DOI Page / Citation link:
https://doi.org/10.11588/diglit.56884#0020
Gutekunst & Klipstein, Bern, Laupenstrasse 49
Boi, continued:
68. Portrait of a young lady, oval.
B. 15, D. 17II. A superb, early and most delicate Impression with square
margins. Somethin places,otherwise well preserved. From the Nowssiltsoff collection.
NICCOLO BOLDRINI
69. Venus and Amor. After Titian.
B. XII, VII, 29. An excellent, later impression. With a small tear, otherwise well
preserved. From the Ginsburg coli.
70. St. Francis receiving the Stigmata.
Pass. VI, 235, 59. Very fine and clear impression of this rare woodcut.
With margins, perfectly preserved. Rare.
71. Peasant-woman and child riding to the market.
Pass. VI, 242, 95. A clear, extremely fine and even impression in perfect
condition. With Mariette’s signature of 1674 and from the Dumesnil and David-
sohn collections.
— See reproduction on page 13 —
GIULIO BONASONE
72. Michelangelo Buonaroti.
B. 3451- The rare and authentic portrait of Michelangelo in an architectural
framing. Very fine early impression of the first state, before the
rosettes in the corners. Shaved to the border-line but in very fine preservation.
— See reproduction on plate 7 —
JAN BOTH
73. Ponte Molle.
B. 5, Dutuit 5In (of VI). Very fine, fresh and early proof, before the name,
number and address. Well preserved and with margins.
74. The Muleteer.
B. 6, D. 611 (of VI). Superb, early proof before the name. With a slight
Printers fold, otherwise well preserved, with margins.
PIETER BOUT
75. The sledge.
B. 3, Dut. 3. A superb impression, from the Barnard collection. In faultless
condition.
76. The hunting party.
B. 4, Dut. 4. Very fine, with margins. From the Kalle and Peltzer collections.
BARTHOLOMEUS BREENBERGH
77. The nymph Corisca maltreated by a satyr.
Dutuit 19. A very rare little plate. Fine and well preserved impression
with margins. Duplicate of the Albertina.
12
Boi, continued:
68. Portrait of a young lady, oval.
B. 15, D. 17II. A superb, early and most delicate Impression with square
margins. Somethin places,otherwise well preserved. From the Nowssiltsoff collection.
NICCOLO BOLDRINI
69. Venus and Amor. After Titian.
B. XII, VII, 29. An excellent, later impression. With a small tear, otherwise well
preserved. From the Ginsburg coli.
70. St. Francis receiving the Stigmata.
Pass. VI, 235, 59. Very fine and clear impression of this rare woodcut.
With margins, perfectly preserved. Rare.
71. Peasant-woman and child riding to the market.
Pass. VI, 242, 95. A clear, extremely fine and even impression in perfect
condition. With Mariette’s signature of 1674 and from the Dumesnil and David-
sohn collections.
— See reproduction on page 13 —
GIULIO BONASONE
72. Michelangelo Buonaroti.
B. 3451- The rare and authentic portrait of Michelangelo in an architectural
framing. Very fine early impression of the first state, before the
rosettes in the corners. Shaved to the border-line but in very fine preservation.
— See reproduction on plate 7 —
JAN BOTH
73. Ponte Molle.
B. 5, Dutuit 5In (of VI). Very fine, fresh and early proof, before the name,
number and address. Well preserved and with margins.
74. The Muleteer.
B. 6, D. 611 (of VI). Superb, early proof before the name. With a slight
Printers fold, otherwise well preserved, with margins.
PIETER BOUT
75. The sledge.
B. 3, Dut. 3. A superb impression, from the Barnard collection. In faultless
condition.
76. The hunting party.
B. 4, Dut. 4. Very fine, with margins. From the Kalle and Peltzer collections.
BARTHOLOMEUS BREENBERGH
77. The nymph Corisca maltreated by a satyr.
Dutuit 19. A very rare little plate. Fine and well preserved impression
with margins. Duplicate of the Albertina.
12
