Dodgson, Campbell; British Museum / Department of Prints and Drawings: Guide to the woodcuts, drawings, and engravings of Albrecht Dürer: in the Department of Prints and Drawings$dexhibited in commemoration of the fourth centenary of the artist's death on April 6th, 1528 (London: British Museum, 1928)

36

Exhibition of Dur er’s Work.

314. Hans Leonhabd Schaufelein (1480 ?-1539 ?). St. George, standing.
Pen and ink ; 110 X 84. Collection : Sloane (5218-148).
Attributed to Diirer by Ephrussi (“ Albert Diirer et ses dessins,” 1882, p. 33)
and Lippmann (no. 228) both of whom connected the drawing with the
engraving, B. 53. Recognised as the work of Schaufelein by E. Bock and
assigned to his youthful period by E. Buchner (Festschrift f ilr M. J.
Friedlander, 1927, p. 55 [“ Der junge Schaufelein als Maier und Zeichner.”]).
315. Hans Leonhabd Schaufelein (1480 ?-1539 ?). The Last Sci'Pek.
Pen and ink. 154 X 220. 1892-8-4-22.
Signed with the monogram and shovel and dated (in 1. lower corner) 1509.
Above the signature (below to r.) is the inscription Da man die Muschlan
auf den Hut band.
A very characteristic drawing of Schaufelein, and important as being
both signed and dated. The exact meaning of the inscription is obscure,
but the mention of fixing shells (“ Muschlan ” for “ Muscheln ”) auf den
Hut can only be supposed to refer to the scallop-shells worn by pilgrims.
316. Hans Leonhard Schaufelein (1480 ?-1539 ?). Pope Honorius Con-
firming the Rule of the Pbemonstratensian Order.
Pen and ink. 288 X 260.
Inscribed Albert Durer and A D (contracted) by a later hand. Collection :
S. Scheikevitch. 1909-1-9-17.
Vasari Society, VI, 28, with note by Campbell Dodgson.
Date about 1510-12. This is one of the finest of Schaufelein’s extant
drawings.
317. Hans Leonhard Schaufelein (1480 ?—1539 ?). Design fora Roundel
of Stained Glass.
Pen and ink (black and brown) with slight use of charcoal in centre.
Diameter 268 mm. Collection : Sloane (5218-190).
The crowned head in the centre of the design is part of the coat-of-arms of
Nuremberg. No glass panel is known to exist based on this drawing, but
there are many others of a similar type, drawn by Kulmbach and other
Nuremberg artists.
318. Hans Leonhard Schaufelein (1480 ?-1539 ?). A Standing Lands-
knecht.
Pen and ink. 277 X 170. Collection : Sloane.
Near the left upper corner are the date 1510 and Diirer’s monogram, both
wrong. Repr. in K. T. Parker, “Drawings of the Early German Schools,”
1926, pl. 25. Date about 1510—12.
There is another similar drawing by Schaufelein in the British Museum,
two more in the Liechtenstein collection, Vienna, and another in the
possession of Dr. Muller-Grote, Berlin. Cf. also the woodcuts B. VII, 266,
99 ; 100; 267 ; 268, and the publication by Breunner-Enkevoerth,
“ Romisch Kaiserlicher Majestat Kriegsvolker, 1882.
319. Hans Leonhard Schaufelein (1480 ?-1539 ?). Christ Taking Leave of
His Mother (unfinished).
Pen and ink. 299 X 166. 1892-8-4-21.
Signed with the monogram and shovel below to 1. of centre.
British Museum Postcards, XIII, 6.
The drawing should be compared with the somewhat earlier pair of pictures
of this subject in the Museum at Halle (Repr. Friedlander-Festschrift, p. 59).
Date about 1510-12.