114
GRAMMARS AND LEXICONS. sMilan; 147 sJ.
The preface occupies 3 pages; concluding on the reverse of the last
leaf of signature a. On the recto of signature b, the text begins thus :
TERENTIANI MAVRI DE LITTERIS SYLLABIS
ET METRIS AD FILIVM ET GENERVM LIBER
Lementa rudes qu® pueros docent magistri:
e Vocalia quasdam memorant: consona quaedam.
Hcec reddere uocem quoniam ualent seorsa :
Nullumq; sine illis potis est coire uerbum.
At consona quae sunt: nisi uocalibus aptes :
Pars dimidium uocis opus proferet ex se.
8cc. 8cc. 8cc.
A fnll page comprehends 39 lines. The following is a brief specimen
of the manner of introducing Greek words (by way of illustration,) into
the rhythm of the poem.
Vnum sit ut ALPHA 8c duo BETA 8c tria GANMA*
tc6v ut penitus xxzrzrx sonat simul 8c
Ictam grauius uocis opus fingere linguam.
Si £wtx loquor x\(px ue w uel hispidum P«
Et o-Vy^x quod istis parili sede uibratur
Dentes sonitum fingere : thAm Onra tum t«u
Sign. b. iii. recto.
The Greek words are most irregularly introduced into the press-work.
Indeed, the entire impression bears little or no evidence of the typogra-
phical skill of Scinzenzeler. On the recto of g vj, the two last lines of
the text, and the colophon, are thus :
HORRIDA TEMPESTAS CAELVM CONTRAXIT ET
(IMBRES
NIVESQVE DEDVCVNT IOVEM NVNC MARE
(NVNC SYLVE
Impressum mediolani per magistrum Vldericum scin-
zenzeler Anno a partu Virginis salutisero. M.cccc. xcvii.
pridie Nonis Frebuarii.f
* Sic, t Sic,
GRAMMARS AND LEXICONS. sMilan; 147 sJ.
The preface occupies 3 pages; concluding on the reverse of the last
leaf of signature a. On the recto of signature b, the text begins thus :
TERENTIANI MAVRI DE LITTERIS SYLLABIS
ET METRIS AD FILIVM ET GENERVM LIBER
Lementa rudes qu® pueros docent magistri:
e Vocalia quasdam memorant: consona quaedam.
Hcec reddere uocem quoniam ualent seorsa :
Nullumq; sine illis potis est coire uerbum.
At consona quae sunt: nisi uocalibus aptes :
Pars dimidium uocis opus proferet ex se.
8cc. 8cc. 8cc.
A fnll page comprehends 39 lines. The following is a brief specimen
of the manner of introducing Greek words (by way of illustration,) into
the rhythm of the poem.
Vnum sit ut ALPHA 8c duo BETA 8c tria GANMA*
tc6v ut penitus xxzrzrx sonat simul 8c
Ictam grauius uocis opus fingere linguam.
Si £wtx loquor x\(px ue w uel hispidum P«
Et o-Vy^x quod istis parili sede uibratur
Dentes sonitum fingere : thAm Onra tum t«u
Sign. b. iii. recto.
The Greek words are most irregularly introduced into the press-work.
Indeed, the entire impression bears little or no evidence of the typogra-
phical skill of Scinzenzeler. On the recto of g vj, the two last lines of
the text, and the colophon, are thus :
HORRIDA TEMPESTAS CAELVM CONTRAXIT ET
(IMBRES
NIVESQVE DEDVCVNT IOVEM NVNC MARE
(NVNC SYLVE
Impressum mediolani per magistrum Vldericum scin-
zenzeler Anno a partu Virginis salutisero. M.cccc. xcvii.
pridie Nonis Frebuarii.f
* Sic, t Sic,