DOI Page / Citation link:
https://doi.org/10.11588/diglit.42863#0433
INDEX
401
her girdle, 14; dowry, 15; cele-
bration of the wedding, 15;
banquet, 15; dinner-service, 15;
ii. 368 ; entry into Mantua, i. 16 ;
festivities, 17 ; absence of Andrea
Mantegna, 17; her character, 47,
49 ; ii. 391 ; intimacy with Antonia
del Balzo, i. 48 ; relations with her
husband’s family, 48 ; affection
for Elisabetta, 48, 67 ; excursions
to the Lago di Garda^50, 52; ii.
363 ; blank of her departure from
home, i. 51; letters to her tutors,
51; visits to Ferrara, 52, 53, 65,
112, 116, 140, 168, 182, 198, 251,
312 ; ii. 267, 362, 384; attacks of
fever, i. 52, 277, 354; ii. 4, 138;
affection for her husband, i. 53;
preparations for her journey to
Milan, 54, 62; her sbernia or
mantle, 54; the wedding of her
sister Beatrice, 55 ; of her brother
Alfonso, 55; at the Certosa of
Pavia, 56 ; governs Mantua, 58,
117, 243, 250 ; ii. 336; on Galeotto’s
dyke, i. 59; at Milan, 61-63, 114,
295-301; ii. 80, 94, 108; reception
at Genoa, i. 64 ; illness of her sister,
64; her classical studies, 65-67,
129; ii. 136 ; on the postponement
of Elisabetta’s visit, i. 67-69 ; cor-
respondence, 70 ; orders for jewels,
71; commissions, 72-75; want of
money, 75, 365 ; ii. 130; raises
loans, i. 75; intellectual interests,
76 ; love of books, 76-78 ; relations
with friars, 79 ; attachment to
Osanna dei Andreasi, 79 ; interest
in Genazzano and Savonarola, 80;
in poetry, 80 : verses, 81 ; admira-
tion for Niccolo da Correggio, 81 ;
on his poem of Psyche, 84 ; on the
loan of his silver lyre, 85 ; singing
lessons, 86; decoration of her
rooms, 87, 157; ii. 203-205; her
studiolo, i. 88 ; threatens Liombeni,
89 ; on the portrait of the Countess
of Acerra, 91; on the birth of
Beatrice’s son, 96 ; regret at leaving
Elisabetta, 97 ; at Venice, 97, 217-
224 ; ii. 228, 234, 326, 344, 346,
387; reception by the Doge, i.
98-100; on the espousals of Venice
with the sea, 100; her desire to
have a portrait of the Doge, 101 ;
at Padua, 101; return to Mantua,
102, 112, 115, 214, 224 ; ii. 94, 117,
268, 291, 321, 386, 388 ; at the
Villa of Porto, i. 102; death of
her mother, 103; birth of a
daughter, 104 ; christening, 105 ; re-
VOL. II.
covery, 106 ; pilgrimage to Loreto,
108 ; ii. 189 ; at Gubbio, i. 109 ; at
Urbino, 109 ; Assisi, 109 ; on the
palace of Urbino, 110 ; at Bologna,
112 ; ii. 296 ; sympathies with the
French, i. 113 ; on pledging her
jewels, 116, 137 ; on the battle of
the Taro, 118 ; pension, 121 ;
anxiety for her husband, 122 ;
on the Madonna della Vittoria,
126 ; correspondence with Lorenzo
da Pavia on a clavichord, 129-131 ;
a lute, 131 ; frivolous amusements,
133; her dwarfs and clowns, 133 ;
on the death of Mattello, 134 ; her
dogs and cats, 135; birth of a
second daughter, 135; death of
her sister, 140; at Verona, 142;
treatment of her husband, 144 ; on
the Duke of Milan’s visit, 147;
negotiations, 148; betrothal of
her daughter, 148, 267 ; on pre-
senting her portrait to Isabella of
Aragon, 150 ; tendency to stout-
ness, 151; attempts to conciliate
the French, 152, 156 ; kindness to
the Milanese exiles, 154 ; artistic
interests, 157 ; her Studio of the
Grotta, 158-160, 272 ; collection of
works of art, 158, 317 ; ii. 5, 17,
206, 377-379; painters and sculp-
tors, i. 161-165, 170; her busts,
165 ; portrait-medal, 166 ; on the
Latin motto, 168, 280; poets, 168-
170; her scheme for the erection
of a statue to Virgil, 173; birth
of a son, 177 ; carnival fetes at
Mantua, 183 ; birth of a third
daughter, 186; affection for her
son, 186, 207 ; on the resistance of
Faenza, 188 ; on the proposed mar-
riage of her brother with Lucrezia
Borgia, 190; the wedding festivi-
ties, 198-207 ; first meeting with
the bride, 200 ; entry, 202-205 ;
reception, 205; comedies and plays,
206, 210, 211, 251 ; ii. 82 ; impa-
tience to return home, i. 208 ;
entertains the French ambassador,
209 ; interview with the Venetian
envoys, 212-214 ; relations with
Lucrezia Borgia, 215, 251, 315; her
income and expenditure, 226; nego-
tiations on the betrothal of her
son, 227, 243 ; at Porto, 227 ; on
the seizure of the duchy of Urbino,
228 ; her request for the statues of
Venus and Cupid, 230; fears for
her husband’s safety, 236 ; letter
from Queen Anne of Brittany,
243 ; on the conquests and murders
2 c
401
her girdle, 14; dowry, 15; cele-
bration of the wedding, 15;
banquet, 15; dinner-service, 15;
ii. 368 ; entry into Mantua, i. 16 ;
festivities, 17 ; absence of Andrea
Mantegna, 17; her character, 47,
49 ; ii. 391 ; intimacy with Antonia
del Balzo, i. 48 ; relations with her
husband’s family, 48 ; affection
for Elisabetta, 48, 67 ; excursions
to the Lago di Garda^50, 52; ii.
