DOI Page / Citation link:
https://doi.org/10.11588/diglit.42071#0103
DINO
89
DOMENICO
14—. P. Phy. A. Jan. 25, 1412-13 (benefit of
father) [Cod. XXI.]. Res. in pop. S. Frediano.
(Registers Phy. A.)
18. Dino di Puccio. Flor., b. 1348, d. —. P.
S.L. 1387.
19. Dionigi d’ Andrea di Bernardo di
Lotterio, detto Danni. Flor., b. 1455, d.-. P.
S.L. (lib. rosso 1472). p. of Neri di Bicci, whose
bottega he entered on Jan. 20, 1465/6, and left
without permission on May 15, 1469. On Sept. 6,
1470, he returned to remain another year with the
Master.
(Milanesi, Vasari; S.L. Registers.)
20. Doffo di Baldino. Flor., b. 13—, d. 1383.
P. Phy. A. Dec. 5, 1370 [Cod. VII. IX.]. S.L.
1381 [? date of death; the original entry was
1365]. Doffo was of the pop. Sta. Maria Maggiore.
21. Bolciati, Lorenzo di Filippo. Flor., b. 14—,
d. Aug. 26, 1495. P- Father of—
21a. Dolciati Filippo di Lorenzo. Flor., b.
1443, d. 1519. P. S.L. c. 1460 (lib. rosso 1503-5).
F. was married to Alessandra d’Andrea di Gio-
vanni. Filippo left a son, who died in 1520, and
who named Bernardo and Zanobi di Lorenzo
Dolciati, his cousins, his heirs [Milanesi],
22. Dolzemele, Francesco; detto del, was
Francesco di Niccol6 di Tommaso Forzetti.
Flor., b. 1462, d. April 7, 1516. P. and Mettidoro
(gilder). Phy. A. Nov. 15, 1499, pictor nel Garbo
[Cod. X.]. S.L. (lib. rosso 1503-4). Although
included among the P.’s, F. was properly a gilder,
and appears to have done good work. Between
1504 and 1514 F. was employed, on various occasions,
by the monks of the Servi (SS. Annunziata). His
principal work was gilding (1504-5) the wooden
structure of the altar-piece, the panels for which
were finally painted (ornamento) for the Deposition
by Filippo Lippi and Perugino, which is now pre-
served in the A.M.G. The price agreed upon,
including all expenses, was 200 flor. larghi of gold.
This “ ornamento ” would appear to have been
carved by Baccio d’Agnolo.*
In 1502 F. rented the lower part of a house
belonging to the convent of the Badia under the
infirmary for 8 flor. larghi per annum and situate in
the Via del Garbo, where he had his bottega [A.S.F.
Con. Sop. Badia, 81, c. 372, also Memoriarum].
He is mentioned in the books of the convent in
1506 [A.S.F. ut sup. 82, 421] and again in April
1516, when there is an entry of a payment to F.
and his son Mariotto (the latter only received the
money, his father being dead) of 4 lire 10 sol. for
the painting (manifattura) and gilding of two paxes
for the sacristy [A.S.F. ut sup. 83, c. 28]. In 1511
* References to this ornamento and other work by
F. may be found in Lib. Deb. e Cred., 1491-1505,
id. 1505-15 (1502, 1505); Lib. Bianco Deb. e Cred.,
1504-10, 1505; Lib. di Memorie, 59-1504.
F. assisted Andrea Feltrini in painting and gilding,
for flor. 80 in gold, the antechamber of the Strozzi
palace, at the comer of the Piazza Strozzi.* F.
belonged to the pop. S. Piero Gattolino. Father
of—
22a. (i) Mariotto di Francesco di Niccolo.
Flor., b.-, d. 15—. P. and gilder. Phy. A. May
17, 1516. Pittori nel Garbo [Cod. X.]. M. is the
Mariotto Mettidore mentioned by Vasari, in the
Life of Andrea Feltrini, as working with that artist
and Raffaello di Biagio, also a gilder. Their
partnership continued until death separated them,
M. being the last survivor. Vasari describes M.
as one of the most skilful and practical members
of his profession, tactful in accepting orders, adroit
in obtaining payment and in doing business.
22b. (ii) ZanobidiFrancescodiNiccolo. Flor.,
b. -, d. 15—. P. and gilder. Z. is mentioned,
with his brother, in the books of the Badia.**
(Milanesi, Vasari; Phy. A. and S.L. Registers.)
23. Domenico . . . Flor., b. 15—, d.-. P.
p. of Alessandro del Barbiere. In 1590 he received
a canvas to paint “ La Geometria ” for the Festival
of S. Luke [A.D., R. 27, c. 115].
