List of Plates
xxi
to face
plate • page
XLII Amphora from Vulci, now in the British Museum : Laios,
Keleos, Kerberos, and Aigolios stung by bees in the
Dictaean Cave. ........ 929
XLII I Mount Juktas, as seen from the west, showing the profile of
the ' Pursuer ' (AicoKray).......939
XLIV The central slab from the Eastern Frieze of the Parthenon,
representing the ritual Apotheosis of the King and Queen
at, Athens:
(1) The relief as extant in the British Museum
(2) The relief with flat coloration and metal accessories restored 1134 f.
XLV Pheidias' gold-and-ivory statue of Athena Parthenos, re-
stored from monumental and literary sources in pocket at end
of Volume II
XLVI Pheidias' gold-and-ivory statue of Zeus Olympios, restored
from literary and monumental sources . . in pocket at end
of Volume II
XLVll,a,d The Chalice of Antioch .......H98f.
The design on the cover is from a bel\-krater at Palermo (no. 2557 : Overbeck
Gall. her. Bildw. i. 527 f. pi. 22, 10, id. Gr. Kunstmyth. Zeus p. 28, b. Atlas pi. 1,
13), which represents Heos and Thetis supplicating Zeus and has recently been
attributed to the ' Oreithyia painter' (J. D. Beazley Attische Vasenmaler des
rotfigurigen Stils Tubingen 1925 p. 293 no. 3). I am indebted for the necessary
photograph to the courtesy of Profs G. M. Columba and E. Gabrici.
xxi
to face
plate • page
XLII Amphora from Vulci, now in the British Museum : Laios,
Keleos, Kerberos, and Aigolios stung by bees in the
Dictaean Cave. ........ 929
XLII I Mount Juktas, as seen from the west, showing the profile of
the ' Pursuer ' (AicoKray).......939
XLIV The central slab from the Eastern Frieze of the Parthenon,
representing the ritual Apotheosis of the King and Queen
at, Athens:
(1) The relief as extant in the British Museum
(2) The relief with flat coloration and metal accessories restored 1134 f.
XLV Pheidias' gold-and-ivory statue of Athena Parthenos, re-
stored from monumental and literary sources in pocket at end
of Volume II
XLVI Pheidias' gold-and-ivory statue of Zeus Olympios, restored
from literary and monumental sources . . in pocket at end
of Volume II
XLVll,a,d The Chalice of Antioch .......H98f.
The design on the cover is from a bel\-krater at Palermo (no. 2557 : Overbeck
Gall. her. Bildw. i. 527 f. pi. 22, 10, id. Gr. Kunstmyth. Zeus p. 28, b. Atlas pi. 1,
13), which represents Heos and Thetis supplicating Zeus and has recently been
attributed to the ' Oreithyia painter' (J. D. Beazley Attische Vasenmaler des
rotfigurigen Stils Tubingen 1925 p. 293 no. 3). I am indebted for the necessary
photograph to the courtesy of Profs G. M. Columba and E. Gabrici.