DOI Page / Citation link:
https://doi.org/10.11588/diglit.16242#0092
56 LITERATURE OP BENGAL. (
(
<- Friend ! ah ! who hath named that name ?
Through my ( ar it steals,
My heart it thrills,
My life and soul it doth inflame !
Ah who shall tell,
What sweet doth dwell
In that beloved strain !
I name that name,
My soul's all flame ! e ,
Oh ! will he come again ?
Ia justice to the poet we are bound to confess, that
we have spoilt the poem iu translating, for tha 5?eling in
the original is so deep, so intense, that no translation
pvruu Jaly carl adequately express it in Euglish. , What we
would point out to our readers, however, is the total
want of figures or similes, a total ignoring as it were of
all attempts at ornamentation. The poet strongly feels
his subject and records' it pathetically without any em-
bellishments, with<^it any attempts at adornment.
r We shall extract a somewhat longer piece* from the
SffWfnre ^ty ^^Tl ^k*T Cttt
* <r$f* ^k ^f*re *rtf*r i
«rtc«t WltT *rc*t, N ^fa ii
csftts i>nz*\, 'stfsrk *r?rtc*i, Tim cttzrs #ff*r i
?Flf*(ti, 4^ ^TTl, "fa^S wtw II
^tfarl wftpifa* ^ f^f ^srtsr c*rk ^t^— i
<rf<1 Tf% c«^, ^*rfere £t?k ^k ^tci—n
ifl-^r ^i[c^c?ijs[t*r ^<^> ^tfn^n <rf*k ^k i'
*fr*?t *f*nri, »nr*i *r^k, ^3 ^ *tk ii
cfcr ^1 wr, ^^ir^r, c*r ^firs c®k i
'^tf^^i Gffarrtr, eft«kH f^r, ^f^P crk ii
/sftfa* firfiw, ^ *rtft Off^r, *kft«l *rf* i
starter *tjk*l" *^t, fik tftf^kl *tf% ii
(
<- Friend ! ah ! who hath named that name ?
Through my ( ar it steals,
My heart it thrills,
My life and soul it doth inflame !
Ah who shall tell,
What sweet doth dwell
In that beloved strain !
I name that name,
My soul's all flame ! e ,
Oh ! will he come again ?
Ia justice to the poet we are bound to confess, that
we have spoilt the poem iu translating, for tha 5?eling in
the original is so deep, so intense, that no translation
pvruu Jaly carl adequately express it in Euglish. , What we
would point out to our readers, however, is the total
want of figures or similes, a total ignoring as it were of
all attempts at ornamentation. The poet strongly feels
his subject and records' it pathetically without any em-
bellishments, with<^it any attempts at adornment.
r We shall extract a somewhat longer piece* from the
SffWfnre ^ty ^^Tl ^k*T Cttt
* <r$f* ^k ^f*re *rtf*r i
«rtc«t WltT *rc*t, N ^fa ii
csftts i>nz*\, 'stfsrk *r?rtc*i, Tim cttzrs #ff*r i
?Flf*(ti, 4^ ^TTl, "fa^S wtw II
^tfarl wftpifa* ^ f^f ^srtsr c*rk ^t^— i
<rf<1 Tf% c«^, ^*rfere £t?k ^k ^tci—n
ifl-^r ^i[c^c?ijs[t*r ^<^> ^tfn^n <rf*k ^k i'
*fr*?t *f*nri, »nr*i *r^k, ^3 ^ *tk ii
cfcr ^1 wr, ^^ir^r, c*r ^firs c®k i
'^tf^^i Gffarrtr, eft«kH f^r, ^f^P crk ii
/sftfa* firfiw, ^ *rtft Off^r, *kft«l *rf* i
starter *tjk*l" *^t, fik tftf^kl *tf% ii