384
STERN
1378.
Archaic Signs, 1957-1958
Oil on canvas, 58 * 51
Unsigned
!nv. no MNK M-b-1483 (308 405)
Purchased from the author in 1962
1379.
Meeting of the Night 1963
Oii on canvas, 54.5 * 39.5
Unsigned; on the reverse the inscription:
Stern Jonasz title Meeting o/ the Night
Inv. no MNK H-b-1797 (311 504)
Purchased from the author in 1966
1380.
Extermination, 1964
Cottage and oil on canvas, 62 * 47
Unsigned; on the reverse the inscription:
Author Stern Extermination
Inv. no MNK H-b-1820 (311 680)
Purchased from the author in 1966
1381.
Archaic Composition 1964
Collage and oil on canvas, 45.7 * 61
Unsigned; on the reverse the inscription:
author Jonasz I Stern I Title I Archaic !
Composition...
Inv. no MNK II-b-1782 (311 431)
Gift of the MRN in Cracow, 1966
1382.
Pit, 1964
From the cycle: Extermination
Collage on hardboard, 72.5 * 92
Unsigned; on the reverse the inscription:
Stern
Inv. no MNK H-b-1704 (310 574)
Purchased from the author in 1964
The inspiration for this painting was the artist's
personal experience from the time of World War
II, when he narrowly escaped death during a mass
execution.
STERN
1378.
Archaic Signs, 1957-1958
Oil on canvas, 58 * 51
Unsigned
!nv. no MNK M-b-1483 (308 405)
Purchased from the author in 1962
1379.
Meeting of the Night 1963
Oii on canvas, 54.5 * 39.5
Unsigned; on the reverse the inscription:
Stern Jonasz title Meeting o/ the Night
Inv. no MNK H-b-1797 (311 504)
Purchased from the author in 1966
1380.
Extermination, 1964
Cottage and oil on canvas, 62 * 47
Unsigned; on the reverse the inscription:
Author Stern Extermination
Inv. no MNK H-b-1820 (311 680)
Purchased from the author in 1966
1381.
Archaic Composition 1964
Collage and oil on canvas, 45.7 * 61
Unsigned; on the reverse the inscription:
author Jonasz I Stern I Title I Archaic !
Composition...
Inv. no MNK II-b-1782 (311 431)
Gift of the MRN in Cracow, 1966
1382.
Pit, 1964
From the cycle: Extermination
Collage on hardboard, 72.5 * 92
Unsigned; on the reverse the inscription:
Stern
Inv. no MNK H-b-1704 (310 574)
Purchased from the author in 1964
The inspiration for this painting was the artist's
personal experience from the time of World War
II, when he narrowly escaped death during a mass
execution.