DOI Page / Citation link:
https://doi.org/10.11588/diglit.53068#0375
CATALOGUE RAISONNE
A.D.
Circa 1497. Self-portrait, chalk drawing. Oxford, Ashmolean Museum. (/?.,£., I, I.*)
1499. Banner. Citta di Castello, Pinacoteca Comunale.
Drawing for the Almighty: Oxford, Ashmolean Museum. {R-Z-, L 2).
Madonna with children, pen drawing (on the verso of the preceding drawing)
{R-Z; I, 3).
Warriors, pen drawing. Paris, Louvre (Fischel, feichnungen der Umbrer, fig.
137)-
Kneeling youth (for the Transfiguration in the Cambio?), pen drawing, on the
verso of the preceding drawing. (^zrAnwzz^n der Umbrer, fig. 136.)
1500. Details for Perugino’s Assumption of the Virgin (Florence, Uffizi): Angel with
harp, head of the flying angel, to the left below, St. Michael and St.
Augustine, cherub head above.
Details for the Cambio frescoes, Perugia: Fortitudo, head of King Solomon.
John the Evangelist, after Donatello, pen drawing. Paris, Louvre [R-Z-i L to).
Jousting Putti, chalk cartoon. Chantilly, Musee Conde. (R-Z-, I3 42.)
Coronation of St. Nicholas of Tolentino. Fragments at Brescia, Pinacoteca
Martinengo, and Naples, Museo Nazionale.
Drawings at Lille, Musee Wicar (R.Z-> L 5-6) and Oxford, Ashmolean Museum
(7?.£., I, 7-8).
The Knight's Dream. London, National Gallery. The cartoon (R-Z-, I> 40)
also in the National Gallery.
The Three Graces. Chantilly, Musee Conde.
The Virgin reading, with Child, pen drawing. Paris, Louvre (R-Z-, I? 43)-
Madonna with St. Jerome and St. Francis. Berlin, Kaiser-Friedrich-Museum.
Study for St. Jerome, chalk drawing. Lille, Musee Wicar (R.Z-, L 44).
Diotalevi Madonna. Berlin, Kaiser-Friedrich-Museum.
Solly Madonna. Berlin, Kaiser-Friedrich-Museum.
Sketches of the Madonna for the Virgin at a Window: (1) Entire composition and Child,
pen drawing. Oxford, Ashmolean Museum (R-Z-> L46). (2) Nude study for the Virgin,
silverpoint. Lille, Musee Wicar (R-Z-> L 50). (3) Head of the Virgin, silverpoint,
London, British Museum (Malcolm Collection) (R.Z-> L 51)-
Conestabile Madonna. Leningrad, Hermitage.
St. George (with sword). Paris, Louvre. Drawing for the same: Florence,
Uffizi (£.£., I, 57).
67. Michael. Paris, Louvre.
1502. Youth with Cap, chalk drawing. Formerly Locker Lampson Collection.
(R:Z; I, 14.)
Christ in Benediction. Brescia, Pinacoteca Martinengo.
St. Sebastian. Bergamo, Accademia Carrara.
St. Sebastian, pen drawing. Lille, Musee Wicar. (/?.<(., I, 13.)
* These references are to the eight volumes of the Author’s Raphaels ZeVbnungen, G. Grote Verlag,
Berlin, 1913-1941.
Y 357
A.D.
Circa 1497. Self-portrait, chalk drawing. Oxford, Ashmolean Museum. (/?.,£., I, I.*)
1499. Banner. Citta di Castello, Pinacoteca Comunale.
Drawing for the Almighty: Oxford, Ashmolean Museum. {R-Z-, L 2).
Madonna with children, pen drawing (on the verso of the preceding drawing)
{R-Z; I, 3).
Warriors, pen drawing. Paris, Louvre (Fischel, feichnungen der Umbrer, fig.
137)-
Kneeling youth (for the Transfiguration in the Cambio?), pen drawing, on the
verso of the preceding drawing. (^zrAnwzz^n der Umbrer, fig. 136.)
1500. Details for Perugino’s Assumption of the Virgin (Florence, Uffizi): Angel with
harp, head of the flying angel, to the left below, St. Michael and St.
Augustine, cherub head above.
Details for the Cambio frescoes, Perugia: Fortitudo, head of King Solomon.
John the Evangelist, after Donatello, pen drawing. Paris, Louvre [R-Z-i L to).
Jousting Putti, chalk cartoon. Chantilly, Musee Conde. (R-Z-, I3 42.)
Coronation of St. Nicholas of Tolentino. Fragments at Brescia, Pinacoteca
Martinengo, and Naples, Museo Nazionale.
Drawings at Lille, Musee Wicar (R.Z-> L 5-6) and Oxford, Ashmolean Museum
(7?.£., I, 7-8).
The Knight's Dream. London, National Gallery. The cartoon (R-Z-, I> 40)
also in the National Gallery.
The Three Graces. Chantilly, Musee Conde.
The Virgin reading, with Child, pen drawing. Paris, Louvre (R-Z-, I? 43)-
Madonna with St. Jerome and St. Francis. Berlin, Kaiser-Friedrich-Museum.
Study for St. Jerome, chalk drawing. Lille, Musee Wicar (R.Z-, L 44).
Diotalevi Madonna. Berlin, Kaiser-Friedrich-Museum.
Solly Madonna. Berlin, Kaiser-Friedrich-Museum.
Sketches of the Madonna for the Virgin at a Window: (1) Entire composition and Child,
pen drawing. Oxford, Ashmolean Museum (R-Z-> L46). (2) Nude study for the Virgin,
silverpoint. Lille, Musee Wicar (R-Z-> L 50). (3) Head of the Virgin, silverpoint,
London, British Museum (Malcolm Collection) (R.Z-> L 51)-
Conestabile Madonna. Leningrad, Hermitage.
St. George (with sword). Paris, Louvre. Drawing for the same: Florence,
Uffizi (£.£., I, 57).
67. Michael. Paris, Louvre.
1502. Youth with Cap, chalk drawing. Formerly Locker Lampson Collection.
(R:Z; I, 14.)
Christ in Benediction. Brescia, Pinacoteca Martinengo.
St. Sebastian. Bergamo, Accademia Carrara.
St. Sebastian, pen drawing. Lille, Musee Wicar. (/?.<(., I, 13.)
* These references are to the eight volumes of the Author’s Raphaels ZeVbnungen, G. Grote Verlag,
Berlin, 1913-1941.
Y 357