International studio — 39.1909/1910(1910)
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DOI Heft:
Nr. 153 (November 1909)
DOI Artikel:Japanese lacquer
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19868#0152
[Index]
j
Briscoe, Miss F..........323 Coppier, Charles........ . 323
…
Brown, J............250 Cottet, Charles.......... 323
…
Carlsen, Emil. One Illus.......7, 8 Davis, Charles H.......... r2
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Illus............. xi Dufner, Edward. One Illus.....33^,333
…
Conder, Charles. One Illus.....17,18,27 Durand............ 4
k
Eaton, Charles Warren. One Illus. . 14,333, 334
…
Fraser, Edward Sackwell....... I™
…
Gregory, Edward J., R.A. By A. Lys Baldry.
l
Hassam, Childe. One Illus....... 3. 6 Jacque, Charles. One Illus...... 1«
…
Hellmer, Professor......... 158 Jouas> Charles.......... 323
…
Hind, C. Lewis. Charles Ricketts. Nine Illus. 259 Kenzan, Ogata. Three Illus...... 133
…
Mr. and Mrs. Charles P. Taft Collection. Kobori, Yenshu ...... 126
…
Holrovd, Sir Charles. Three Illus. 216,218,220,212 __Illus. - •........... xcn
…
Hubener, Ulrich......... 320 Lamb, Charles R......... vm
n
Nixon, James..........213 Redfield, Edward W......... 12
…
Ould, E. A., F.R.I.B.A. Two Illus. ... 140 Ricketts, Charles. One Illus...... 18, 24
o
Shannon, Charles. One Illus. . . . 20, 186,224 Symons, Gardner. One Illus...... ci
…
Sheche'rd F H S 229 Taft, Mr. and Mrs. Charles P., Collection. By
p
Volkmar, Charles......... xcvii Williamson, W. S. Three Illus...... 168
…
Ward, C. D........... 153 Young, Charles Morris. One Illus..... 8,12
…
Gregory, Edward J., R.A. "Marooned." A Colored Reproduction of the Oil Painting.....xxviii
q
Ricketts, Charles. "The Holy Women and the Angel of the Resurrection." A Colored Reproduction
…
Art of Building a Home. By Edward Carpenter................. xxv
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Cloister and the Hearth. By Charles Reade.................. xxvi
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Decorative Study of a Cock. By Edward J. Detmold................ 255
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Fables of Msop. Illustrated by Edward J. Detmold................ 336
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Giovanni Boccaccio. By Edward Hutton................... 250
r
King Charles I at His Trial. By Edward Bower................ 255
…
Little Books on Art. By Edward Dillon................... xxiv
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New History of Painting in Italy. By J. A. Crowe and G. B. Cavalcaselle. Edited by Edward Hutton . 170
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Translated by Edward Fitzgerald. Edited with Introduction and Notes by Reynold Alleyne
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Simplification of Life. By Edward Carpenter.................. xxv
Nr. 153 (November 1909)
4
Copyright, lyoy, l>y Charles BcrlbDOT'l Suns
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By CHARLES W. FURLONG
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CHARLES SCRIBNER'S SONS, 153 Fifth Avenue, NEW YORK
5
CHARLES DICKENS AND HIS FRIENDS
…
Mr. Teignmouth Shore takes us at once into the very midst of Charles Dickens' large and distinguished circle
…
a name famous in the Victorian era which we do not find associated here with that of Charles Dickens.
Nr. 153 (November 1909) / Dutch pictures in the Hudson-Fulton exhibition at the Metropolitan Museum Of Art
Nr. 153 (November 1909) / Contemporary american ladscape painting
Nr. 153 (November 1909) / A picture collector's experiment
Nr. 153 (November 1909) / Studio-talk
Nr. 153 (November 1909) / The Cockcroft cottage at East Hampton, Long Island
Nr. 153 (November 1909) / Japanese lacquer
Nr. 153 (November 1909) / The fall art books
Nr. 153 (November 1909)
Nr. 154 (December 1909) / Contents
Nr. 154 (December 1909)
9
Text by DR. GEORGE F. KUNZ and DR. CHARLES HUGH
…
y CHARLES H. CAFFIN
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By CHARLES H. CAFFIN, author of
11
Charles Dickens and His Friends
…
PerSonaij( ?nn30uth Shore takes us at once into the very midst of Charles Dickens's large and distinguished circle of friends. The
…
which we do not find associated here with that of Charles Dickens.
Nr. 154 (December 1909) / The art of Edward John Gregory
87
Edward J. Gregory, R.A.
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to prophesy that as years go on the art of Edward activities of our times. Men of very dissimilar
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achievement, and in his "Piccadilly" by edward j. Gregory, r.a.
Nr. 154 (December 1909) / Reviews and notices
Nr. 155 (January 1910) / Leon Dabo, landscape painter
Nr. 155 (January 1910) / The landscape paintings of James Aumonier
Nr. 155 (January 1910) / Etched book-plates
Nr. 155 (January 1910) / Studio-talk
Nr. 155 (January 1910) / Art School notes
Nr. 155 (January 1910) / Reviews and notices
Nr. 155 (January 1910) / Some pictures from the collection of Mr. and Mrs. Charles P. Taft
Nr. 155 (January 1910)
Nr. 156 (February 1910) / Charles Ricketts
259
Charles Ricketts
…
In an article on Mr. Charles Shannon in this not hazard the question—If the Bacchus and
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and various " Mr. Charles Ricketts, to cull a phrase hours ? "I wake up at night " is his brief explana-
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"twin origin" of Charles Ricketts.
