DOI Heft:
Nr. 105 (November, 1905)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.26961#0090
Studio-Talk
exquisiteness and skill in a
decorative method which is
not infrequently used, but
which we have seldom seen
supported by such excel-
lent drawing.
Much of the jewellery
exhibited was of consider-
able merit, notably the
designs of Mrs. Hadaway,
Mrs. Ernestine Mills (whose
silver clasp we illustrate on
p. 74), Mrs. Edith A. Dick,
Mrs. Eastlake, and Miss G.
Hildesheim.
SILVER AND ENAMEL CASKET
in the worlcl of arts and crafts. The bookbinding,
notably that of Miss Mary Robinson, Miss Frances
Horsley and Miss Helena Morris, was excep-
tionally refined. Women metalworkers, gold-
smiths, silversmiths, and coppersmiths were well
represented. A copper standing mirror (illustrated)
by Miss Evelyn Hickman was one of the most
beautiful things of the kind that have been made.
Another striking piece of work in copper and
enamel was the triptych, of Miss Geraldine Carr (see
p. 75), in which the three enamelled pictures, giving
a rather “bizarre” history of Cinderella,
were of great strength and originality.
by geraldine carr The most exquisite
: colours were displayed in
the hand-woven throwans exhibited by Miss Annie
Garnett; and the materials designed, woven and
dyed by Miss Charlotte Brown were also very
artistic, if less noticeable than the flame and purple-
coloured silk flax which Miss Garnett sends from
her spinnery at Windermere.
There was a good collection of embroideries and
art needlework, including the two cushions which
are here illustrated, the work respectively of Miss
Mary Simonds and Mrs. Reynolds-Stephens, and
The silver work exhibited by Miss
Flora Steele was of a remarkably
high Order : it included a beautiful
alms-dish in dull silver and a christen-
ing cup, both very fine specimens of
this sphere of work. The work of Miss
Christine Connell was distinguished by
its bold design and clear flowing out-
line. The strong relief of Miss Ruby
Levick and the ambitious silver-bronze
panel, Guardian Angel, of Miss E. M.
Rope, were noticeable features of the
exhibition.
Amongst the large selection of black-
and-white work and design for illus-
tration were founcl some original
coloured drawings by Miss Pamela
Coleman Smith, and notably a drawing
in pen-and-ink, called Papilloii, by Miss
I). Carlton Smith, made with much
ALMS-DISH
BY FLORA STEELE
72
exquisiteness and skill in a
decorative method which is
not infrequently used, but
which we have seldom seen
supported by such excel-
lent drawing.
Much of the jewellery
exhibited was of consider-
able merit, notably the
designs of Mrs. Hadaway,
Mrs. Ernestine Mills (whose
silver clasp we illustrate on
p. 74), Mrs. Edith A. Dick,
Mrs. Eastlake, and Miss G.
Hildesheim.
SILVER AND ENAMEL CASKET
in the worlcl of arts and crafts. The bookbinding,
notably that of Miss Mary Robinson, Miss Frances
Horsley and Miss Helena Morris, was excep-
tionally refined. Women metalworkers, gold-
smiths, silversmiths, and coppersmiths were well
represented. A copper standing mirror (illustrated)
by Miss Evelyn Hickman was one of the most
beautiful things of the kind that have been made.
Another striking piece of work in copper and
enamel was the triptych, of Miss Geraldine Carr (see
p. 75), in which the three enamelled pictures, giving
a rather “bizarre” history of Cinderella,
were of great strength and originality.
by geraldine carr The most exquisite
: colours were displayed in
the hand-woven throwans exhibited by Miss Annie
Garnett; and the materials designed, woven and
dyed by Miss Charlotte Brown were also very
artistic, if less noticeable than the flame and purple-
coloured silk flax which Miss Garnett sends from
her spinnery at Windermere.
There was a good collection of embroideries and
art needlework, including the two cushions which
are here illustrated, the work respectively of Miss
Mary Simonds and Mrs. Reynolds-Stephens, and
The silver work exhibited by Miss
Flora Steele was of a remarkably
high Order : it included a beautiful
alms-dish in dull silver and a christen-
ing cup, both very fine specimens of
this sphere of work. The work of Miss
Christine Connell was distinguished by
its bold design and clear flowing out-
line. The strong relief of Miss Ruby
Levick and the ambitious silver-bronze
panel, Guardian Angel, of Miss E. M.
Rope, were noticeable features of the
exhibition.
Amongst the large selection of black-
and-white work and design for illus-
tration were founcl some original
coloured drawings by Miss Pamela
Coleman Smith, and notably a drawing
in pen-and-ink, called Papilloii, by Miss
I). Carlton Smith, made with much
ALMS-DISH
BY FLORA STEELE
72