24. Domenico . . . Flor., b. 15—, d.-. P.
p. of Giov. Battista Paggi. In 1597 he received
a canvas to paint “ Christ descending to Limbo,”
in competition with Giov. Battista Mossi and
Clementi [Porcellini] [A.D., R. 27, c. 136].
25. Domenico d’ Andrea. Flor., b. —, d. Aug.
17, 1468. MI. S.L. c. 1470.
26. Domenico d’ Antonio. Flor., b. 14—, d.
-. MI. D. worked for the convent of the Servi.
On Feb. 22, 1471/2, he was paid 2J flor. larghi and
3 lire 6 sol. for various illuminations, valued at
more than this price. On June 12, 1472, he re-
* In 1513/14 Francesco was employed on the
paintings then being carried out in the Palazzo Vecchio,
with Ridolfo del Ghirlandajo, Giovanni Cianfanini and
Paggino di Zanobi. The following entries in the
Stanzamenti degli Operaj del Palazzo dal 1512 al 1532
[A.S.F., No. 951, d. VIII. No. 25, St. III. arm. II.]
refer to Francesco : “ 1513, Oct. 3, 9 lire paid for
gold, colours and workmanship, all at his expense ”
[c. 12]. "Nov. 18, paid, with Ridolfo del Ghirlandajo,
56 lire ” [c. 21]. "Dec. 22, a further sum of 35 lire paid,
part of his credit” [c. 22*]. " 1513/14, Jan. 7, 48 lire,
balance of everything he has done in the palace to
this day, for gold, colours and workmanship, according
to the estimate of Lorenzo di Cardi and Giovanni di
Benedetto (Cianfanini)” [c. 23*].
** On April 9, 1516, M. paid part of the rent of his
late father’s bottega, being paid at the same date for
the two paxes mentioned above. On May 6, 1518,
he handed over the keys of the bottega to the convent,
and on the 9th, with Zanobi, his partner (and brother),
paid up 2 flor. gold larghi in gold [A.S.F., Con. Sop.
Badia, 83, c. 281]. In 1525 it is recorded that
" bottega a uso dipintori,” opposite the church of S.
Apollinare, was let to him for three years. In 1530
he acknowledges that he is indebted to the convent
in the sum of 21 flor. 2 lire 18 s., while in 1531 the
bottega he had occupied was let to Tommaso d’ Antonio
di Filippo cartolaio [A.S.F., Con. Sop. ut sup. 263,
c. 15b 86*, 891].
89
DOMENICO
14—. P. Phy. A. Jan. 25, 1412-13 (benefit of
father) [Cod. XXI.]. Res. in pop. S. Frediano.
(Registers Phy. A.)
18. Dino di Puccio. Flor., b. 1348, d. —. P.
S.L. 1387.
19. Dionigi d’ Andrea di Bernardo di
Lotterio, detto Danni. Flor., b. 1455, d.-. P.
S.L. (lib. rosso 1472). p. of Neri di Bicci, whose
bottega he entered on Jan. 20, 1465/6, and left
without permission on May 15, 1469. On Sept. 6,
1470, he returned to remain another year with the
Master.
(Milanesi, Vasari; S.L. Registers.)
20. Doffo di Baldino. Flor., b. 13—, d. 1383.
P. Phy. A. Dec. 5, 1370 [Cod. VII. IX.]. S.L.
1381 [? date of death; the original entry was
1365]. Doffo was of the pop. Sta. Maria Maggiore.
21. Bolciati, Lorenzo di Filippo. Flor., b. 14—,
d. Aug. 26, 1495. P- Father of—
21a. Dolciati Filippo di Lorenzo. Flor., b.
1443, d. 1519. P. S.L. c. 1460 (lib. rosso 1503-5).
F. was married to Alessandra d’Andrea di Gio-
vanni. Filippo left a son, who died in 1520, and
who named Bernardo and Zanobi di Lorenzo
Dolciati, his cousins, his heirs [Milanesi],
22. Dolzemele, Francesco; detto del, was
Francesco di Niccol6 di Tommaso Forzetti.
Flor., b. 1462, d. April 7, 1516. P. and Mettidoro
(gilder). Phy. A. Nov. 15, 1499, pictor nel Garbo
[Cod. X.]. S.L. (lib. rosso 1503-4). Although
included among the P.’s, F. was properly a gilder,
and appears to have done good work. Between
1504 and 1514 F. was employed, on various occasions,
by the monks of the Servi (SS. Annunziata). His
principal work was gilding (1504-5) the wooden
structure of the altar-piece, the panels for which
were finally painted (ornamento) for the Deposition
by Filippo Lippi and Perugino, which is now pre-
served in the A.M.G. The price agreed upon,
including all expenses, was 200 flor. larghi of gold.
