DOI Page / Citation link:
https://doi.org/10.11588/diglit.42071#0060
B0LC1
46
BONINI
there is an entry in the books of the Servi, noting
that on June 3, 1514, he was paid 9 lire for having
sung to the organ (chantato in sul organo) for three
months last past [A.S.F., C.S. Servi Lib. del
Camarlingo, 1512-16 (Milanesi)].
Works :—Monte Cassino, Perugia.
146. Bolci, Annibale di Giovanni. Flor.,
b. 15—, d. 16—. P. mat. May 1,1585 [A.D., R. 56,
c. 86*]. p. of Santi di Tito (1585), son of Francesco
Boddrini * (1603/4). In 1589 Annibale’s bottega
was in Sta. Maria in Campo, when he made a claim
for money due to him from Cosimo Rossi [A.D., R.
63, c. 18]. In Feb. 1593/4 he was paid by the A.D.
21 lire for having prepared eight canvases with
“ mestica ” for the recent festival of S. Luke.
147. Bonaccorsi, Piero, v. Vaga, Pierino
del.
148. Bonaccorso di (Maestro), Cino. Flor.,
b. 13—, d. 13—. P. S.L. 1341. In 1347 Bonac-
corso painted the vault of the chapel of S. Jacopo
in the Duomo of Pistoja, with Alessio di Andrea
[?■»■]•
149. Bonaccorso di Vittorio Ghiberti, v.
Ghiberti, Bonaccorso.
150. Bonaiuto di Corsino, v.s. Corsino di
Bonaiuto.
151. Bonaiuto di Giovanni di Bartolommeo
Marini. Flor., b. c. 1404, d. 14—. P. Phy. A.
March 31, 1429. Pop. S. Frediano [Cod. XXI.].
S.L. 1427 [Bonaiuto di Giovanni], p. of Mariotto
di Nardo, to whose will he was one of the witnesses
in 1424 [Milanesi, N. Doc. No. 95]. Bonaiuto was
an assistant of Bicci di Lorenzo and worked in his
bottega with Stefano di Antonio [Vasari, San. II.
65 and 67]. In his return to the Catasto for 1457
[A.S.F., S. Spirito Drago, N. Ve. 795, fil. hi].
Bonaiuto states that he possesses a house in the
Via di S. Salvadore, which he lets when he can for
5 flor. per annum, and a vineyard of 6 staiora near
Peretola. He resides in a house in the Qr. of S.
Giovanni Gonf. Ferza, for which he pays 10 flor.
per annum. He has a bottega in the Corso degli Adi-
mari, the rent of which is 8 flor., and a second, in
the same Corso, next to the bottega of Giuliano di
Jacopo, P., occupied by his son Giovanni. He
himself is 53 years of age, his wife Monna Nanna
45, and he has five sons and one daughter, whose
ages range between 18 and 1 year.
152. Bonamico di Cristofano, v. Buffal-
macco.
153. Boncetti, Martino di Piero. Pistoja,
b. 13—, d. 14—. P. According to Tolomei
[“Guide di Pistoja,” r. 1821, s.«.], Martino was of
the “ Anziani” of Pistoja in 1391. He was working
as a P. in 1406, and in 1421 was commissioned,
with Nero di Narduccio, to paint the panel [tavola]
of the altar of S. Jacopo with those half-figures
which are of silver. Tolomei adds that the panel
is lost.
* Belongs to the seventeenth century.
154. Bongiruti, Domenico di Alessandro, da
Pietra Santa, b. 15—, d. c. 1593. P. [Pisan sch.].
р. of Pierino del Vaga. Domenico was established
in Pisa, where there are records of his work between
1568, when he painted four candlesticks in S.
Giovanni, and 1591. On Aug. 23, 1583, he under-
took to paint a panel for the altar of the “Bat-
tesimo ” in the Duomo. It was to be finished in one
year, done by his own hand, like that of Sogliani,
and the finest colours were to be used. In 1587
he coloured three coats of arms above the doors of
the cathedral, and in the same year, with Agostino
Ghirlanda, executed some paintings on black cloth
\tela\ for the obsequies of the Grand-Duke Francesco
I. He was also employed by the Opera of the
Duomo in various works of gilding, such as part of
a bronze angel by Stoldo Lorenzi, and the crown
of the Madonna, above the chapel of the Incoronata,
and of painting large candlesticks, crucifixes and
the like [Tanfani, Not. di Artisti tratt. da Doc.
