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Division A.—School of Nuremberg.—Traut.

507

It was used in many later books printed by Weissenburger both at Nuremberg and
Landshut.1 In drawing it is nearest to no. 2 (4) above; in cutting, to no. 1.

7. [PHSTDER.] Speculum intellectuale felicitatis humane. (H. tlolzel,
ISTuremberg), 1510; 4to. (Panzer, ix, 543, 70b.)

Cuts (not signed). (1) On title-page of “ Registrum speculi,” etc., portrait of
Frederick III of Saxony, to whom the work is dedicated, three-quarter face to 1.,
looking upward, arms resting on a ledge; in the upper corners the arms of Saxony.
Single border [136 x 135].

This woodcut was attributed by Bartsch (vii, 296, 135) to Cranach, but it is not
mentioned by Schucbardt. It is a fairly close copy in reverse of the engraving of 1509
(Sch. 3, Lippm. 59), but the position of the hands is different. (See Flechsig, “ Cranach-
studien,” 1900, i, 51.)

(2) On back of the title-page of the work itself (repeated, fol. xyiii v.) a diagram of
the spheres; above, in clouds, the Almighty and angels ; below, Christ and the apostles ;
in the spandrels, the arms of Saxony [155 x 115].

Coarsely cut, but the little landscape in the middle is characteristic of Traut.
Modern impression in Derschau, B 3. The four narrow strips of ornament placed
round this cut are probably also by Traut; they resemble the borders to his Passion
series of 1510.

(3) Fol lx r. A man reposing near a fountain; a doctor conversing with an artisan
[48 x 134].

(4) Fol. lxxvi v. Seven mirrors with inscriptions; r. and 1. roses ; above, tbe arms
of Saxony supported by lions: below two angels, the one to 1. quite characteristic of
Traut, as is also the grass [137 X 137].

The other illustrations are repeated from the “ Beschlossen G-art,” 1505.

8. [PIHDER.] Compendium breve de bone valitudinis cura. (H.
Holzel, Nuremberg, 1510); fol.

(Bound up with the preceding work, and forming a continuation of it, with distinct
foliation). Title-page, r. and v., portrait of Frederick III, 7 (1), repeated.

9. [PIHDER.] Speculum Phlebothomye. (H. Holzel, Nuremberg,
1510); fol. (A continuation of the two preceding works.)

On back of title-page (repeated, d i v.), portrait of Frederick III, with date 1510 on
a leaf of paper; round arch in background; Saxon arms in spandrels [127 X 97].
Formerly attributed to Cranack, B. vii, 296, 134; Sch. 166; copy in reverse of tlie
engraving of 1509, Sch. 3, Lippm. 59. (See Flechsig, op cit., p. 52.)

10. [HENRY II, EMPEROR.] Dye legend vnd leben des heylige
sandt Keyser Heinrichs, etc. J. Pfeyl, Bamberg, 1511 ; 4to. (Muther
671.)

Ten woodcuts, not signed, each in a double border [93 x 90]. They are closely
akin to tlre illustrations of tlio life of St. Francis, but are not so well cut.

(]) A i v. (repeated B ii v., G viii v.). Henry and Ivunigunda sit 1. watching the
erection of Bamberg Cathedral; on a stone r. the date 1511.

(2) A iii v. (repeated C viii v., E i r.). The Coronation of Henry.

1 e.g. Manuale parrochialium sacerdotum .1 March, 1512.Nuremberg.

Elucidarius dyalogicus theologie. 26 March, 1512. „

Cura pastoralis .18 April, 1513. ,,

Manuale parrochialium sacerdotum .22 December, 1513.Landshut.

Christi gesta .24 April, 1514. „

Manuale parrockialium sacerdotum.26 July, 1514. ,,

Cura pastoralis. s.a. . „

Passio domini . . . ab Henrico de Firmatia explanata s.a. . „

The last book is mentioned, and tke present cut is described, by Nagler, Mon. v,
no. 902 (end).
 
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