363 ; blank of her departure from
home, i. 51; letters to her tutors,
51; visits to Ferrara, 52, 53, 65,
112, 116, 140, 168, 182, 198, 251,
312 ; ii. 267, 362, 384; attacks of
fever, i. 52, 277, 354; ii. 4, 138;
affection for her husband, i. 53;
preparations for her journey to
Milan, 54, 62; her sbernia or
mantle, 54; the wedding of her
sister Beatrice, 55 ; of her brother
Alfonso, 55; at the Certosa of
Pavia, 56 ; governs Mantua, 58,
117, 243, 250 ; ii. 336; on Galeotto’s
dyke, i. 59; at Milan, 61-63, 114,
295-301; ii. 80, 94, 108; reception
at Genoa, i. 64 ; illness of her sister,
64; her classical studies, 65-67,
129; ii. 136 ; on the postponement
of Elisabetta’s visit, i. 67-69 ; cor-
respondence, 70 ; orders for jewels,
71; commissions, 72-75; want of
money, 75, 365 ; ii. 130; raises
loans, i. 75; intellectual interests,
76 ; love of books, 76-78 ; relations
with friars, 79 ; attachment to
Osanna dei Andreasi, 79 ; interest
in Genazzano and Savonarola, 80;
in poetry, 80 : verses, 81 ; admira-
tion for Niccolo da Correggio, 81 ;
on his poem of Psyche, 84 ; on the
loan of his silver lyre, 85 ; singing
lessons, 86; decoration of her
rooms, 87, 157; ii. 203-205; her
studiolo, i. 88 ; threatens Liombeni,
89 ; on the portrait of the Countess
of Acerra, 91; on the birth of
Beatrice’s son, 96 ; regret at leaving
Elisabetta, 97 ; at Venice, 97, 217-
224 ; ii. 228, 234, 326, 344, 346,
387; reception by the Doge, i.
98-100; on the espousals of Venice
with the sea, 100; her desire to
have a portrait of the Doge, 101 ;
at Padua, 101; return to Mantua,
102, 112, 115, 214, 224 ; ii. 94, 117,
268, 291, 321, 386, 388 ; at the
Villa of Porto, i. 102; death of
her mother, 103; birth of a
daughter, 104 ; christening, 105 ; re-
VOL. II.
covery, 106 ; pilgrimage to Loreto,
108 ; ii. 189 ; at Gubbio, i. 109 ; at
Urbino, 109 ; Assisi, 109 ; on the
palace of Urbino, 110 ; at Bologna,
112 ; ii. 296 ; sympathies with the
French, i. 113 ; on pledging her
jewels, 116, 137 ; on the battle of
the Taro, 118 ; pension, 121 ;
anxiety for her husband, 122 ;
on the Madonna della Vittoria,
126 ; correspondence with Lorenzo
da Pavia on a clavichord, 129-131 ;
a lute, 131 ; frivolous amusements,
133; her dwarfs and clowns, 133 ;
on the death of Mattello, 134 ; her
dogs and cats, 135; birth of a
second daughter, 135; death of
her sister, 140; at Verona, 142;
treatment of her husband, 144 ; on
the Duke of Milan’s visit, 147;
negotiations, 148; betrothal of
her daughter, 148, 267 ; on pre-
senting her portrait to Isabella of
Aragon, 150 ; tendency to stout-
ness, 151; attempts to conciliate
the French, 152, 156 ; kindness to
the Milanese exiles, 154 ; artistic
interests, 157 ; her Studio of the
Grotta, 158-160, 272 ; collection of
works of art, 158, 317 ; ii. 5, 17,
206, 377-379; painters and sculp-
tors, i. 161-165, 170; her busts,
165 ; portrait-medal, 166 ; on the
Latin motto, 168, 280; poets, 168-
170; her scheme for the erection
of a statue to Virgil, 173; birth
of a son, 177 ; carnival fetes at
Mantua, 183 ; birth of a third
daughter, 186; affection for her
son, 186, 207 ; on the resistance of
Faenza, 188 ; on the proposed mar-
riage of her brother with Lucrezia
Borgia, 190; the wedding festivi-
ties, 198-207 ; first meeting with
the bride, 200 ; entry, 202-205 ;
reception, 205; comedies and plays,
206, 210, 211, 251 ; ii. 82 ; impa-
tience to return home, i. 208 ;
entertains the French ambassador,
209 ; interview with the Venetian
envoys, 212-214 ; relations with
Lucrezia Borgia, 215, 251, 315; her
income and expenditure, 226; nego-
tiations on the betrothal of her
son, 227, 243 ; at Porto, 227 ; on
the seizure of the duchy of Urbino,
228 ; her request for the statues of
Venus and Cupid, 230; fears for
her husband’s safety, 236 ; letter
from Queen Anne of Brittany,
243 ; on the conquests and murders
2 c