DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.32874#0582
496 LIFE OF BENVENUTO CELLINI
SaLiati, of Lyons; and in the Lw^/pry made after his
decease we find record of a ZU?2/<? in pen-and-ink on
pane!, and of a small copy on paper of Michelangelo's
Zrzy/Nevertheless, with the exception of the
sketch of the artist's preserved in the
Biblioteca Nazionale in Florence, no rz^y^/y^ au-
thenticated drawing by Cellini has come down to us.
The following, however, may perhaps be rightly as-
signed to him from among the many drawings that have
at various times borne that attribution.
Ff 7?22j7 C/" <772<? 4/ /A<? Tu27*72<?.SV.
CA//^27Z<772 4/* /A^ 44227*42224 <4? CA^7272^'V//7^y.
It bears an inscription in the corner in a handwriting closely
resembling Cellini's.
7*A<? bh:A47y 272 A7227224A.
^4 4*A<?<?/ 4/* 4*A^/cA^j.
d*<?//^c/2472 AA/j. 44 /<2 .SWA?, TlAg Z2722'V7*4 4227*24.
7)^y2^*72yiw 22 4*22//-C4//227*. 7^^/ (*27/422/22772, 4/277V722V.
^4 y/7722/227* T/22J2^*72.
7*A<? fA4/277*222 22724 ^4/7^7*/ 21722^2*22772, 4*2722/A /7472J272g*/2772.
4*77222// T?2727A V 4*A<?/rA<?y V (97*7222772 272/22/ PC277*A.
6*27/427/22772 4/477*. T**47^2772/ 717277^*2272.
This volume of sketches is clearly contemporary with Cellini,
and though the work contained in it is unequal, many of the
drawings strongly resemble genuine work by that craftsman.
SaLiati, of Lyons; and in the Lw^/pry made after his
decease we find record of a ZU?2/<? in pen-and-ink on
pane!, and of a small copy on paper of Michelangelo's
Zrzy/Nevertheless, with the exception of the
sketch of the artist's preserved in the
Biblioteca Nazionale in Florence, no rz^y^/y^ au-
thenticated drawing by Cellini has come down to us.
The following, however, may perhaps be rightly as-
signed to him from among the many drawings that have
at various times borne that attribution.
Ff 7?22j7 C/" <772<? 4/ /A<? Tu27*72<?.SV.
CA//^27Z<772 4/* /A^ 44227*42224 <4? CA^7272^'V//7^y.
It bears an inscription in the corner in a handwriting closely
resembling Cellini's.
7*A<? bh:A47y 272 A7227224A.
^4 4*A<?<?/ 4/* 4*A^/cA^j.
d*<?//^c/2472 AA/j. 44 /<2 .SWA?, TlAg Z2722'V7*4 4227*24.
7)^y2^*72yiw 22 4*22//-C4//227*. 7^^/ (*27/422/22772, 4/277V722V.
^4 y/7722/227* T/22J2^*72.
7*A<? fA4/277*222 22724 ^4/7^7*/ 21722^2*22772, 4*2722/A /7472J272g*/2772.
4*77222// T?2727A V 4*A<?/rA<?y V (97*7222772 272/22/ PC277*A.
6*27/427/22772 4/477*. T**47^2772/ 717277^*2272.
This volume of sketches is clearly contemporary with Cellini,
and though the work contained in it is unequal, many of the
drawings strongly resemble genuine work by that craftsman.