Dodgson, Campbell: Catalogue of early German and Flemish woodcuts: preserved in the Department of Prints and Drawings in the British Museum (Band 1): [German and Flemish woodcuts of the XV century] (London, 1903)

Division A.—Sckool of Nuremberg.—Ornamental Designs. 543

Oii the back of an anonymous wooclcut, perliaps of the Augsburg school (somewhat
in Breu’s late manner), representing two lovers seated on a bank (p. 498, no. 20).

In the inventory of 1837.

2. DESIGN FOR A WAINSCOT.

Two panels of purely geometrical design, the centre of each being
a circle within a lozenge, placed in a rectangular frame. The wainscot is
surmounted by a cornice, and below is a skirting-board in three oblong
panels divided by pilasters. The skirting is separated from the wainscot
by an interval in which the monogram and mark (the iatter inverted, as
in Brulliot’s second facsimile) are placed.

[Limits of design, 185 X 256.] On the back of a copy of Scbaufelcin’s woodcut of
the fable of the miller, miller’s son and donkey. A small fragment is also preserved on
the back of an earlier impression of the iirst compartment of the same woodcut af'ter
Schaufelein.

In the inventnry of 1867.

The Munich Cabinet possesses a design by this master, with the arrows pointing
upwards, on the back of an impression of Diirer’s portrait, B. 156, in the late state, witli
1527 inserted in the arms.