DOI issue:
Nr. 107 (January, 1906)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.26961#0352
Studio-Talk
Prof. Brütt, the sculptor, Dettmann,
Feddersen, Wilckens, Alberto Arp, and
a number of others have made the
people and the coast landscapes of their
country the field of their best efforts.
Among the women-artists of note,.
Fräulein Charlotte von Krogh-Haders-
leben has studied the old peasant cottage-
interiors of the North of Schleswig with
much sincerity and truth. We reproduce
one of these cottage interiors after an oil
painting by the artist. W. S.
COTTAGE 1NTERIOR,
NORTH SCHLESWIG
BY CHARLOTTE VON
KROGH-HADERSLEBEN
the old emblems and the old ideals, and his art has
withal the polish and artifice that has been made
the mode of this day. He is sweet, contained,
accomplished; and there is a charm, discreet and
exceptional, in his flowing drapery.
embraces
L. Dill,
DRESDEN.—At Ernst Arnold’s
Galleries there is a remark-
able exhibition of drawings-
by modern German artists on
view. This is the second of its kind, the
former having been held in 1896. Then
the plan was to show finished drawings,
—water-colours that had the marks of a-
finished picture about them, or illustra-
tions, and the like. To-day studies and
sketches, the working material of the
artist in the preparation of his painting
or statuary, are exhibited. The show
has been most carefully prepared and
the work of C. Bantzer, P. Baum,
O. Fischer, A. Gaul, O. Greiner, C-
Henry Linder has recovered an old, fresh view
of life. He has brought back to American art at
least some of the frank simplicity of the old faith of
mediaeval crafts, and he has expressed it in a few
pieces of chaste and exquisite beauty. He is
curiously ignorant of the methods of commercialism.
He models solely to suit himself. No wonder that
he has a steep road to travel, but he travels it
cheerfully, content with lending form and expression
to the manifold Souvenirs that crowd his memory.
S. H.
KIEL.—In Germany the word ‘‘Heimat-
kunst,” home-art, that is, art of a
specific local character in landscape
and type of peasant population, has
within the last decade involved much thought and
true endeavours among our artists in the different
provinces. From Schleswig-Holstein such modern
men as the late Herr Eckmann, Prof. Christiansen,
274
STUDY BY ANSELM FEUERBACH
(By permission of Herr E. Arnold)
Prof. Brütt, the sculptor, Dettmann,
Feddersen, Wilckens, Alberto Arp, and
a number of others have made the
people and the coast landscapes of their
country the field of their best efforts.
Among the women-artists of note,.
Fräulein Charlotte von Krogh-Haders-
leben has studied the old peasant cottage-
interiors of the North of Schleswig with
much sincerity and truth. We reproduce
one of these cottage interiors after an oil
painting by the artist. W. S.
COTTAGE 1NTERIOR,
NORTH SCHLESWIG
BY CHARLOTTE VON
KROGH-HADERSLEBEN
the old emblems and the old ideals, and his art has
withal the polish and artifice that has been made
the mode of this day. He is sweet, contained,
accomplished; and there is a charm, discreet and
exceptional, in his flowing drapery.
embraces
L. Dill,
DRESDEN.—At Ernst Arnold’s
Galleries there is a remark-
able exhibition of drawings-
by modern German artists on
view. This is the second of its kind, the
former having been held in 1896. Then
the plan was to show finished drawings,
—water-colours that had the marks of a-
finished picture about them, or illustra-
tions, and the like. To-day studies and
sketches, the working material of the
artist in the preparation of his painting
or statuary, are exhibited. The show
has been most carefully prepared and
the work of C. Bantzer, P. Baum,
O. Fischer, A. Gaul, O. Greiner, C-
Henry Linder has recovered an old, fresh view
of life. He has brought back to American art at
least some of the frank simplicity of the old faith of
mediaeval crafts, and he has expressed it in a few
pieces of chaste and exquisite beauty. He is
curiously ignorant of the methods of commercialism.
He models solely to suit himself. No wonder that
he has a steep road to travel, but he travels it
cheerfully, content with lending form and expression
to the manifold Souvenirs that crowd his memory.
S. H.
KIEL.—In Germany the word ‘‘Heimat-
kunst,” home-art, that is, art of a
specific local character in landscape
and type of peasant population, has
within the last decade involved much thought and
true endeavours among our artists in the different
provinces. From Schleswig-Holstein such modern
men as the late Herr Eckmann, Prof. Christiansen,
274
STUDY BY ANSELM FEUERBACH
(By permission of Herr E. Arnold)