DOI Page / Citation link:
https://doi.org/10.11588/diglit.9187#0218
170
FAMILY GROUPS
grief. This is an almost unique representation of the moment
of death. Nearly always the Attic artist, whose invariable
feeling is ' nothing in extremes,' avoids thus clearly portraying
the last struggle, and contents himself with some gentle hint
FIG. 66. DYING WOMAN, FROM STELE.
of death. Here, by a very instructive variation, he is more
explicit. And his fortunate freedom from convention throws
back a light on the other scenes which we have passed in
review. One of the epitaphs in the Anthology1 describes
1 VII. 730, by Perses.
FAMILY GROUPS
grief. This is an almost unique representation of the moment
of death. Nearly always the Attic artist, whose invariable
feeling is ' nothing in extremes,' avoids thus clearly portraying
the last struggle, and contents himself with some gentle hint
FIG. 66. DYING WOMAN, FROM STELE.
of death. Here, by a very instructive variation, he is more
explicit. And his fortunate freedom from convention throws
back a light on the other scenes which we have passed in
review. One of the epitaphs in the Anthology1 describes
1 VII. 730, by Perses.