This “ ornamento ” would appear to have been
carved by Baccio d’Agnolo.*
In 1502 F. rented the lower part of a house
belonging to the convent of the Badia under the
infirmary for 8 flor. larghi per annum and situate in
the Via del Garbo, where he had his bottega [A.S.F.
Con. Sop. Badia, 81, c. 372, also Memoriarum].
He is mentioned in the books of the convent in
1506 [A.S.F. ut sup. 82, 421] and again in April
1516, when there is an entry of a payment to F.
and his son Mariotto (the latter only received the
money, his father being dead) of 4 lire 10 sol. for
the painting (manifattura) and gilding of two paxes
for the sacristy [A.S.F. ut sup. 83, c. 28]. In 1511
* References to this ornamento and other work by
F. may be found in Lib. Deb. e Cred., 1491-1505,
id. 1505-15 (1502, 1505); Lib. Bianco Deb. e Cred.,
1504-10, 1505; Lib. di Memorie, 59-1504.
F. assisted Andrea Feltrini in painting and gilding,
for flor. 80 in gold, the antechamber of the Strozzi
palace, at the comer of the Piazza Strozzi.* F.
belonged to the pop. S. Piero Gattolino. Father
of—
22a. (i) Mariotto di Francesco di Niccolo.
Flor., b.-, d. 15—. P. and gilder. Phy. A. May
17, 1516. Pittori nel Garbo [Cod. X.]. M. is the
Mariotto Mettidore mentioned by Vasari, in the
Life of Andrea Feltrini, as working with that artist
and Raffaello di Biagio, also a gilder. Their
partnership continued until death separated them,
M. being the last survivor. Vasari describes M.
as one of the most skilful and practical members
of his profession, tactful in accepting orders, adroit
in obtaining payment and in doing business.
22b. (ii) ZanobidiFrancescodiNiccolo. Flor.,
b. -, d. 15—. P. and gilder. Z. is mentioned,
with his brother, in the books of the Badia.**
(Milanesi, Vasari; Phy. A. and S.L. Registers.)
23. Domenico . . . Flor., b. 15—, d.-. P.
p. of Alessandro del Barbiere. In 1590 he received
a canvas to paint “ La Geometria ” for the Festival
of S. Luke [A.D., R. 27, c. 115].
24. Domenico . . . Flor., b. 15—, d.-. P.
p. of Giov. Battista Paggi. In 1597 he received
a canvas to paint “ Christ descending to Limbo,”
in competition with Giov. Battista Mossi and
Clementi [Porcellini] [A.D., R. 27, c. 136].
25. Domenico d’ Andrea. Flor., b. —, d. Aug.
17, 1468. MI. S.L. c. 1470.
26. Domenico d’ Antonio. Flor., b. 14—, d.
-. MI. D. worked for the convent of the Servi.
On Feb. 22, 1471/2, he was paid 2J flor. larghi and
3 lire 6 sol. for various illuminations, valued at
more than this price. On June 12, 1472, he re-
* In 1513/14 Francesco was employed on the
paintings then being carried out in the Palazzo Vecchio,
with Ridolfo del Ghirlandajo, Giovanni Cianfanini and
Paggino di Zanobi. The following entries in the
Stanzamenti degli Operaj del Palazzo dal 1512 al 1532
[A.S.F., No. 951, d. VIII. No. 25, St. III. arm. II.]
refer to Francesco : “ 1513, Oct. 3, 9 lire paid for
gold, colours and workmanship, all at his expense ”
[c. 12]. "Nov. 18, paid, with Ridolfo del Ghirlandajo,
56 lire ” [c. 21]. "Dec. 22, a further sum of 35 lire paid,
part of his credit” [c. 22*]. " 1513/14, Jan. 7, 48 lire,
balance of everything he has done in the palace to
this day, for gold, colours and workmanship, according
to the estimate of Lorenzo di Cardi and Giovanni di
Benedetto (Cianfanini)” [c. 23*].
** On April 9, 1516, M. paid part of the rent of his
late father’s bottega, being paid at the same date for
the two paxes mentioned above. On May 6, 1518,
he handed over the keys of the bottega to the convent,
and on the 9th, with Zanobi, his partner (and brother),
paid up 2 flor. gold larghi in gold [A.S.F., Con. Sop.
Badia, 83, c. 281]. In 1525 it is recorded that
" bottega a uso dipintori,” opposite the church of S.
Apollinare, was let to him for three years. In 1530
he acknowledges that he is indebted to the convent
in the sum of 21 flor. 2 lire 18 s., while in 1531 the
bottega he had occupied was let to Tommaso d’ Antonio
di Filippo cartolaio [A.S.F., Con. Sop. ut sup. 263,
c. 15b 86*, 891].