DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.53068#0386
BIBLIOGRAPHY OF RECENT LITERATURE
O. Fischel: “Due ritratti di Giulio II.” Bollettino d’Arte, XXVIII (1934), 194-197.
O. Fischel: “Raphael’s Auxiliary Cartoons.” Burlington Magazine, LXXI (1937), 167-168.
G. Gluck: “Ein wenig beachtetes Werk Raffaels.” Jahrbuch der kunsthistorischen Sammlungen in
Wien, N.F., X (1936), 97-104 (Ste Margarete, Vienna).
V. Golzio: Raffaello nei documenti, nelle testimonianze dei contemporanei e nella letteratura del suo seculo.
Citta del Vatican©, 1936.
G. Gronau: “Some portraits by Titian and Raphael.” Art in America, XXV (1937), 93-104.
F. Hartt: “Raphael and Giulio Romano. With notes on the Raphael School.” The Art Bulletin,
XXVI (1944), 67-94.
U. Middeldorf: “Raphael’s Drawings.” New York, 1945, review by A. E. Popham, Burlington
Magazine (June, 1946), 155-156.
A. P. Oppe: “Right and Left in Raphael’s Cartoons.” Journal of the Warburg and Courtauld
Institutes, VII (1944), 82-94.
K. T. Parker: “Observations on the Oxford Raphaels.” Old Master Drawings, XIV (1939-40).
(Last Supper, early drawing. Study for the Magdalene in the National Gallery Crucifixion.
The Large Florentine Sketchbook.—Combat of Nude Men, used for the painted relief in the
School of Athens.—Old copy of the School of Athens without the figure of Heraclitus.)
A. E. Popham: “An unnoticed drawing by Raphael.” Old Master Drawings, XII (1937-38),
45-46. (Cartoon for the Vatican Coronation of the Virgin, Windsor Castle.)
A. E. Popham: “Raphael, Standing Figure with Hands Joined in Prayer.” Old Master Drawings,
XIV (1939-40), 50. (Ottawa, National Gallery of Canada. According to O. Fischel a study
for the St. John in the Mond Crucifixion.)
D. Redig de Campos: Raffaello e Michelangelo. Rome, 1946.
I. A. Richter: “A contribution to the understanding of Raphael’s art: The Drawings for the
Entombment.” Gazette des Beaux Arts, ser. 6, XXVIII (1945), 335-356.
W. E. Suida: Raphael. London, 1941.
E. Wind: “Platonic Justice, designed by Raphael.” Journal of the Warburg Institute, I (1937)1
69-70.
368
O. Fischel: “Due ritratti di Giulio II.” Bollettino d’Arte, XXVIII (1934), 194-197.
O. Fischel: “Raphael’s Auxiliary Cartoons.” Burlington Magazine, LXXI (1937), 167-168.
G. Gluck: “Ein wenig beachtetes Werk Raffaels.” Jahrbuch der kunsthistorischen Sammlungen in
Wien, N.F., X (1936), 97-104 (Ste Margarete, Vienna).
V. Golzio: Raffaello nei documenti, nelle testimonianze dei contemporanei e nella letteratura del suo seculo.
Citta del Vatican©, 1936.
G. Gronau: “Some portraits by Titian and Raphael.” Art in America, XXV (1937), 93-104.
F. Hartt: “Raphael and Giulio Romano. With notes on the Raphael School.” The Art Bulletin,
XXVI (1944), 67-94.
U. Middeldorf: “Raphael’s Drawings.” New York, 1945, review by A. E. Popham, Burlington
Magazine (June, 1946), 155-156.
A. P. Oppe: “Right and Left in Raphael’s Cartoons.” Journal of the Warburg and Courtauld
Institutes, VII (1944), 82-94.
K. T. Parker: “Observations on the Oxford Raphaels.” Old Master Drawings, XIV (1939-40).
(Last Supper, early drawing. Study for the Magdalene in the National Gallery Crucifixion.
The Large Florentine Sketchbook.—Combat of Nude Men, used for the painted relief in the
School of Athens.—Old copy of the School of Athens without the figure of Heraclitus.)
A. E. Popham: “An unnoticed drawing by Raphael.” Old Master Drawings, XII (1937-38),
45-46. (Cartoon for the Vatican Coronation of the Virgin, Windsor Castle.)
A. E. Popham: “Raphael, Standing Figure with Hands Joined in Prayer.” Old Master Drawings,
XIV (1939-40), 50. (Ottawa, National Gallery of Canada. According to O. Fischel a study
for the St. John in the Mond Crucifixion.)
D. Redig de Campos: Raffaello e Michelangelo. Rome, 1946.
I. A. Richter: “A contribution to the understanding of Raphael’s art: The Drawings for the
Entombment.” Gazette des Beaux Arts, ser. 6, XXVIII (1945), 335-356.
W. E. Suida: Raphael. London, 1941.
E. Wind: “Platonic Justice, designed by Raphael.” Journal of the Warburg Institute, I (1937)1
69-70.
368