Pisani, 142-43, 204, n. 3, 472-73]. Lanzi [“ Stor.
pitt.” I. 285] refers to his panel in S. Nicolo’, in
which he follows the manner of painting of Pierino
del Vaga.
Maestro Sandro, Domenico’s father, and his own
son Sandro, were both P.’s.
155. Bonilli, Vincenzo di Francesco, detto
Morganti, da Poppi [Casentino], b. -, d.
15—. P. Vincenzo is credited with having finished,
in 1540, the picture of the “ Madonna in Glory and
four Saints ” [Pitti, No. 123], commenced by
Andrea del Sarto for the Badia of Poppi and left
unfinished at his death. Vasari [San. V. 49]
describes the picture, then at Poppi, as imperfect.
It is probable, therefore, that Vincenzo only filled
in certain uncovered portions of the composition,
harmonizing the whole, as the picture is still in the
condition in which it was seen by Vasari [ut sup.
n. 5]. Vincenzo’s father was a baker.
156. Bonini, Lorenzo di Giovanbattista.
Flor., b. 15—, d. 16—. P. mat. c. 1585 [but only
began to pay his fees in 1592] [A.D., R. 27,
с. 37], Consul del Corpo, 1617 (Aug.) [A.D., R. 99
ad an.J. p. of Jacopo Ligozzi, assistant of, or at
least worked for, Filippo del Cammello, and, pos-
sibly, also Vincenzo di Giovanni Rosati. In 1585,
Lorenzo painted a canvas of Our Lady and Infant
for the festival of S. Luke, which was sold to Valerio
Cirli, S., for 49 lire [A.D., R. 26, c. 97, 97*]. In the
Register of the civil suits brought before the
“ Accademia del Disegno,” it is noted that on Feb.
23, 1593/4, Lorenzo on the Costa di S. Giorgio sued
Vincenzo di Giovanni Rosati, P., for 16 lire on a
ledger account [A.D., R. 63, c. 55*]. On Feb. 15,
*594/5; he claimed 4 lire from Filippo di Piero del
Cammello, P., for a picture executed for him, while
on July 25, 1596, he demanded from Filippo 3.10
lire for work done, to which Filippo replied on Aug.
30 that he had deposited 3.10 lire with the Chan-
cellor, and required that within two days Lorenzo
46
BONINI
there is an entry in the books of the Servi, noting
that on June 3, 1514, he was paid 9 lire for having
sung to the organ (chantato in sul organo) for three
months last past [A.S.F., C.S. Servi Lib. del
Camarlingo, 1512-16 (Milanesi)].
Works :—Monte Cassino, Perugia.
146. Bolci, Annibale di Giovanni. Flor.,
b. 15—, d. 16—. P. mat. May 1,1585 [A.D., R. 56,
c. 86*]. p. of Santi di Tito (1585), son of Francesco
Boddrini * (1603/4). In 1589 Annibale’s bottega
was in Sta. Maria in Campo, when he made a claim
for money due to him from Cosimo Rossi [A.D., R.
63, c. 18]. In Feb. 1593/4 he was paid by the A.D.
21 lire for having prepared eight canvases with
“ mestica ” for the recent festival of S. Luke.
147. Bonaccorsi, Piero, v. Vaga, Pierino
del.
148. Bonaccorso di (Maestro), Cino. Flor.,
b. 13—, d. 13—. P. S.L. 1341. In 1347 Bonac-
corso painted the vault of the chapel of S. Jacopo
in the Duomo of Pistoja, with Alessio di Andrea
[?■»■]•
149. Bonaccorso di Vittorio Ghiberti, v.
Ghiberti, Bonaccorso.
150. Bonaiuto di Corsino, v.s. Corsino di
Bonaiuto.
151. Bonaiuto di Giovanni di Bartolommeo
Marini. Flor., b. c. 1404, d. 14—. P. Phy. A.
March 31, 1429. Pop. S. Frediano [Cod. XXI.].
S.L. 1427 [Bonaiuto di Giovanni], p. of Mariotto
di Nardo, to whose will he was one of the witnesses
in 1424 [Milanesi, N. Doc. No. 95]. Bonaiuto was
an assistant of Bicci di Lorenzo and worked in his
bottega with Stefano di Antonio [Vasari, San. II.
65 and 67]. In his return to the Catasto for 1457
[A.S.F., S. Spirito Drago, N. Ve. 795, fil. hi].
