International studio (20.1903)

"A WOMAN OF THE HAREM" BV DOMENICO MORELLI


papers. The best things in the Exhibition are
a few designs for scuipture by Adolf Hilde-
brand for fountains and monuments ; some busts
by Herman Hahn and Georg Wrba; and a
female figure by Josef Flossmann. Among the
painters of Munich, Ludwig von Zumbuschmidt
sends a pleasing portrait of a child; Heinrich
Ziigel a carefully-studied little landscape with
dogs; and Hugo von Habermann some fanciful
female figures of wonderful harmony of colour.
Of the not very numerous foreigners, the French
painter Besnard, the
Spaniard, Zuloaga, the
Swede, Fjaestad, and
the Swiss, Hodler, must
be honourably noticed;
while others worthy of
mention are A. Guy,
Edward Brown, Morison,
F. A. Brown, D. Y.
Cameron, K. Cameron,
G. Clausen, E. Dekkert,
J. M. Hamilton, G. Henry
W. Kennedy, J. Lavery,
W. Y. Macgregor, H. Mann,
F. L. Morton, A. Neven-
Dumont, F. H. Newbery,
B. Priestman, J. R. Reid,
J. Reid-Murray, T. Robin-
son, A. Roche, G. Sauter,
C. H. Shannon, Macaulay
Stevenson, G. ihomas, and HEAD OF A CHILD AaArBY JEAN DAMPT

A. Withers, who are our regular guests, and whose
refined art has had no small influence on that
of Munich.

A very interesting exhibition is to be seen in
the rooms on the ground floor of the royal Cabinet
of Engravings, showing the progress of coloured
prints both in Germany and elsewhere. The
earliest examples in the cotlection must be the
prints from several plates by the Dutch artist,
Cornelis Ploos, of Amsterdam. Of English work

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