DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.28460#0592
531
Division A.—School of Nureniberg.—Fldtner.
3a. A COPY OF THB SAME SUBJECT, BY HANS GULDENMUND.
B.-E. i, 24.
[275 x 165.] A good, early impression, but cut at top and bottom. The title and
Guldenmund’s name are lost; the six verses at the top, “ Ich pin genant ITanns
vnverzagt,” etc., are preserved, and the sword and 1. hand are complete.
In the inventory of 1837.
4. A MAN WITH A SWORD OVER ITIS 1. SHOULDER, LEADING A
WOMAN. B.-E. i, 45. Reimers 15.
[280 x 200.] Modern impression, as in Becker (B 69), on the same sheet as
nos. 3 and 5.
Purchased from Mr. Evans, 1849.
In this case B.-E. has reproduced an impression from the Derschau block.
This subject was copied in reverse by Hopfer on a separate plate (B. 63).
4a. A COPY OF THE SAME SUBJEOT, PROBABLY BY IJANS GULDEN-
MUND.
A fairly close copy, but the white line on the sword-belt and most of
those on the shoes are omitted.
[280 X 194.] An old impression on brown papei', cut at top and bottom. The
heading and Guldenmund’s name, which probably stood at the foot, are lost, but the
following six verses remain at the top (the last two damaged) :
“ Da dortfes du weder spyelen noch keren
Sonder nur Schlemen prassen zeren
Vnd lass dein frawen sant quinte han
Die nichts dan greyn vnd zancken kan.
Ich mag nym stecken in de.
Ich wil ein anders auch ve.en.”
In the inventory of 1837.
5. A MAN WITH A HALBERD IN HIS r. HAND, A DOG STANDING
NEAII HIM. B.-E. i, 30. Reimers 16.
[270 x 132.] Modern impression as in Becker (B 70), on the same sheet as nos. 3
and 4.
Purchased from Mr. Evans, 1849.
.All the compositions hitherto described have been unanimously attributed to
Flbtnei'.
That is not the case with the two following numbers. These impressions are
apparently not originals, but part of Guldenmund’s series of copies. It seems very
likely, however, that they are from designs by FUitner, of which no original impressions
are extant, and this is the most suitable place in which to describe them. Tlie fact
that tliey were copied, with other Flotner subjects, by Ilopfer is an argument for
attributing the design to liim.
6. MAN WITH A SIIEATHED SWORD, HOLDING OUT HIS r. IIAND, A
POLE IN HIS 1. HAND. B.-E. i, 41. P. iii, 250, 23.
[Sbeet, 285 x 173.] A good, old impression, uniform with nos. 3a and 4a, cut at top
and bottom. The heading, “ Gall von Vnderwalden,” and iirst two lines of the verses,
“ Vetter IJeine 1 du sagest recht
Ich bin ein freydig junger knecht,”
have been cut off, and Guldenmund’s name, which probably stood at the foot, is
also lost.
In the inventory of 1837.
Tliis subject was copied in reverse by Hopfer, witli a slight alteration, in B. 64.
It was rejected by Reimers, but attributed to Flutner by Schmidt and Lange.
1 The soldier mcntioned, “ Heyne autz der kyrchgassen von Schweitz,” appears on
B.-E. i, 25. He addresses his cousin as fotlows : “Bor zu mein lieber vetter gal, Ich
vnd dein vater hant vil mal Mit Schweitz erlanget grossen Sig,” etc. In this casc the
name IJans Guldenmundt appears besicle the verses.
2 M 2
Division A.—School of Nureniberg.—Fldtner.
3a. A COPY OF THB SAME SUBJECT, BY HANS GULDENMUND.
B.-E. i, 24.
[275 x 165.] A good, early impression, but cut at top and bottom. The title and
Guldenmund’s name are lost; the six verses at the top, “ Ich pin genant ITanns
vnverzagt,” etc., are preserved, and the sword and 1. hand are complete.
In the inventory of 1837.
4. A MAN WITH A SWORD OVER ITIS 1. SHOULDER, LEADING A
WOMAN. B.-E. i, 45. Reimers 15.
[280 x 200.] Modern impression, as in Becker (B 69), on the same sheet as
nos. 3 and 5.
Purchased from Mr. Evans, 1849.
In this case B.-E. has reproduced an impression from the Derschau block.
This subject was copied in reverse by Hopfer on a separate plate (B. 63).
4a. A COPY OF THE SAME SUBJEOT, PROBABLY BY IJANS GULDEN-
MUND.
A fairly close copy, but the white line on the sword-belt and most of
those on the shoes are omitted.
[280 X 194.] An old impression on brown papei', cut at top and bottom. The
heading and Guldenmund’s name, which probably stood at the foot, are lost, but the
following six verses remain at the top (the last two damaged) :
“ Da dortfes du weder spyelen noch keren
Sonder nur Schlemen prassen zeren
Vnd lass dein frawen sant quinte han
Die nichts dan greyn vnd zancken kan.
Ich mag nym stecken in de.
Ich wil ein anders auch ve.en.”
In the inventory of 1837.
5. A MAN WITH A HALBERD IN HIS r. HAND, A DOG STANDING
NEAII HIM. B.-E. i, 30. Reimers 16.
[270 x 132.] Modern impression as in Becker (B 70), on the same sheet as nos. 3
and 4.
Purchased from Mr. Evans, 1849.
.All the compositions hitherto described have been unanimously attributed to
Flbtnei'.
That is not the case with the two following numbers. These impressions are
apparently not originals, but part of Guldenmund’s series of copies. It seems very
likely, however, that they are from designs by FUitner, of which no original impressions
are extant, and this is the most suitable place in which to describe them. Tlie fact
that tliey were copied, with other Flotner subjects, by Ilopfer is an argument for
attributing the design to liim.
6. MAN WITH A SIIEATHED SWORD, HOLDING OUT HIS r. IIAND, A
POLE IN HIS 1. HAND. B.-E. i, 41. P. iii, 250, 23.
[Sbeet, 285 x 173.] A good, old impression, uniform with nos. 3a and 4a, cut at top
and bottom. The heading, “ Gall von Vnderwalden,” and iirst two lines of the verses,
“ Vetter IJeine 1 du sagest recht
Ich bin ein freydig junger knecht,”
have been cut off, and Guldenmund’s name, which probably stood at the foot, is
also lost.
In the inventory of 1837.
Tliis subject was copied in reverse by Hopfer, witli a slight alteration, in B. 64.
It was rejected by Reimers, but attributed to Flutner by Schmidt and Lange.
1 The soldier mcntioned, “ Heyne autz der kyrchgassen von Schweitz,” appears on
B.-E. i, 25. He addresses his cousin as fotlows : “Bor zu mein lieber vetter gal, Ich
vnd dein vater hant vil mal Mit Schweitz erlanget grossen Sig,” etc. In this casc the
name IJans Guldenmundt appears besicle the verses.
2 M 2