Hoppin, Joseph Clark: A handbook of Attic red-figured vases, signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Band 1) (Cambridge: Harvard Univ. Press, 1919)

THE AMBROSIOS PAINTER
Beazley, VA. pp. 19-20.
An unknown painter of the Epiktetan cycle has been called
the Ambrosios Painter, by Beazley, from the name used by him.
His work is very inferior technically, but he seems to have pos-
sessed a certain sense of humor.
1 a-b. Athens A 30, A 116. Kylix (fragments). From the
Acropolis.
1 a (A 30) Beazley no. 16. Int. Head of man.
rb (A 116) Beazley no. 15. Int. Head of man: ext. warriors.
2. Berlin 2273. Kylix. From Vulci: h. 0.075, d. θ·ΐ9·
Cat. p. 548: Gerhard, Aus. Vas. i, p. 186, pl. 57, 1-2
= Reinach ii, p. 38, 8-9: Rapp. Vole. no. 236: Mus. etr.
no. 1054: CIG. 7415: Klein, LI. p. 86, 1: El. Cer. i, p.
105, pl. 38: Panofka, Eigennam. p. 23, pl. ii, n: Muller,
Gott. Gel. Anz. 1831, p. 1331: Wernicke, p. 71: Malten,
Jhb. 1912, p. 257, fig. 11 (figure regarded as that of He-
phaistos): Beazley, no. 14 (same assertion).
/. Triptolemos or Hephaistos in chariot. ΚΕΦΙ·ΤΟ^
KA · 0£.
3. Boston 01.8024. Formerly in Bourguignon Coll., Naples.
Kylix. From Orvieto: h. 0.105, d. 0.29.
Ann. Rep. Mus. Fine Arts 1901, p. 33, no. 8: Hartwig,
p. 54, pl. v (attr. to Chachrylion): Beazley, no. 1.
I. Boy fishing. ΓΔ
A and B. Silens. ΚΡΑΤΕΊ EV I 0. EAKEA <E.
4. Boston. Kylix. From Orvieto: d. 0.122.
Hartwig, p. 347, fig. 47: Beazley, no. 2.
I. Obscene action. HO ΓΑ : KAVO:£.
5. Florence 73127. Kylix: d. 0.31.
Beazley, no. 12.
I. Archer. EV[O]VBOVO.
A. Herakles, Hermes, and goat.
B. Poseidon and Apollo.
[27]