International studio (16.1902)

'Studio- Talk





Pottery-ware

BY P. HORTI AND ISTVAN Gr6h

"are and imparting a more artistic touch to their
Blazing and decoration. By this means the decay
1(1 the potters’ industry which seemed impending
"’as happily stayed. The old, popular shapes were
reserved in the vessels, and the effect of these was
lightened by the aid of more modern methods
^ glazing and painting. The result is satisfactory
efond all expectation, for the examples of peasant-
P°ttery displayed at this Exhibition simplyastonished
delighted all beholders. Despite the simplicity
ot their material and the primitiveness of their
^othod, many of these specimens are of the highest
artistic merit.

. ^t the Winter Exhibition Bela Griinwald’s
P'cture, In the Hills, impressed one most favourably
1 *ts powerful brush-work and brilliant colouring;
.8° Boll’s Corpus Christi Day is somewhat dry
1(1 technique, but the types are admirably chosen,
fend ^together the picture faithfully suggests the
yStal atmosphere of the great fete day. Janos
tea^ary’s Old People is quite masterly from the
i f'ical point of view, and full of character to
boot - ’

’bsti

1 he market scenes by Coelestin Pallya are
latl^ct w'th artistic charm, while Ignacz Ujvary’s
p0Vi> CaPes reveal, as ever, fine sensibility and great
"hicT ^rus^—notably A Widow's Courtyard,
sw ’ w,th 'ts elder-tree in bloom under the joyous
^hoi!S thorou8hly typical of his admirable style.
y I elepyt the doyen of Hungarian painters,

contributed more of his Italian reminiscences—-
works remarkable, as is their wont, for solid technical
qualities and effective composition. Other works
at this Exhibition demanding special notice were


ET DCS LETTRES

MOUfcKE

SOUS LA DIRECTION
rr ERNEST FOURNIER
elCve de feraudt
EN SCENE
ET TRADiTiONS
COHEDiE FRANCfliSE
iNTERMfeBES
wusteRyx
BU TEMPS
PRiX DES PLACES
5'" FRE-
GES I” SECONDES f
fi L'SvANCE ft LA liBRAiRiE ECGi-
POUR LES StTAILS
VOiRlE PROGRAMHE
nMimi

POSTER

BY G.
(See Geneva Studio-1 alk)

VIOLLIER
141