Content

• Umschlag
• Contents. Spis Treści DOI
• 5-12 Papp, Júlia: Die Anfänge der institutionellen Kunstfotografie in Ungarn (1859-1885) DOI
• 13-22 Vybíral, Jindřich: Alfred Woltmann and the History of Contemporary Art DOI
• 23-34 Kunińska, Magdalena: The Collector (Karol Lanckoroński), the Scholar (Marian Sokołowski) and the Artist (Jacek Malczewski) Three Gazes upon Asia Minor DOI
• 35-42 Grzegorz First: Between Two Emerging Disciplines Art History in Vienna and Classical Archaeology in Cracow on the Breakthroughs in Art DOI
• 43-50 Głowa, Anna: Wissenschaftlichkeit in Alois Riegl’s Study of Late Antique Textiles from Egypt DOI
• 51-58 Sabrina Raphaela Buebl: Defining a Discipline: Kunstgeschichtliche Anzeigen as a Critical Organ for the Vienna School DOI
• 59-66 Murár, Tomáš: ‘I am wrong about my qualifications, or I do not have any friends’: Archival Research on the First Professorship of Max Dvořák DOI
• 67-76 Hoffmann, Annette; Murovec, Barbara [Contr.]: Josef Strzygowski and Avguštin Stegenšek Some Remarks on their Jerusalem Studies DOI
• 77-84 Störtkuhl, Beate: Interactions between the Imperial and Royal Central Commission for the Preservation of Monuments and the Conservator Milieus in Galicia DOI
• 85-90 Violetta Korsakova: On Lviv Art Historians and a School that Never Was DOI
• 91-96 Milena Bartlová: Cultivating its Own Roots: Czech Art History in the 1980s in Search of its Own Beginnings DOI
• 97-101 Kronika Komisij Historii Sztuki Polskiej Akademii Umiejętności za rok 2023 DOI