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Cook, Arthur B.
Zeus: a study in ancient religion (Band 1): Zeus god of the bright sky — Cambridge, 1914

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https://doi.org/10.11588/diglit.14695#0518

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Zeus, Io, and Epaphos

More than one writer, for example, assumes that Io was
changed into a cow by Zeus, not by Hera. According to Apollo-
doros1, who in his great 'Library' of Greek myths has preserved,
so to speak, a variorum edition of this tale, Zeus attempted to
divert Hera's suspicions from his own intrigue with Io by trans-
forming the latter into a white2 cow and swearing that he had
never had intercourse with her3. Hera thereupon asked Zeus to
make her a present of the cow and stationed Argos Panoptes as its
guardian. Argos bound the cow to the olive-tree4 that was in the
sacred grove of the Mycenaeans5. Zeus bade Hermes steal the
cow. Hierax*, the ' Hawk,' revealed the design7. And Hermes,

1 Apollod. 2.1. 3.

2 Cp. Ov. met. 1. 610 f. inque nitentem | Inachidos vultus mutaverat ille iuvencam,
Iuv. 6. 526 si Candida iusserit Io, Val. Flacc. 4. 380 verbere candentes quotiens exhorruit
armos.

3 Hence the belief that lovers might perjure themselves with impunity (Hes. frag. 5
Flach ap. Apollod. 2. r. 3, schol. Plat. symp. 183 R, Hesych. s.v.' Acp podia los 6'p/cos, cp.
Kallim. ep. 27. 3 f. Wilamowitz= Stob. flor. 28. 3 (ed. Gaisford i. 383)).

4 Plin. nat. hist. 16. 239 Argis olea etiamnum durare dicitur, ad quam Io in tauram

mutatam Argus alligaverit. This olive-tree is shown on a
black-figured amphora at Munich (Sieveking—Hackl Vasen-
samml. Miinchen i. 58 ff. no. 585 fig. 69 pi. 21, Overbeck Gr.
Kunstmylh. Zeus p. 474, T. Panofka 'Argos Panoptes' in
the Abh. d. berl. Akad. iSjy Phil.-hist. Classe pi. 5), a red-
figured amphora of the Coghill collection (Overbeck op. cit.
p. 466 f., Panofka op. cit. pi. 4, 1), a stdmnos from Caere now
at Vienna (Masner Samml. ant. Vasen u. Terracotten Wien
p. 52 no. 338, Overbeck op. cit. p. 477 f., Ann. d. Inst. 1865
pi. I—K, Reinach Rep. Vases i. 314, Roscher Lex. Myth. ii.
279 f.), a green jasper of which a replica in paste was in the
Stosch collection (fig. 312, Overbeck op. cit. p. 483 f.,
Panofka op. cit. pi. 3, 1), a wall-painting from the Casa di
-p. Meleagro at Pompeii (Overbeck op. cit. p. 470 f., Panofka

lg" 3 2' op. cit. pi. 1, 6).

5 Soph. El. 4 f. to yap iraXaLov "Apyos ovirodeis r68e, | ttjs olo~Tpo7rXrjyos aXcros 'Ip&xov
KOprjs.

6 Cp. Poll. 4. 78 'lepatciov 8e (/xeXos) to ' ApyoXitcov, 8 reus avdecrcpopois ep' Upas eirytiXovv.

7 Two other birds were brought into connexion with the myth. (1) lynx the 'wry-
neck,' daughter of Echo or Peitho, sacred to Nike and Aphrodite, by magic means
inspired Zeus with love for Io, and was punished by Hera, who transformed her into a
stone (Phot. lex. s.v."Ivy^) or into a wry-neck (Kallim. frag. iooc. 8 Schneider ap. schol.
Theokr. 2. 17, cp. schol. Pind. Nem. 4. 56). (2) When Argos was slain, Hera trans-
formed him into a peacock (schol. Aristoph. av. 102, anon, miscell. 6 in Myth. Graec. ed.
Westermann p. 347, Nonn. Dion. 12. 70 f., Mart. 14. 85. 1 f., Myth. Vat. 1. 18, 2. 5,
2. 89) or decorated the tail of her peacock with his eyes (Ov. met. 1. 722 f.), or the
peacock sprang from his blood (Mosch. 2. 58 ff.) or was sent up by the Earth where he
fell (Opp. de auc. 1. 24). The peacock appears on the gem mentioned above (n. 4), cp.
Boetticher Baumkultus fig. 35 and the peacocks kept in the temple of Hera at Samos
(Antiphanes Homopatrii ap. Athen. 655 B, Eustath. in II. p. 1035, 47f.> Brit. Mus. Cat.
Coins Ionia pp. 369—372, 386, 390 f. pi. 36, 11, 13, 37, 15, Head Hist, num.* p. 606).
At the Argive Heraion Hadrian dedicated a peacock of gold and shining stones (Paus. 2.
 
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