Camera Work: A Photographic Quarterly (1903 (Heft 3))

Camera Work:
A Photographic Quarterly – digital

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Camera Work: A Photographic Quarterly — 1903 (Heft 3)

DOI article:

Sidney Allan [Sadakichi Hartmann], The Value of the Apparently Meaningless and Inaccurate

https://doi.org/10.11588/diglit.29980.13

DOI article:

Mary Cassat, The Breakfast in Bed [halftone reproduction]

https://doi.org/10.11588/diglit.29980.14

DOI article:

E. [Eugène] Boudin, The Old Bassin of Dunkirk [halftone reproduction]

https://doi.org/10.11588/diglit.29980.15

DOI Page / Citation link:

https://doi.org/10.11588/diglit.29980#0029

Intro Page
All related items
art journals – Illustrated art and satire periodicals
arthistoricum.net: Camera Work Online

License: Camera Work Online: Free access – no reuse

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[a] Camera Work: A Photographic Quarterly [cover recto]
[c-d] [The Photo-Secession, unsigned text]
[e-g] M. [Maurice] Maeterlinck [Je crois que voilà les premiers pas, reproduction of untitled, handwritten text]
- Maurice Maeterlinck [I Believe that Here Are Observable First Steps, untitled text, translation of French handwritten text]
[1] [Editors] Camera Work [masthead]
[3] Clarence H. [Hudson] White [list of plates]
[5] [Clarence H. [Hudson] White, I. Letitia Felix, photogravure from original negative]
[7] [Clarence H. [Hudson] White, II. Telegraph Poles, photogravure from original negative]
[9] [Clarence H. [Hudson] White, III. Illustration to “Eben Holden,” photogravure from original negative]
[11] [Clarence H. [Hudson] White, IV. Winter Landscape, halftone reproduction from platinum print]
[14] [Clarence H. [Hudson] White, V. Ring Toss, halftone reproduction]
Charles H. [Henry] Caffin, Clarence H. [Hudson] White
Sidney Allan [Sadakichi Hartmann], The Value of the Apparently Meaningless and Inaccurate
- Mary Cassat, The Breakfast in Bed [halftone reproduction]
- E. [Eugène] Boudin, The Old Bassin of Dunkirk [halftone reproduction]
J. [John] B. [Barrett] Kerfoot, A Sermon
Dallett Fuguet, [Let Scholars Class Their Artists as They Please, untitled poem]
Sidney Allan [Sadakichi Hartmann], The Influence of Visual Perception on Conception and Technique
Otto Walter Beck, Lessons from the Old Masters—II
- Rembrandt, The Admirals’ Wife [halftone reproduction]
Ward Muir, On Silhouettes
- [Ward Muir, untitled halftone reproduction of a photograph]
- [Ward Muir, untitled halftone reproduction of a photograph]
Harry C. [Cogswell] Rubincam, Esthetic Activity in Photography
[40] [The Announcement of the Sudden and Awful Death of J. Wells Champney, unsigned and untitled text]
[41] John Francis Strauss, Joseph T. [Turner] Keiley, Alfred Stieglitz, Alvin Langdon Coburn [list of plates]
[43] [John Francis Strauss, I. The Bridge, photogravure from original negative]
[45] [Joseph T. [Turner] Keiley, II. The Last Hour, halftone reproduction in two printings from platinum print]
[47] [Alfred Stieglitz, III. The Street—Design for a Poster, photogravure from original negative]
[49] [Alvin Langdon Coburn, IV. Winter Shadows, photogravure from enlarged negative]
Exhibitions [unsigned text]
- Photo-Secession Notes
- The Hamburg Jubilee Exhibition
- The London Salon
[Editors] Our Illustrations
[53-74] [Advertisements]
- Eastman Kodak Co. [Kodoid Plates]
- The Berlin Photographic Co. [Art Reproductions]
- E. B. Meyrowitz [Zeiss Lenses]
- Tennant & Ward [Call for The Photo-Miniature Series]
- W. Heuermann [Sepia Platinum Paper]
- E. Schering [Pyrogallic Acid]
- The United States Express Company [Photographic Apparatus and Materials from “Abroad”]
- Alfred Stieglitz [Camera Work Numbers One & Two, announcement]
- Camera Work [Original Photogravures by Alfred Stieglitz, announcement]
- The Photochrome Engraving Company [Photogravures, Half-Tones]
- Fleming Carnick [Printing in Black and Color]
- Seymour Company [Fine Books and Pamphlet Papers]
- The Anthony & Scovill Company [The ANSCO Daylight Film, Art Cyko Paper]
- Nepera Division, Eastman Kodak Co. [Velox Paper]
- Chas. [Charles] M. [Michael] Higgins & Co. [Higgins’ Photo Mounter]
- John Royle & Sons [Lining-Bevelers]
- Otto Knoll [Bindings]
- The Voigtlaender & Son Optical Co. [Collinear Lenses]
- The Missouri Pacific Railway [Scenic Colorado]
- C. [Carl] P. [Paul] Goerz Optical Works [Goerz Lenses]
- Helios Photographic Paper Company [Japan Tissue, Rice Paper, Buff Paper]
- M. A. Seed Dry Plate Company [Non-Halation Orthochromatic Plate]
- Bausch & Lomb Optical Co. [$3,000.00 for Photographs]
- Geo. [George] F. [Ferdinand] Of [Frames]
- Otto Walter Beck [Composition in Portraiture, book announcement]
- The Obrig Camera Co. [Camera Apparatus and Supplies]
- Farbenfabriken of Elberfeld Co. [Bayer Photographic Products]
- C. [Carl] P. [Paul] Goerz Optical Works [The Goerz Lens]
- The Folmer & Schwing Mfg. Co. [Graflex Camera]
- [The Dignity of the Snow-capped Mountain, unsigned and untitled citations by J.M. Whistler, P.H. Emerson, from Van Dyke’s “Art for Art’s Sake”]
- G. Gennert [Developers]
- Farbenfabriken of Elberfeld Co. [Intensifier–Bayer]
- Taylor, Taylor & Hobson Ltd. [Cooke Lenses]
- Willis & Clements [Platinotype]
- Actien-Gesellschaft für Anilin-Fabrikation [Rodinal, AGFA Handbook]
[bb] Eastman Kodak Co. [Kodak Camera, back cover verso]
scale/colour chart

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