INDEX. 262
St. George, eminence so called, at Athens, i; 22
Saurus and Batrachus, sculptors, imply their names in the orna-
ments of their works, i. 118
Scarabaeus, Egyptian, of granite, ii. 123
School of Athens, during the decline of the Roman empire, i. 61
Scorpion, a live, found upon opening one of the boxes of the Phi-
galeian marbles, ii. 178
Sculpture, earliest practice of, i. 87
•------------ allowed and employed by God himself in the service
of religion, i. 88
■------------Hebrew, i. 89
■—---------Persian, i. 90
•------------Egyptian, i, 91, 92
-----------— Grasco-Egyptian, of the Macedonian tinies^ i. 97
•------------Etruscan, i. 98
■------------history of, in Greece, i. 100
------------materials for, used by the Greeks, i. 105
■---------— marble, how first used, i. 106
------------the different methods used by the Greek sculptors in
the fabrication of their metal statues, i. 106
<——------ Rhoecus and Theodorus, the first artists who cast
statues in brass, i. 108
------------introduction of the plastic art, i. 108,109
—----------works in iron noticed by Pausanias, i. 110, note ■*•
------------advantages enjoyed by the Grecian sculptors, i. 114
Segeste, dimensions of the temple at, i. 75
Selinus, Diana and Apollo in a car, represented upon a coin of,
ii. 193
<—-------dimensions of the cella of the temple of Jupiter at, ibid.
———— description of the sculptured metopes found at, i. Ill, 112
---------city of, when founded and destroyed, i. 113
Sepulchral inscriptions, ii. 155
Sepulchral stelce, or columns, ii. 148
Sepulchral urns, ii. 160
Serpent of brass prepared by Moses, i, 88
Shekel, silver, of the Hebrews, i. 89
Ship, sacred, of the Panathenaic procession, i. 46]
Sicily kept pace in civilization with the most refined of the Gre-
cian states, i. 113
Sidonians, distinguished for their excellence in the arts of design,
; i. 39
Siege of Athens by the Venetians, i. 65
Sigean inscription, Lady Mary Wortley Montague*s notice of the,
ii. 114
i------------__-----_- account of the, ii. 132
■" ■ ■''■'■■------translation of the, ii, 135
St. George, eminence so called, at Athens, i; 22
Saurus and Batrachus, sculptors, imply their names in the orna-
ments of their works, i. 118
Scarabaeus, Egyptian, of granite, ii. 123
School of Athens, during the decline of the Roman empire, i. 61
Scorpion, a live, found upon opening one of the boxes of the Phi-
galeian marbles, ii. 178
Sculpture, earliest practice of, i. 87
•------------ allowed and employed by God himself in the service
of religion, i. 88
■------------Hebrew, i. 89
■—---------Persian, i. 90
•------------Egyptian, i, 91, 92
-----------— Grasco-Egyptian, of the Macedonian tinies^ i. 97
•------------Etruscan, i. 98
■------------history of, in Greece, i. 100
------------materials for, used by the Greeks, i. 105
■---------— marble, how first used, i. 106
------------the different methods used by the Greek sculptors in
the fabrication of their metal statues, i. 106
<——------ Rhoecus and Theodorus, the first artists who cast
statues in brass, i. 108
------------introduction of the plastic art, i. 108,109
—----------works in iron noticed by Pausanias, i. 110, note ■*•
------------advantages enjoyed by the Grecian sculptors, i. 114
Segeste, dimensions of the temple at, i. 75
Selinus, Diana and Apollo in a car, represented upon a coin of,
ii. 193
<—-------dimensions of the cella of the temple of Jupiter at, ibid.
———— description of the sculptured metopes found at, i. Ill, 112
---------city of, when founded and destroyed, i. 113
Sepulchral inscriptions, ii. 155
Sepulchral stelce, or columns, ii. 148
Sepulchral urns, ii. 160
Serpent of brass prepared by Moses, i, 88
Shekel, silver, of the Hebrews, i. 89
Ship, sacred, of the Panathenaic procession, i. 46]
Sicily kept pace in civilization with the most refined of the Gre-
cian states, i. 113
Sidonians, distinguished for their excellence in the arts of design,
; i. 39
Siege of Athens by the Venetians, i. 65
Sigean inscription, Lady Mary Wortley Montague*s notice of the,
ii. 114
i------------__-----_- account of the, ii. 132
■" ■ ■''■'■■------translation of the, ii, 135