Dodgson, Campbell; British Museum / Department of Prints and Drawings: Guide to the woodcuts, drawings, and engravings of Albrecht Dürer: in the Department of Prints and Drawings$dexhibited in commemoration of the fourth centenary of the artist's death on April 6th, 1528 (London: British Museum, 1928)

46 Exhibition of Dilrer’s Work.

430. Christ on the Cross. (Roundplate.) B. 23 (copy A). C.D. 88.
Date probably 1518. Engraved on a gold plate to adorn (it is said) the
pommel of a sword for the Emperor Maximilian. There is a later retouched
state ; also a copy that was considered by Bartsch the original.

431.
The Virgin Suckling the Child. 1519.
B. 36.
C.D. 89.
432.
The Peasants at Market. 1519.
B. 89.
C.D. 90.
433.
St. Antony the Hermit. 1519.
B. 58.
C.D. 91.
434.
Cardinal Albrecht of Brandenburg. 1519. (The small plate.)
B. 102. C.D. 92.
This is the only copper-plate by Diirer that was used in
Relic book of 1520).
a book (the Halle
435.
The Virgin with the Child in Swaddling Clothes.
1520.
B. 38.
C.D. 93.
436.
The Virgin Crowned by an Angel. 1520.
B. 37.
C.D. 94.
437.
St. Christopher, facing to the Left. 1521.
B. 51.
C.D. 95.
438.
St. Christopher, facing to the Right. 1521.
B. 52.
C.D. 96.
439.
St. Simon. 1523.
B. 49.
C.D. 98.
440.
St. Bartholomew. 1523.
B. 47.
C.D. 97.

441. Cardinal Albrecht of Brandenburg. 1523. (The large plate.)
442. Frederick the Wise, Elector of Saxony. 1523. B. 104. C.D. 100.

443. Frederick the Wise, Elector of Saxony. 1523. Impression on satin.

B. 104.
C.D. 100.
444.
Willibald Pirkheimer.
Two impressions.
1524.
B. 106.
C.D. 101.
445.
Philipp Melanchthon.
1526.
B. 105.
C.D. 102.
446.
St. Philip. 1526.
B. 46.
C.D. 103.
447.
Desidebius Erasmus.
1526.
B. 107.
C.D. 104.
448.
(Not by Diirer.) Portrait of Joachim
Patinir, after a
Portrait

DRAWN IN 1521 BY DuRER. B. 108.
Probably engraved by Cornells Cort. A complete impression should have
a margin at the foot, but no engraved inscription. See Burlington Magazine,
1926, XLIX, 136, and C.D., p. 142.
449. (XotbyDiirer.) The Crucifixion in Outline. (Firstplate.) P.109. C.D. 107.
This plate, though it closely resembles in technique the unfinished portions
(in outline) of a few extant trial proofs of Dilrer’s engravings is, no doubt,
a compilation by a later hand (second half of 16th century) from a number
of drawings by Diirer of the years 1521-25, most of which are extant
and can be identified. These drawings appear to have been made with
a view to a picture of the Crucifixion which was not carried out.
The first plate, which is rare, is much superior in quality to the second,
though the differences are small and difficult to describe. There is a
dot in the middle of the incomplete double circle (representing a clock ?)
on the church tower. There is no monogram.