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Gardner, Helen
Art through the ages: an introduction to its history and significance — London: G. Bell and Sons, Ltd., 1927

DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.67683#0702
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INDEX

Meander (fret), 90, 185, 393, 447-8.
Medals (Pisano), X98-9.
Medici, 138, 155; tomb of (Michelan-
gelo), 2-95-6.
Medici-Riccardi Palace. See Florence.
Melisenda, Psalter of, 2.05.
Memlinc, Hans, 3x6, 3x7; Marriage of
Saint Catherine, 316.
Memorial Tablet to J. P. Morgan (Man-
ship), 473.
“Men of 1830,” 368.
Mena, Pedro de, Saint Francis, 317.
Menhirs, 11.
Metal. See Bronze, Damascene, Gold
and Silver, Iron, Jewelry.
Mestrovic, Ivan, 471, 471; My Mother,
471-
Metope, nx, 113, ixo, 487.
Michelangelo Buonarroti, X4X, X55, X56,
X59ff., X71, X83, X94, 334, 36X, 368,
373, 3791 Bound Slave, X97, 445;
Creation of Adam, x6x; Jeremiah,
x6i, 364; Moses, X94-5; Nudes,
x6x; Sistine Ceiling, x6o; Resur-
rection, X63; Tomb of Giuliano de’
Medici, X95.
Michelozzo, X38.
Milan, Sant’Ambrogio, 193 ff., xoo,
xoi, XII, XIX.
Millefiori bowls, 149.
Millet, J. F., Sower, 368.
Minarets, 168, 170, 171, 183, 414, 487.
Miniatures, 159, notex, 160, 183, XX4-5,
x68, 30X, 3x4, 3x9, 35X.
Minos, Palace of. See Knossos.
Mirror cases, 1x3, XX7.
Misericords, zxy.
Mitla, frescoes, 395.
Modern art, X45, 347-8, 356, 466 ff.
Moissac, 198, 199, X03.
Moldings, 38, 113, 114, 487.
Mona Lisa (Leonardo), X58, X59.
Monasteries, 190 ff., xo8, 348; Bud-
dhist, 409, 457, 458; Byodoin, 458;
Escorial, 309; Horiuji, 457, 458, 461;
Saint Gall, 191, xox.
Monet, Claude, Westminster, 370.
Monogram, sacred, i6x, X03.
Montagne Victoire (Cezanne), 373.
Monument of Lysicrates. See Athens.
Mozart, 341, 440.
Morning Walk (Gainsborough), 354.
Morris movement, 348, 356.
Mosaic, 160, 487; Alexander, 13X,

133, 146; Byzantine, 154, 160-1, 165,
X13, x68, 4x5, 435, 458; glass, 149;
Good Shepherd, 160, 163, X67; in
Donatello, X89; Mayan, 397; stone,
393-4, 489.
Moses (Michelangelo), X94-5; (Slu-
ter), XX4.
Mosques, Ibn Tulun, 170, 171, 17x5
Ispahan, 183; Kait Bey, 171, 176;
Sultan Hassan, 171, 17X.
Mount Olympus, 87, 118, 119, x6x.
Mountain Scene with a Sage Medi-
tating (Ma Yuan), 441.
Mschatta Frieze, 157, 163.
Mughal architecture, 413, 414; paint-
ing, 419, 4x1, 4XX.
Mullion, X38, X3g, X41, 349, 487.
My Mother (Mestrovic), 47X.
Mycenae, 7X, 75; Lion Gate, 76, 80;
“Treasury of Atreus,” 76.
Myron, 116, 1x1; Discobolus, 116,
130, 364.
Naram-Sin, 58.
Narthex, 15X, 155, 487.
Nativity (Nicola d’Apulia), x86;
(Giovanni Pisano), x86, X87.
Nave, 153, 155, 195, 197, xoo, xn, X13,
xi8, X37, X43, 487.
Nebuchadnezzar, 65.
Necking, m, 113.
Neolithic pottery, 10-11.
New York, Cathedral of Saint John
the Divine, 474; Saint Patrick’s
Cathedral, 380; Woolworth Build-
ing, 474-
Nicola d’Apulia, Pulpit at Pisa, x86.
Nike of Samothrace, 130.
Nlmes, Maison Carree, 136, 138.
Nizami, i8x, 184.
Nocturne, Southampton Water
(Whistler), 384.
Nofretete, 16, 43.
Notre Dame, Amiens, xxo; Chartres,
xio; Paris, xxo, xxx; Reims, xxo.
Norman architecture, 199ff., xxx.
Nudes (Michelangelo), x6x.
Nuremberg, Peller House, 34X.
Oath of the Horatii (David), 367.
Obelisk, 40.
Obsequies of Saint Francis (Giotto),
X49.
Ogee. See Arch.
 
Annotationen