Hoppin, Joseph Clark: A handbook of Attic red-figured vases, signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Band 2) (Cambridge: Harvard Univ. Press, 1919)

PISTOXENOS

Klein, pp. 149-150.
Nicole, Corpus 107.
Perrot and Chipiez, x, pp. 584-588.
Hartwig, pp. 375~38ο.
Maybaum, Jhb. 1912, pp. 24-37.
The potter Pistoxenos is known to us by six signatures, one
on a vase signed by Epiktetos as painter (Epiktetos 14*). Of
the other five vases one (4*) has completely disappeared and
nothing is known of it except that it bore his signature. A second
signature is preserved on a kylix foot in Florence (2*), leaving
only the Brussels and Schwerin kotylai and a fragmentary cup
(2* bis) in the Faina Collection at Orvieto available for purposes
of study. The artist of these vases has not yet been identified.
1*. Brussels. Kotyle.1 Formerly in Van Branteghem and
Somzee Colls.: h. 0.19, d. 0.26.
Van Branteghem Sale Cat. no. 64.
Somzee Sale Cat. p. 10, no. 46, pl. 5.
Hartwig, p. 380, note 1: Nachtrag, no. 8.
Beazley, VA. p. 64, no. 1 (attr. to Syriskos P.).
Nicole, Corpus 107, no. 3.
A. Men and boys. NAI+I.
B. Two women. NAI+I HO ΓΑΙ^ KAVO^ (last three
words retr.).
Signature under handle ΓΙΗΟ+[>ENO£] EfTOIEJ^EN.
2*. Florence. Kylix (only the foot preserved).
Heydemann, Hi Halle Winckelmannsprogr. p. 97.
Klein, p. 150, no. 4.
Hartwig, p. 375, note 1.
Nicole, Corpus 107, no. 4.
Signature in black ΓΙ^ΤΟ+^ΕΝΟ^ ΕΓΌΙΕ^ΕΝ.
1 It was impossible to secure photographs of 1* and 2* bis, and the fragment 2*
is too slight for reproduction.

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