DOI issue:
No. 62 (April, 1902)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.22773#0155
Studio-Talk
THE RUSSIAN ROOM AT THE RECENT VIENNA SECESSIONISTS’ EXHIBITION
Th • • :
Uo 11616 1S certainly 110 exhibitions just
the 1 Georges Petit’s, following the display by
Societe Moderne des Beaux-Arts,” in which
Kh ' ^Utaen Monod, de Glehn, Prouve, Fernand
svnnoPff (with two of his exquisitely penetrating
'vat °1Ca^ fantaisies), Allan Osterlind (whose
hi fr'co^our sketches of Spanish dancers were
Part ^ Successful), Milcendeau, and others took
’tat'' Canie an exhibition by the “ Societe Inter-
CQ Dtlale de Peinture et Sculpture,” the chief
jj °Perators being MM. Humphreys-Johnston,
Co]rtlett (represented by a brilliant set of water-
»>0urs)j Mile, Delasalle, MM. Lorimer (his Danse,
+*uit h t ' •
tjj. ae Dune, and his Pot-pourri are delightful
fc C^’s’ which have not won the recognition they
sjo^rve)> Grinrelund and Morrice, whose impres-
are S ^enice> although somewhat too Whistlerian,
jflterievertheless enchanting bits of painting. Keen
Phi:
erest-
-an interest destined to result in some-
''’ork c^saPPcantment f°r those who know the
t0 Lenbach thoroughly—was felt with regard
Pai i6 ^ree portraits by the illustrious German
‘inter.
> one that of a lady, one that of the late
Minister, Dr. von Miquel, and another, one of the
innumerable representations of the celebrated
divine, Dr. Dollinger. Whistler also was repre-
sented. Two of his four examples were drawings
which threw no new light on his prodigious talent:
quite the reverse !
The other day I was invited by Mr. Charles
Conder to a little entresol in the Rue Royale, pom-
pously styled “La Maison des Artistes”—an entresol
so small as barely to hold four visitors at one time
—to admire some ol his recent productions.
Readers of The Studio will not be surprised to
learn that Mr. Conder has been highly successful
with amateurs and people of refined taste generally.
I was shown a truly delightful series of those
fanciful productions in the form of fans for which
the artist is famous. Nothing more exquisitely
charming, nothing more ingeniously uncommon
could be imagined. This little exhibition also
proved, to those who did not know it already, that
Mr. Conder is a genuine painter. He showed,
J3S
THE RUSSIAN ROOM AT THE RECENT VIENNA SECESSIONISTS’ EXHIBITION
Th • • :
Uo 11616 1S certainly 110 exhibitions just
the 1 Georges Petit’s, following the display by
Societe Moderne des Beaux-Arts,” in which
Kh ' ^Utaen Monod, de Glehn, Prouve, Fernand
svnnoPff (with two of his exquisitely penetrating
'vat °1Ca^ fantaisies), Allan Osterlind (whose
hi fr'co^our sketches of Spanish dancers were
Part ^ Successful), Milcendeau, and others took
’tat'' Canie an exhibition by the “ Societe Inter-
CQ Dtlale de Peinture et Sculpture,” the chief
jj °Perators being MM. Humphreys-Johnston,
Co]rtlett (represented by a brilliant set of water-
»>0urs)j Mile, Delasalle, MM. Lorimer (his Danse,
+*uit h t ' •
tjj. ae Dune, and his Pot-pourri are delightful
fc C^’s’ which have not won the recognition they
sjo^rve)> Grinrelund and Morrice, whose impres-
are S ^enice> although somewhat too Whistlerian,
jflterievertheless enchanting bits of painting. Keen
Phi:
erest-
-an interest destined to result in some-
''’ork c^saPPcantment f°r those who know the
t0 Lenbach thoroughly—was felt with regard
Pai i6 ^ree portraits by the illustrious German
‘inter.
> one that of a lady, one that of the late
Minister, Dr. von Miquel, and another, one of the
innumerable representations of the celebrated
divine, Dr. Dollinger. Whistler also was repre-
sented. Two of his four examples were drawings
which threw no new light on his prodigious talent:
quite the reverse !
The other day I was invited by Mr. Charles
Conder to a little entresol in the Rue Royale, pom-
pously styled “La Maison des Artistes”—an entresol
so small as barely to hold four visitors at one time
—to admire some ol his recent productions.
Readers of The Studio will not be surprised to
learn that Mr. Conder has been highly successful
with amateurs and people of refined taste generally.
I was shown a truly delightful series of those
fanciful productions in the form of fans for which
the artist is famous. Nothing more exquisitely
charming, nothing more ingeniously uncommon
could be imagined. This little exhibition also
proved, to those who did not know it already, that
Mr. Conder is a genuine painter. He showed,
J3S