Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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44 POLLAIUOLO
muscle, as no other artist has done. In his painting of
stuffs he is as realistic as in all else, imitating with
delusive effect the soft pile of velvet and furs, the crisp-
ness of gold brocade, and the diaphanous texture of
draperies.
And with all his attention to detail Antonio never
lost sight of the composition as a whole, nor lost his
largeness of style. He combined to perfection the
delicacy of the goldsmith with the breadth of the
worker in clay.
 
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