DOI Page / Citation link:
https://doi.org/10.11588/diglit.32874#0588
502 LIFE OF BENVENUTO CELLINI
venuto, i, 7 73., 8 73.; his wife and
family, 9, 8 73.; his second wife,
8 73.; asks Stefano Granacci for
story of the scorpion, 12.
Cellini, Bartolomeo (Baccio), i,
8 73., 9.
Cellini, Benvenuto, his descent, i,
2 jyy. ; his birth, 11; story of
the scorpion, 12, and of the sala-
mander, 13; taught music by his
father, 13; his dislike to music,
14, 17, 21, 23, 37, 5:; plays be-
fore the Gonfalonier, 18 and 73.;
enters the workshop of Bandinelli
the goldsmith, 22; apprenticed
to Marcone, 23 and 73., 24; con-
tinues his music to please his
father, 24, 29, 31, 32 73. ; ban-
ished from Florence owing to a
broil, 27; goes to Siena and
28; goes to Bologna, 29; returns
to Florence and plays at the house
of Pierino the Rfer, 29, 30; leaves
home and goes to Pisa, 33, 34; is
taken into the house of Ulivieri
della Chiostra, 33; his work in
Pisa, 37; is ill and returns to
Florence, 37; refuses to go with
Torrigiani to England, 44; strives
to imitate Michelangelo's style,
44; his friendship with Francesco
Lippi, 44; makes a silver waist-
buckle, 44; goes to Rome with
Tasso, 43; engages himself to
Firenzuola, 47, and makes a silver
salt-cellar for him, 48, 49; leaves
Firenzuola and works for Paolo
Arsago, 49; returns to Florence,
31; makes a silver
32; his irregular life, 53 73.; quar-
rels with Gherardo Guasconti, and {
knocks him down, 33 73., 34;
summoned before the Eight, 33)
and fined, 37 ; again attacks
Gherardo, 38; takes refuge in the
Convent of Sta Maria Novella,
39, 60; his father pleads for him,
60; escapes to Siena, 61; goes
to Rome, 63; makes some candle-
sticks for the Bishop of Sala-
manca, 64; copies works by
Raphael, 63, 67; works for Ma-
donna Portia (Sulpicia) Chigi,
63 jyy., 83; his competition with
Lucagnolo, 68 yyy. ; makes a
large vase for the Bishop of Sala-
manca, 72, 74, 78 -fyy.; sends
money to his father, 73 ; takes an
apprentice, named Paulino, 74;
again studies music, 73; becomes
a member of the Papal orchestra,
78; his father appears to him in
a dream, 78; has trouble in ob-
taining payment from the Bishop,
79 iyy.; his shop attacked by a
party of Spanish nobles, 81 ;
praised by the Pope, 84; receives
commissions from Cardinal Cibo
and other Cardinals, 84, 83;
makes a medal of Z^a %73a'
Swa73 for Gabriello Cesarino, 83;
is involved in a duel, 89; studies
the arts of seal-cutting, engraving
medallions, and enamelling, 90
jyy.; studies the antiquities of
Rome, 93; goes out shooting to
avoid the plague, 94; discovers
how to make gunpowder, 94;
purchases works of art from the
curio-hunters, 93; makes some
silver vases for Giacomo da Carpi,
97, who pretends they are an-
tiques, 98; his relations with a
serving-maid, 99; falls ill of the
venuto, i, 7 73., 8 73.; his wife and
family, 9, 8 73.; his second wife,
8 73.; asks Stefano Granacci for
story of the scorpion, 12.
Cellini, Bartolomeo (Baccio), i,
8 73., 9.
Cellini, Benvenuto, his descent, i,
2 jyy. ; his birth, 11; story of
the scorpion, 12, and of the sala-
mander, 13; taught music by his
father, 13; his dislike to music,
14, 17, 21, 23, 37, 5:; plays be-
fore the Gonfalonier, 18 and 73.;
enters the workshop of Bandinelli
the goldsmith, 22; apprenticed
to Marcone, 23 and 73., 24; con-
tinues his music to please his
father, 24, 29, 31, 32 73. ; ban-
ished from Florence owing to a
broil, 27; goes to Siena and
28; goes to Bologna, 29; returns
to Florence and plays at the house
of Pierino the Rfer, 29, 30; leaves
home and goes to Pisa, 33, 34; is
taken into the house of Ulivieri
della Chiostra, 33; his work in
Pisa, 37; is ill and returns to
Florence, 37; refuses to go with
Torrigiani to England, 44; strives
to imitate Michelangelo's style,
44; his friendship with Francesco
Lippi, 44; makes a silver waist-
buckle, 44; goes to Rome with
Tasso, 43; engages himself to
Firenzuola, 47, and makes a silver
salt-cellar for him, 48, 49; leaves
Firenzuola and works for Paolo
Arsago, 49; returns to Florence,
31; makes a silver
32; his irregular life, 53 73.; quar-
rels with Gherardo Guasconti, and {
knocks him down, 33 73., 34;
summoned before the Eight, 33)
and fined, 37 ; again attacks
Gherardo, 38; takes refuge in the
Convent of Sta Maria Novella,
39, 60; his father pleads for him,
60; escapes to Siena, 61; goes
to Rome, 63; makes some candle-
sticks for the Bishop of Sala-
manca, 64; copies works by
Raphael, 63, 67; works for Ma-
donna Portia (Sulpicia) Chigi,
63 jyy., 83; his competition with
Lucagnolo, 68 yyy. ; makes a
large vase for the Bishop of Sala-
manca, 72, 74, 78 -fyy.; sends
money to his father, 73 ; takes an
apprentice, named Paulino, 74;
again studies music, 73; becomes
a member of the Papal orchestra,
78; his father appears to him in
a dream, 78; has trouble in ob-
taining payment from the Bishop,
79 iyy.; his shop attacked by a
party of Spanish nobles, 81 ;
praised by the Pope, 84; receives
commissions from Cardinal Cibo
and other Cardinals, 84, 83;
makes a medal of Z^a %73a'
Swa73 for Gabriello Cesarino, 83;
is involved in a duel, 89; studies
the arts of seal-cutting, engraving
medallions, and enamelling, 90
jyy.; studies the antiquities of
Rome, 93; goes out shooting to
avoid the plague, 94; discovers
how to make gunpowder, 94;
purchases works of art from the
curio-hunters, 93; makes some
silver vases for Giacomo da Carpi,
97, who pretends they are an-
tiques, 98; his relations with a
serving-maid, 99; falls ill of the