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a man as Charles Ricketts, who
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not think that for Charles Ricketts
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to him the name of Titian, he is ''the betrayal" by charles ricketts
262
Charles Ricketts
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his Calvary, the centurion's blue « heuodorus expelled from the temple." by charles ricketts
Nr. 156 (February 1910) / Julius Olsson, painter of seascapes
Nr. 156 (February 1910) / Country cottages and their gardens
Nr. 156 (February 1910) / Studio-talk
Nr. 156 (February 1910) / Art school notes
Nr. 156 (February 1910) / Reviews and notices
Nr. 156 (February 1910) / National Society of Craftsmen exhibition
Nr. 156 (February 1910) / National Academy of Design exhibition
Japanese Lacquer
and tortoise shell, etc., to
expert cnamclers in Japan
to whom the application
of the authentic lacquer
has been entrusted. Some
of the results of this ex-
periment have recently
been returned from Japan
and are now to be seen at
the Tiffany Building..
In far the larger num-
ber of objects of artistic
lacquer, writes Edward
Dillon in "The Arts of
Japan," the ground will be
found to be either black or
of an orange-brown tint;
in both cases the decoration
is given by gold applied in
various ways. The black
tint is given to the lacquer
before application by the
addition of certain ingredi-
ents that correspond closely
to those used in the prepa-
ration of our ordinary writ-
ing ink (acetate of iron,
etc.). In the case of the
orange tints the natural
color of the lacquer is
strengthened, generally by
the addition of gamboge.
The effect is frequently
heightened and a surface
resembling avanturine is
obtained by the addition
of fine metallic particles-—
not always gold, for in the
honey-colored base any
white spangles take on 8
golden aspect. It is thus
that the famous nashiji
JAPANESE LACQUER (pear rind) ground is produced—perhaps the
best-known variety of Japanese lacquer. But gold
The usual objection to small objects of may be applied in many other ways. It may be
personal use decorated in Japanese lacquer dusted onto the still moist ground, it may be
lies in the sometimes overquaint and some- added piece by piece in small rectangular fragments
times quite too fantastic shapes which the Japanese of foil (kirigane), or the gold may float in flakes in
themselves affect. Though the form of decoration the substance of the lacquer (giyobu nashiji). The
may be desired, the style of the object itself is often lacquer may at times be so changed with metallic
too foreign to suit our Western taste. This difficulty particles as to assume the aspect of a dull-gold
has been met in some recent work of Tiffany & Co. ground. The greatest stress is laid by the Japanese
by the clever expedient of consigning a number of on the various qualities of their gold grounds, often
popular articles of their own manufacture in silver associated with the names of famous artists.
JAPANESE lacquer applied to tiffany objects of art in silver
and tortoise SHELL
xxii
and tortoise shell, etc., to
expert cnamclers in Japan
to whom the application
of the authentic lacquer
has been entrusted. Some
of the results of this ex-
periment have recently
been returned from Japan
and are now to be seen at
the Tiffany Building..
In far the larger num-
ber of objects of artistic
lacquer, writes Edward
Dillon in "The Arts of
Japan," the ground will be
found to be either black or
of an orange-brown tint;
in both cases the decoration
is given by gold applied in
various ways. The black
tint is given to the lacquer
before application by the
addition of certain ingredi-
ents that correspond closely
to those used in the prepa-
ration of our ordinary writ-
ing ink (acetate of iron,
etc.). In the case of the
orange tints the natural
color of the lacquer is
strengthened, generally by
the addition of gamboge.
The effect is frequently
heightened and a surface
resembling avanturine is
obtained by the addition
of fine metallic particles-—
not always gold, for in the
honey-colored base any
white spangles take on 8
golden aspect. It is thus
that the famous nashiji
JAPANESE LACQUER (pear rind) ground is produced—perhaps the
best-known variety of Japanese lacquer. But gold
The usual objection to small objects of may be applied in many other ways. It may be
personal use decorated in Japanese lacquer dusted onto the still moist ground, it may be
lies in the sometimes overquaint and some- added piece by piece in small rectangular fragments
times quite too fantastic shapes which the Japanese of foil (kirigane), or the gold may float in flakes in
themselves affect. Though the form of decoration the substance of the lacquer (giyobu nashiji). The
may be desired, the style of the object itself is often lacquer may at times be so changed with metallic
too foreign to suit our Western taste. This difficulty particles as to assume the aspect of a dull-gold
has been met in some recent work of Tiffany & Co. ground. The greatest stress is laid by the Japanese
by the clever expedient of consigning a number of on the various qualities of their gold grounds, often
popular articles of their own manufacture in silver associated with the names of famous artists.
JAPANESE lacquer applied to tiffany objects of art in silver
and tortoise SHELL
xxii