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Cook, Arthur B.
Zeus: a study in ancient religion (Band 1): Zeus god of the bright sky — Cambridge, 1914

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https://doi.org/10.11588/diglit.14695#0872

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Addenda

Page 48 fig. 21 sarcophagus-relief in the Capitoline Museum. See now Reinach Rep.
Reliefs iii. 206 no. 1 and the Mus. Capit. Cat. Sculpt, p. 264 Stanza dei Filosofi no. 109
pi. 62. The latter characterises the relief as ' Rough Roman work' and, like the former,
suggests Hebe as a possible name for the shield-bearing figure. I adhere to my view
that she is more probably Victory.

Page 58 note 1: on Iupiter Purpuric Cp. Corp. inscr. Lat. xiv no. 3469 [alia chiesa
di S. Giovanni di Agosta, prossima alia fonte) Iovi opt. [max. Purpuri]|oni Iunoni
Mine[rvae]j C. Servilius etc., where Purpurioni was a suggestion of Mommsen.

Page 80 note 4: on were-wolves. To the bibliography add now Elliott O'Donnell
Werwolves London (1913) pp. 1—292.

Page 92 f.: on a kylix representing Zeus Lykaios. My friend Mr P. N. Ure informed
me some time since that the Museum at Taranto possesses a ' Laconian' kylix closely
resembling that in the Louvre {supra p. 93 fig. 65). On a recent visit to Taranto he
kindly examined the cup on my behalf and reports (March 18, 1914) that it was found at
Bascino di Carrivagio fuori la citta along with a Corinthian aryballos, and that its design
is practically the same as that of the Louvre kylix, the only noteworthy differences being:
(a) Zeus faces to left; the ornamentation of his clothes is simpler; his seat appears to be
a chair rather than an altar; and he has no footstool. (b) The bird is somewhat larger
and flies to right, (c) The field is plain, without rosettes.

. Page 109: on Axieros, Axiokersa, Axiokersos. W. H. Buckler and D. M. Robinson
in the Am. Journ. Arch. 1913 xvii. 367 propose a new derivation of these names:
' 'A^ioKepaos ( = " snake-ram "; from anghw, snake, and the root of nepas, horn)...and
'A&epos ( = " snake sheep," from anghw'and the root of elpos or pep'os wool-).' Their
suggestion is highly precarious.

Page 147 f.: on the pillar-throne at Phalasarna. In the Comptes rendus de VAcad,
des inscr. et belles-lettres 1907 pp. 589—598 with 3 figs. S. Ronzevalle publishes a small
limestone throne of Hellenistic date, found near Tyre. The supports of the throne are
two winged sphinxes, Egyptian in character. The seat is treated as an Egyptian cornice,
below which is carved a symbolic vegetable design in Egypto-Assyrian style. Projecting
from the front side of the throne-back are two round-topped stelai, which bear two figures
facing each other in low relief, viz. a goddess and a beardless dedicant, with very similar
costume (tunic, sleeved mantle?), attribute (sceptre), and gesture (benediction and
greeting?). The plinth is inscribed

bym p nDSK-ny -pa ^

Ronzevalle renders: lA ma dame, Astarte", ici figurie, a ete consacree ma propre effigie,
a moi, Abdoubast, Jils de Bodba'al.' My friend Mr N. McLean would prefer to translate:
' To my lady Ashtoreth who is within (? the throne) has been offered that which is mine—
I Abdubast son of Bodbaal.' Ronzevalle notes the obvious attempt on the part of the
royal or priestly worshipper to assimilate himself as far as possible to the goddess, whose
throne he shares.

Page 177 note o: on Saint George as Zeus Georgos. That Zeus Georgos was super-
seded by Saint George at Lydda (Diospolis) is maintained also by E. Krause Die
Trojaburgen Nordeuropas Glogau 1893 p. 206 f.

Page 178 note o: on Saint George as dragon-slayer. To the bibliography add now
J. B. Aufhauser Das Drachenwunder des heiligen Georg (Byzantinisches Archiv v)
Leipzig and Berlin 1911 pp. 1—254 with 19 figs., Geza Roheim Drachen und Drachen-
kampfer (Erweiterter Separat-Abdruck aus " Jung-Ungarn," Jahrgang 1911) Berlin 1912
pp. r—56, N. G. Polites Ta drjfxwdr] 'EAA?7iu/c<x acr/mara irepl rrjs dpaKovTOKTOvias rod 'Ayiov
Teupyiov (extr. from Aaoypacpta iv) Athens 1913.

Page 216 fig. 159 red-figured kylix at Berlin. L. Malten in the Jahrb. d. kais.
deutsch. arch. Inst. 1912 xxvii. 254 fig. 11 (on p. 257) publishes a photograph of this
vase, but does not deal at length with its interpretation (Dionysos ? Hephaistos ?
Triptolemos ?).

Page 223 : on Triptolemos with the plough. In the Roman villa at Brading, Isle
of Wight, a mosaic on the floor of room no. 12 shows in one of its panels Demeter
presenting corn-ears to Triptolemos : she is clad in chiton and himdtion, and holds sceptre
in left, corn in right hand; he has a chlamys over his shoulders and grasps a plough with
his left hand. See further Transactions of the Royal Institute of British Architects
1880—81 p. 138 f. with pi.
 
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