DOI Page / Citation link:
https://doi.org/10.11588/diglit.28460#0398
Division A.—ScJiool of Nuremberg.—Anonymous.
361
[296 X 260.] Fair impression. The crack has hardly advanced, but part of the
border-line is broken away to 1. of Durer’s arms.
Presented by W. Mitchell, Esq_., 1895.
32c. ALBEECHT DURER. B. 156. H. 1953. R.—A 17.
Later edition.
Diirer’s monograru and the date 1527 have been inserted within the
open door of the arms.
[296 X 259.] Poor impression, without marg'in. Watermark, Ha. 41.
Sloaue collection.
In the inventory of 1837.
32d. ALBRECHT DURER. B. 156. H. 1953. R.—A 17.
Later edition.
The shield containing Diirer’s arms, still with the monogram and date,
has been cut out of its original position in the corner and inserted
immediately in front of Diirer’s brow, so that his hair touches the r. side
of the shield. No border-line.
[192 X 178.] Poor impression, on crumpled paper, and cut down. Watermark, an
eagle.
In the inventory of 1837.
This state has not been described.
32e. ALBRECHT DURER. H. 1955.
Copy.
[290 x 256.] Impression of 1781, from the block preserved at Vienna; this copy
has the monogram and date in the shield; the lines are coarser throughout than in
the original. Inscription below, “ Alberti Dureri Effigies, | Edita ex lignea Tabula
ab eodem A. hdxxvii. incisa, quae Vindobonae in Aug. | Bibliotheca Caes. Reg.
asscrvatur. | mdcclxxxi.”
Purchased from Mr. Ellis, 1865.
TITLE-BOEDERS AND OREAMENTAL COMPOSITIONS.
33. THE PIRKHEIMER BORDER. H. 1936. P. 205. R. 200.
[195 x 125.] Good impression on sig. a iii r. of “ Plutarchi Chaeronei | de his qui
tarde a | numine corri- | pinntur li- | bellus.” (F. Peypus, Nuremberg, 30 June, 1513.)
Presented by W. Mitchell, Esq., 1895.
See Springinklee, no 1.
33a. THE PIRKHEIMER BORDER. H. 1936. P. 205. R. 200.
[195 x 125.] Late impression, without text.
In the inventory of 1837.
34. BORDER WITH AN ANGEL PLAYING THE LUTE.
H. 1935. P. 204. R.—A 67.
Second state.
[167 x 128.] Good impression, without text, coloured. Tho rectangular space
designed for the title lias been used for an astrologic.al diagram, drawn in red aiul black
ink, and the back of the leaf is also occupied by- astrologrcal signs, drawu in red, with
361
[296 X 260.] Fair impression. The crack has hardly advanced, but part of the
border-line is broken away to 1. of Durer’s arms.
Presented by W. Mitchell, Esq_., 1895.
32c. ALBEECHT DURER. B. 156. H. 1953. R.—A 17.
Later edition.
Diirer’s monograru and the date 1527 have been inserted within the
open door of the arms.
[296 X 259.] Poor impression, without marg'in. Watermark, Ha. 41.
Sloaue collection.
In the inventory of 1837.
32d. ALBRECHT DURER. B. 156. H. 1953. R.—A 17.
Later edition.
The shield containing Diirer’s arms, still with the monogram and date,
has been cut out of its original position in the corner and inserted
immediately in front of Diirer’s brow, so that his hair touches the r. side
of the shield. No border-line.
[192 X 178.] Poor impression, on crumpled paper, and cut down. Watermark, an
eagle.
In the inventory of 1837.
This state has not been described.
32e. ALBRECHT DURER. H. 1955.
Copy.
[290 x 256.] Impression of 1781, from the block preserved at Vienna; this copy
has the monogram and date in the shield; the lines are coarser throughout than in
the original. Inscription below, “ Alberti Dureri Effigies, | Edita ex lignea Tabula
ab eodem A. hdxxvii. incisa, quae Vindobonae in Aug. | Bibliotheca Caes. Reg.
asscrvatur. | mdcclxxxi.”
Purchased from Mr. Ellis, 1865.
TITLE-BOEDERS AND OREAMENTAL COMPOSITIONS.
33. THE PIRKHEIMER BORDER. H. 1936. P. 205. R. 200.
[195 x 125.] Good impression on sig. a iii r. of “ Plutarchi Chaeronei | de his qui
tarde a | numine corri- | pinntur li- | bellus.” (F. Peypus, Nuremberg, 30 June, 1513.)
Presented by W. Mitchell, Esq., 1895.
See Springinklee, no 1.
33a. THE PIRKHEIMER BORDER. H. 1936. P. 205. R. 200.
[195 x 125.] Late impression, without text.
In the inventory of 1837.
34. BORDER WITH AN ANGEL PLAYING THE LUTE.
H. 1935. P. 204. R.—A 67.
Second state.
[167 x 128.] Good impression, without text, coloured. Tho rectangular space
designed for the title lias been used for an astrologic.al diagram, drawn in red aiul black
ink, and the back of the leaf is also occupied by- astrologrcal signs, drawu in red, with