Excavations, 453).
This cornice corresponds with one drawn by Baldassare Peruzzi (Uffizi
386, 539v), an( ldescribed as cornice e colona a lo arco di Camillo in Roma.
In loco dicto Camiliano (Hulsen, Rom. Mitt. 1903, 57).1 It was also
engraved by Jacques Prevost, Hoc est Romae in area Cameliani prope
mineruam (Passavant, Le Peintre-Graveur, vi. p. 129, No. 20), so that part
of it must have been seen at each of the two places. The arco di Camillo
stood at the west end of the Piazza del Collegio Romano, and must have
been a part of the Iseum or Serapeum.
d. ' In domo canpolinis.'
This cornice also occurs (drawn, not by Giuliano da Sangallo, to whom
the sketch is generally attributed, but by Antonio da Sangallo the elder,
according to Fabriczy, op. cit. p. 111) in Uffizi 2044, with the legend in
chasa Jannj cjanpolinj. The collection of Giovanni Ciampolini was
dispersed in 1520 (Lanciani, Bull. Com. 1899, 108).
106. (81)
a. APVD-ARCEM-MILITV^.
The cornice corresponds exactly in form with one shown by Fra
Giocondo (Uffizi 2o$ov) without indication of locality ; he has wrongly
calculated it as having a total height of p(almi) 2 o(ncie) 9, whereas it is
really 1 palmo 10 oncie 3 minuti (from addition of the detail measure-
ments), i.e. practically the same as Coner's 39 minuti. See 89^, supra.
b. 'prope domu(in) a ualloru(m).'
See 105^ supra.
I have not been able to identify it.
c. Unnamed.
1 To the drawings cited by Hiilsen may be added one which forms part of a book of sketches,
partly by Raphael himself, and partly by other artists (belonging itself to the latter category)
at Holkham Hall, described in Passavant's Rafael, ii. 589, where it is lettered q (cf. Fabriczy,
Archivio Storico dell' Arte, vi. (1893), i°9). It is the profile of a Corinthian cornice with the
legend 'questa chornicie enter la dello archio di chamiglano canata [sic] di marmo.'
The British School at Rome.
c. ' in carcarara.'
The name ' carcarara' or ' calcarara' (i.e. a place for burning marble
into lime) belongs to the curved W. end of the Circus Flaminius at the
Piazza Paganica (Lanciani, op. cit. i. 24, ii. 65, Ruins and Excavations, 453).
This cornice corresponds with one drawn by Baldassare Peruzzi (Uffizi
386, 539v), an( ldescribed as cornice e colona a lo arco di Camillo in Roma.
In loco dicto Camiliano (Hulsen, Rom. Mitt. 1903, 57).1 It was also
engraved by Jacques Prevost, Hoc est Romae in area Cameliani prope
mineruam (Passavant, Le Peintre-Graveur, vi. p. 129, No. 20), so that part
of it must have been seen at each of the two places. The arco di Camillo
stood at the west end of the Piazza del Collegio Romano, and must have
been a part of the Iseum or Serapeum.
d. ' In domo canpolinis.'
This cornice also occurs (drawn, not by Giuliano da Sangallo, to whom
the sketch is generally attributed, but by Antonio da Sangallo the elder,
according to Fabriczy, op. cit. p. 111) in Uffizi 2044, with the legend in
chasa Jannj cjanpolinj. The collection of Giovanni Ciampolini was
dispersed in 1520 (Lanciani, Bull. Com. 1899, 108).
106. (81)
a. APVD-ARCEM-MILITV^.
The cornice corresponds exactly in form with one shown by Fra
Giocondo (Uffizi 2o$ov) without indication of locality ; he has wrongly
calculated it as having a total height of p(almi) 2 o(ncie) 9, whereas it is
really 1 palmo 10 oncie 3 minuti (from addition of the detail measure-
ments), i.e. practically the same as Coner's 39 minuti. See 89^, supra.
b. 'prope domu(in) a ualloru(m).'
See 105^ supra.
I have not been able to identify it.
c. Unnamed.
1 To the drawings cited by Hiilsen may be added one which forms part of a book of sketches,
partly by Raphael himself, and partly by other artists (belonging itself to the latter category)
at Holkham Hall, described in Passavant's Rafael, ii. 589, where it is lettered q (cf. Fabriczy,
Archivio Storico dell' Arte, vi. (1893), i°9). It is the profile of a Corinthian cornice with the
legend 'questa chornicie enter la dello archio di chamiglano canata [sic] di marmo.'