INDEX, 260
Phtlocles of Acharnse, ii. 35
Phocaea, votive rock at, noticed, ii. 107
Phjlc, pass of, now Bigh-Kaslro, i. 15
-------old Athenian fort at, ibid.
Pirasus, why not occupied as a dwelling-place till a comparatively
late period, i. 21
---------origin of the Italian name of (Porto Leone), i. 35
---------account of the, i. 37
---------contract by the people of, for letting lands, ii. 174
Pirates, Tyrrhenian, transformation of the, by Bacchus, ii. 78, 83
Pisistratus, tyranny of, i. 50
P.iso, sepulchral column to, it. 153
Pithillis, sepulchral urn for, ii. 162, 165
Plastic art, or modelling in clay,' origin of the. i. 108, 109
Plato, remarks of, upon the imitative arts of the Egyptians, L 9i
and note *
Plutarch, Greek inscription for a young man of the name of,
"ii. 155
Pnyx, account of the, i. 22
——~ votive offerings from the, ii. 100
■----— the ordinary place for the antient assemblies of the people,
ii. 103
Poeciie, or painted piazza, i. 32.
--------date of the, i. 51
Polyhymnia, figure in the costume of, in the Elgin collection, ii.
1'20,122
Polysiratus, sepulchral urn of, ii. 162, 165
Porto Dhrako, i. 3G
Porto Leone, the antient pir&us of Athens, i. 12
Porto Phanari, I. 36
Poseidon, the god of the Ionians, u 46
Potideea, inscription commemorating the warriors who fell at,
i.34; ii. 156
■--------- account of the battle of. ii. 156, 157
-—— Thiersch's restoration of this inscription, ii. 158
---------archaic forms in the, ibid.
---------fac-simile of the, ii. 230
Prayers, forms of, in the Grecian temples, i. 76, 77
---------■ particular form as given by Plato, i. 77
Priest, office of the, in the Grecian sacri6ces, i. 80, 81
Prizes for music instituted by Pericles al the Panatnenaic festival,
i. 183 ........
Procession of the Panathenaaa, i. 162
Propylaea, fragments from the, ii. 59
*----—-— colonnade of the, described, ii. 60
2 G
Phtlocles of Acharnse, ii. 35
Phocaea, votive rock at, noticed, ii. 107
Phjlc, pass of, now Bigh-Kaslro, i. 15
-------old Athenian fort at, ibid.
Pirasus, why not occupied as a dwelling-place till a comparatively
late period, i. 21
---------origin of the Italian name of (Porto Leone), i. 35
---------account of the, i. 37
---------contract by the people of, for letting lands, ii. 174
Pirates, Tyrrhenian, transformation of the, by Bacchus, ii. 78, 83
Pisistratus, tyranny of, i. 50
P.iso, sepulchral column to, it. 153
Pithillis, sepulchral urn for, ii. 162, 165
Plastic art, or modelling in clay,' origin of the. i. 108, 109
Plato, remarks of, upon the imitative arts of the Egyptians, L 9i
and note *
Plutarch, Greek inscription for a young man of the name of,
"ii. 155
Pnyx, account of the, i. 22
——~ votive offerings from the, ii. 100
■----— the ordinary place for the antient assemblies of the people,
ii. 103
Poeciie, or painted piazza, i. 32.
--------date of the, i. 51
Polyhymnia, figure in the costume of, in the Elgin collection, ii.
1'20,122
Polysiratus, sepulchral urn of, ii. 162, 165
Porto Dhrako, i. 3G
Porto Leone, the antient pir&us of Athens, i. 12
Porto Phanari, I. 36
Poseidon, the god of the Ionians, u 46
Potideea, inscription commemorating the warriors who fell at,
i.34; ii. 156
■--------- account of the battle of. ii. 156, 157
-—— Thiersch's restoration of this inscription, ii. 158
---------archaic forms in the, ibid.
---------fac-simile of the, ii. 230
Prayers, forms of, in the Grecian temples, i. 76, 77
---------■ particular form as given by Plato, i. 77
Priest, office of the, in the Grecian sacri6ces, i. 80, 81
Prizes for music instituted by Pericles al the Panatnenaic festival,
i. 183 ........
Procession of the Panathenaaa, i. 162
Propylaea, fragments from the, ii. 59
*----—-— colonnade of the, described, ii. 60
2 G