456 Early German and Flemish Woodcuts. —Part II.
81. THE TRIBUTE MONEY. Pauli 804.
“23 Vo Zinszgr. mat 22.”
(Here no. 80 is repeated, with the title “ 24 Y5 des Obersten | Tochter, Matthei 9.” ;
and no. 65, with the title “ 25 Wen ir nun sehen | werdet, Mathei 24.”)
[30 x 30.] Late impressions on paper cut up into strips, so that the cuts are
printed one under another in sets of four.
In the inventory of 1837.
No other impressions are known. The cuts are in the same style as the illustra-
tions to Genesis, Pauli 359-527, and the small illustrations to the New Testament,
Pauli 528-674. The subjects are, with very few exceptions, ttie same as those of the
series, Pauli 707-747, but the compositions are generally different. The numbers
before the titles on nos. 51-53 refer to the Sundays in Advent; those on nos. 56, 57
to the Sundays after Epiphany (the fourth and fifth Sundays appear to be
omitted, as the title printed under the woodcut for the third, no. 58, refers to the
Gospel for Septuagesima) ; those on Nos. 74-91 to the Sundays after Trinity (the fifth,
Miraculous Draught of Eishes, and fourteenth, Christ healing the Ten Lepers, are
wanting).
[92-99.]
The Passion.
B. 84-91. R. 158-165. A. 94-101. S. 153-160. Pauli 818-825.
Beham produced six woodcuts of this series in 1521-1522, and added the remaining
two in 1535, removing, apparently, at the same time tlie dates on the earlier blocks.
The early subjects show the influence of Altdorfer.
92. THE LAST SUPPER. Pauii 818.
Eai'ly form of monogram • no date.
[126 x 84.] Rather late impression.
Purchased from Mr. Durrell, 1848.
93. THE AGONY IN THE GARDEN. Pauli 819.
Early form of monogram ■ no date.
[125 x 87.] Fair impression.
In the inveutory of 1837.
94. THE BETRAYAL OF CHRIST. Pauli 820.
Late form of monogram and date 1535.
[128 x 85.] Rather late impression.
Purchased from Messrs. Evans, 1853.
95. CHRIST BEFORE CAIAPHAS. Pauli 821.
Late form of monogram and date 1535.
[128 x 86.] Rather late impression.
Purchased from Messrs. Evans, 1853.
Thc type of Christ strongly resembles that in certaiu subjects of Diirer’s Little
Passion, e.g. B. 32, 36.
81. THE TRIBUTE MONEY. Pauli 804.
“23 Vo Zinszgr. mat 22.”
(Here no. 80 is repeated, with the title “ 24 Y5 des Obersten | Tochter, Matthei 9.” ;
and no. 65, with the title “ 25 Wen ir nun sehen | werdet, Mathei 24.”)
[30 x 30.] Late impressions on paper cut up into strips, so that the cuts are
printed one under another in sets of four.
In the inventory of 1837.
No other impressions are known. The cuts are in the same style as the illustra-
tions to Genesis, Pauli 359-527, and the small illustrations to the New Testament,
Pauli 528-674. The subjects are, with very few exceptions, ttie same as those of the
series, Pauli 707-747, but the compositions are generally different. The numbers
before the titles on nos. 51-53 refer to the Sundays in Advent; those on nos. 56, 57
to the Sundays after Epiphany (the fourth and fifth Sundays appear to be
omitted, as the title printed under the woodcut for the third, no. 58, refers to the
Gospel for Septuagesima) ; those on Nos. 74-91 to the Sundays after Trinity (the fifth,
Miraculous Draught of Eishes, and fourteenth, Christ healing the Ten Lepers, are
wanting).
[92-99.]
The Passion.
B. 84-91. R. 158-165. A. 94-101. S. 153-160. Pauli 818-825.
Beham produced six woodcuts of this series in 1521-1522, and added the remaining
two in 1535, removing, apparently, at the same time tlie dates on the earlier blocks.
The early subjects show the influence of Altdorfer.
92. THE LAST SUPPER. Pauii 818.
Eai'ly form of monogram • no date.
[126 x 84.] Rather late impression.
Purchased from Mr. Durrell, 1848.
93. THE AGONY IN THE GARDEN. Pauli 819.
Early form of monogram ■ no date.
[125 x 87.] Fair impression.
In the inveutory of 1837.
94. THE BETRAYAL OF CHRIST. Pauli 820.
Late form of monogram and date 1535.
[128 x 85.] Rather late impression.
Purchased from Messrs. Evans, 1853.
95. CHRIST BEFORE CAIAPHAS. Pauli 821.
Late form of monogram and date 1535.
[128 x 86.] Rather late impression.
Purchased from Messrs. Evans, 1853.
Thc type of Christ strongly resembles that in certaiu subjects of Diirer’s Little
Passion, e.g. B. 32, 36.