DOI issue:
No. 62 (April, 1902)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.22773#0160
Studio-Talk
OLD PEOPLE 5
BY JANOS VASZARY
of the Emperor, who had
graciously invited all the
sculptors who had aided in
the production of this street
of monuments. In the
address given on that occa-
sion to those who had
endeavoured to carry
and many others. Their appearance here is a
proof of the zeal with which the direction is
endeavouring to make the collection thoroughly
representative of modern work.
his Imperial instructions,
the Emperor made an
attempt to express his vie"'s
on what should be the aim
of modern art production-
What his Majesty said >n
condemnation of modern
taste in a mere after-dinner
speech must not be taken
too seriously as an enufl
ciation of a programme
policy in matters of art. ^
is, indeed, a pity that the
newspaper press took uf
his Majesty’s words as l(
did. The comments up011
what he said were many of them simply absur <
and the energies of the writers should have bee0
reserved for more serious matters.
The direction of the Royal Museums also scored
a considerable success at the opening of the new-
building containing the treasures acquired in the
excavations at Pergamon, which are arranged in a
very satisfactory manner. The day of the opening
was that on which the last Hohenzollern-statue in
the Siegesallee of Berlin was unveiled in the presence
B
UDAPES T. — A highly interesting
fa . . .pcefl1
experiment was seen in the
Exhibition of the “Iparmiiv
.-es^1
Tarsulat,” or Industrial Art Soc1®^
Professor P. Horti and Istvan Groh, commiss10^.
by the Minister of Commerce, visited num ^
provincial towns, and gave the local potters if*5'
tion, with the object of improving the form
truc'
of their
140
OLD PEOPLE 5
BY JANOS VASZARY
of the Emperor, who had
graciously invited all the
sculptors who had aided in
the production of this street
of monuments. In the
address given on that occa-
sion to those who had
endeavoured to carry
and many others. Their appearance here is a
proof of the zeal with which the direction is
endeavouring to make the collection thoroughly
representative of modern work.
his Imperial instructions,
the Emperor made an
attempt to express his vie"'s
on what should be the aim
of modern art production-
What his Majesty said >n
condemnation of modern
taste in a mere after-dinner
speech must not be taken
too seriously as an enufl
ciation of a programme
policy in matters of art. ^
is, indeed, a pity that the
newspaper press took uf
his Majesty’s words as l(
did. The comments up011
what he said were many of them simply absur <
and the energies of the writers should have bee0
reserved for more serious matters.
The direction of the Royal Museums also scored
a considerable success at the opening of the new-
building containing the treasures acquired in the
excavations at Pergamon, which are arranged in a
very satisfactory manner. The day of the opening
was that on which the last Hohenzollern-statue in
the Siegesallee of Berlin was unveiled in the presence
B
UDAPES T. — A highly interesting
fa . . .pcefl1
experiment was seen in the
Exhibition of the “Iparmiiv
.-es^1
Tarsulat,” or Industrial Art Soc1®^
Professor P. Horti and Istvan Groh, commiss10^.
by the Minister of Commerce, visited num ^
provincial towns, and gave the local potters if*5'
tion, with the object of improving the form
truc'
of their
140