Bonaiuto states that he possesses a house in the
Via di S. Salvadore, which he lets when he can for
5 flor. per annum, and a vineyard of 6 staiora near
Peretola. He resides in a house in the Qr. of S.
Giovanni Gonf. Ferza, for which he pays 10 flor.
per annum. He has a bottega in the Corso degli Adi-
mari, the rent of which is 8 flor., and a second, in
the same Corso, next to the bottega of Giuliano di
Jacopo, P., occupied by his son Giovanni. He
himself is 53 years of age, his wife Monna Nanna
45, and he has five sons and one daughter, whose
ages range between 18 and 1 year.
152. Bonamico di Cristofano, v. Buffal-
macco.
153. Boncetti, Martino di Piero. Pistoja,
b. 13—, d. 14—. P. According to Tolomei
[“Guide di Pistoja,” r. 1821, s.«.], Martino was of
the “ Anziani” of Pistoja in 1391. He was working
as a P. in 1406, and in 1421 was commissioned,
with Nero di Narduccio, to paint the panel [tavola]
of the altar of S. Jacopo with those half-figures
which are of silver. Tolomei adds that the panel
is lost.
* Belongs to the seventeenth century.
154. Bongiruti, Domenico di Alessandro, da
Pietra Santa, b. 15—, d. c. 1593. P. [Pisan sch.].
р. of Pierino del Vaga. Domenico was established
in Pisa, where there are records of his work between
1568, when he painted four candlesticks in S.
Giovanni, and 1591. On Aug. 23, 1583, he under-
took to paint a panel for the altar of the “Bat-
tesimo ” in the Duomo. It was to be finished in one
year, done by his own hand, like that of Sogliani,
and the finest colours were to be used. In 1587
he coloured three coats of arms above the doors of
the cathedral, and in the same year, with Agostino
Ghirlanda, executed some paintings on black cloth
\tela\ for the obsequies of the Grand-Duke Francesco
I. He was also employed by the Opera of the
Duomo in various works of gilding, such as part of
a bronze angel by Stoldo Lorenzi, and the crown
of the Madonna, above the chapel of the Incoronata,
and of painting large candlesticks, crucifixes and
the like [Tanfani, Not. di Artisti tratt. da Doc.
Pisani, 142-43, 204, n. 3, 472-73]. Lanzi [“ Stor.
pitt.” I. 285] refers to his panel in S. Nicolo’, in
which he follows the manner of painting of Pierino
del Vaga.
Maestro Sandro, Domenico’s father, and his own
son Sandro, were both P.’s.
155. Bonilli, Vincenzo di Francesco, detto
Morganti, da Poppi [Casentino], b. -, d.
15—. P. Vincenzo is credited with having finished,
in 1540, the picture of the “ Madonna in Glory and
four Saints ” [Pitti, No. 123], commenced by
Andrea del Sarto for the Badia of Poppi and left
unfinished at his death. Vasari [San. V. 49]
describes the picture, then at Poppi, as imperfect.
It is probable, therefore, that Vincenzo only filled
in certain uncovered portions of the composition,
harmonizing the whole, as the picture is still in the
condition in which it was seen by Vasari [ut sup.
n. 5]. Vincenzo’s father was a baker.
156. Bonini, Lorenzo di Giovanbattista.
Flor., b. 15—, d. 16—. P. mat. c. 1585 [but only
began to pay his fees in 1592] [A.D., R. 27,
с. 37], Consul del Corpo, 1617 (Aug.) [A.D., R. 99
ad an.J. p. of Jacopo Ligozzi, assistant of, or at
least worked for, Filippo del Cammello, and, pos-
sibly, also Vincenzo di Giovanni Rosati. In 1585,
Lorenzo painted a canvas of Our Lady and Infant
for the festival of S. Luke, which was sold to Valerio
Cirli, S., for 49 lire [A.D., R. 26, c. 97, 97*]. In the
Register of the civil suits brought before the
“ Accademia del Disegno,” it is noted that on Feb.
23, 1593/4, Lorenzo on the Costa di S. Giorgio sued
Vincenzo di Giovanni Rosati, P., for 16 lire on a
ledger account [A.D., R. 63, c. 55*]. On Feb. 15,
*594/5; he claimed 4 lire from Filippo di Piero del
Cammello, P., for a picture executed for him, while
on July 25, 1596, he demanded from Filippo 3.10
lire for work done, to which Filippo replied on Aug.
30 that he had deposited 3.10 lire with the Chan-
cellor, and required that within two days Lorenzo