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EXHIBITIONS AT ‘‘291”— 19x4-1915
The following Exhibitions are announced for the Little Gallery of “291”,
1914-1915—tenth year:
African Wood Carvings;
Picasso and Braque—Recent Paintings;
Picabia—Latest Paintings;
Henri Rousseau—Paintings;
Marion Beckett and Katharine N. Rhoades—Paintings;
John Marin—Recent Paintings and Etchings;
DeZayas—Recent Caricatures (Europe and America);
Younger American Painters—A Group of Paintings;
Exhibition of Photographs;
Etc., Etc.
The season will open on November third. Each exhibition will run for
sixteen days.
NUMBERS OF “CAMERA WORK” IN PREPARATION
rTTTHE next Number of Camera Work will contain no pictures. The
Number will be devoted entirely to the question: “What Is ‘291’?”
About thirty men and women, of different walks of life, and from
different parts of this country, and also from Paris, Berlin and London, have
written or are writing articles on “What '291’ Means To Me.” Amongst
those who have written or are writing are: The Elevator Boy of “291”; a
sculptor who writes from prison where he is for a political “crime”; one of
America’s leading art dealers; painters; poets; art-critics; photographers; a
banker; a reverend; social workers, etc., etc.
There are also in the course of preparation:
A Number devoted to photography, by younger and older workers who
have not, as yet, appeared in the pages of Camera Work;
A Number devoted to Children’s Work, in picture and in words.
52
The following Exhibitions are announced for the Little Gallery of “291”,
1914-1915—tenth year:
African Wood Carvings;
Picasso and Braque—Recent Paintings;
Picabia—Latest Paintings;
Henri Rousseau—Paintings;
Marion Beckett and Katharine N. Rhoades—Paintings;
John Marin—Recent Paintings and Etchings;
DeZayas—Recent Caricatures (Europe and America);
Younger American Painters—A Group of Paintings;
Exhibition of Photographs;
Etc., Etc.
The season will open on November third. Each exhibition will run for
sixteen days.
NUMBERS OF “CAMERA WORK” IN PREPARATION
rTTTHE next Number of Camera Work will contain no pictures. The
Number will be devoted entirely to the question: “What Is ‘291’?”
About thirty men and women, of different walks of life, and from
different parts of this country, and also from Paris, Berlin and London, have
written or are writing articles on “What '291’ Means To Me.” Amongst
those who have written or are writing are: The Elevator Boy of “291”; a
sculptor who writes from prison where he is for a political “crime”; one of
America’s leading art dealers; painters; poets; art-critics; photographers; a
banker; a reverend; social workers, etc., etc.
There are also in the course of preparation:
A Number devoted to photography, by younger and older workers who
have not, as yet, appeared in the pages of Camera Work;
A Number devoted to Children’s Work, in picture and in words.
52