Camera Work: A Photographic Quarterly (1904 (Heft 8))

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Camera Work: A Photographic Quarterly — 1904 (Heft 8)

DOI article:

[J. [James] Craig Annan, III. Frau Mathasius, photogravure from original negative]

https://doi.org/10.11588/diglit.30318.6

DOI Page / Citation link:

https://doi.org/10.11588/diglit.30318#0011

License: Camera Work Online: In Copyright

[a] Camera Work: A Photographic Quarterly [cover recto]
[1] [Editors] Camera Work [masthead]
[3] J. [James] Craig Annan [list of plates]
[5] [J. [James] Craig Annan, I. A Franciscan, Venice, photogravure from original negative]
[7] [J. [James] Craig Annan, II. On a Dutch Shore, photogravure from original negative]
[9] [J. [James] Craig Annan, III. Frau Mathasius, photogravure from original negative]
[11] [J. [James] Craig Annan, IV. Prof. John Young, of Glasgow University, photogravure from original negative]
[13] [J. [James] Craig Annan, V. The Riva Schiavoni, Venice, photogravure from original negative]
[15] [J. [James] Craig Annan, VI. The Dark Mountains, photogravure from original negative]
Joseph T. [Turner] Keiley, J. [James] Craig Annan
Roland Rood, On the Influence of Photography on Our Conception of Nature
Frederick H. [Henry] Evans, Pros and Cons: II. Critic versus Critic
Dallett Fuguet, Our Artistic Opportunity
J. [John] B. [Barrett] Kerfoot, Black Art: A Lecture on Necromancy and the Photo-Secession
[32] Alvin Langdon Coburn [list of plate]
[32a] [Alvin Langdon Coburn, Study—Miss R., photogravure by the Manhattan Photogravure Company, New York]
Alfred Stieglitz, Some Impressions of Foreign Exhibitions
- Dresden
- London Salon
- The Royal
Exhibition Notes [unsigned text]
- The Hague
- The London Salon
- The Photo-Club of Vienna
- In Re St. Louis
- Salon d’Automne—Paris
Norman W. Carkhuff, Carbon and Gum Prints on Japan Tissue
J. [John] B. [Barrett] Kerfoot, Silhouettes
Sebastian Melmoth—Extracts [unsigned text]
Photo-Secession Notes [unsigned text]
- Fellows
- "An Exhibition of One Hundred"
[Editors] Our Illustrations
New Things Worth Looking Into [unsigned text]
An Object-Lesson in the Quality of Reproductions: As Illustrated by a Reprint of “In Sure and Certain Hope” by Frederick H. [Henry] Evans [unsigned text]
An Explanation [unsigned text]
[45] Frederick H. [Henry] Evans [list of plate]
[46c] [Frederick H. [Henry] Evans, In Sure and Certain Hope, photogravure by J. J. Waddington & Company, London, England]
[49-66] [Advertisements]
- Eastman Kodak Co. [Sepia Paper]
- The Photochrome Engraving Company [Half-Tones, Color-Plates]
- Fleming Carnrick/The Fleming Press [Announcement]
- Seymour Company [Fine Book and Pamphlet Papers]
- E. Schering [Pyrogallic Acid]
- The United States Express Company [Photographic Apparatus and Materials from “Abroad”]
- Farbenfabriken of Elberfeld Co. [Edinol Developer]
- E. B. Meyrowitz [Palmos Hand-Cameras, Zeiss Lenses]
- The Anthony and Scovill Company [ANSCO Film]
- C. [Carl] P. [Paul] Goerz Optical Works [The Goerz Series I. B.]
- [M. A. Seed Dry Plate Company] [The Seed Non-Halation Ortho Plate]
- Taylor, Taylor & Hobson Ltd. [Cooke Anastigmat Lens]
- W. E. Hoyt [Missouri Pacific Railway]
- Geo. [George] F. [Ferdinand] Of [Frames]
- John Royle & Sons [Lining-Bevelers]
- The Voigtlaender & Son Optical Co. [Heliar Lens]
- The Folmer & Schwing Mfg. Co. [Tourist Graflex Camera]
- Chas. [Charles] M. [Michael] Higgins & Co. [Higgins’ Photo Mounter]
- G. Gennert [Hauff’s Developers]
- Bausch & Lomb Optical Co. [60 Prize Pictures]
- Willis & Clements [The Platinotype]
- Camera Work [Numbers Issued and Prize]
- Nepera Division, Eastman Kodak Co. [Velox Paper]
- The Anthony & Scovill Company [The Dallmeyer-Bergheim Lens]
- Tennant & Ward [Call for The Photo-Miniature Series]
- Pinkham & Smith [Lenses for Artistic Workers]
- The Obrig Camera Co. [Camera Apparatus and Supplies]
- The Manhattan Photogravure Company [Art Reproductions]
- Ozotype Company [Ozotype Printing Process]
- Camera Work [Subscription Renewal]
[bb] Eastman Kodak Company [Mezzo-tone, back cover verso]
scale/colour chart

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